Thursday, September 13, 2012

Twentieth Century Zoo - Thunder On A Clear Day (1968 us, fizzing garage psych with blues trails, Sundazed issue)

The Twentieth Century Zoo were the first psyche rock hand from Phoenix to have a national album release. The story begins in 1966 when West High School student Bob Sutko recruited Allan Chitwood and Greg Farley and formed the folk-rocking Bitter Sweets. 

The band became a fixture on the valley rock ‘n' roll scene, measuring up to such local legends as the (pre-Alice Cooper) Spiders, the Caravelles, the Mile Ends, Vibratos and Phil and the Frantics. The Bitter Sweets released two local singles in 1966 and 1967, including the now sought-after Byrds clone "Cry Your Eyes Out" (Hype 102). The Bitter Sweets gained the support of Tony Evans, an influential music director of Phoenix radio giant KRIZ (1230 am). 

Evans ran Routeen Music, a local publishing company, which scored a big hit on Artco - a Phoenix soul label - with the original "Funk)' Broadway" by Dyke and The Blazers. Evans soon placed the regional hit on Art Laboe's Original Sound Records in Los Angeles. This connection led to the band's third and final single - "In The Night/Another Chance" (OSR 70) - getting a similar national shot in 1967. Though "In The Night" holds up as a decent fuzz-punker today, contemporary success eluded the band. By late 1967, the Bitter Sweets decided to take a different tack, psychedelicizing into the Twentieth Century Zoo. 

Besides ex-Bitter Sweets Sutko (vocals and harmonica), Farley (rhythm guitar), Chitwood (bass) and drummer Paul Bennett, the group picked up Paul "Skip" Ladd, formerly of the Laser Beats ("Rampage," Laser 101), on lead guitar. Band manager Chari Zelman – affectionately recalled as a pushy, redheaded, single mom - financed a session at Audio Recorders on North Seventh Street in Phoenix. The resulting single's A-side, "Clean Old Man" (CAZ 103) gave little warning ot the ferocity found on the flip. 

The mind-crunching fuzz of "You Don't Remember" could have clinched legendary status for The Zoo all by itself. Shortly after the record hit the streets in late 1967, Bennett received his greetings from Uncle Sam and the band needed a new percussionist. Future drummer Randy Wells of Sounds Incorporated remembers auditioning in Zelman's garage: "It was full of young drummers, all banging away on their sets, but as soon as I started to play, they liked me," says Wells, who honed his chops bearing the skins  in the Tempe High School marching band. Wells was firmly planted in the drummer's seat by the rime the Zoo returned to the studio to cut their next single, 1968s heavy "Love In Your Face"/ Tossin' and Turnin’ (CAZ 104). 

In the fall of that year, Zelman secured an album contract with Vault Records of Los Angeles. Wells remembers spending two weeks in LAs Sound Factory Studios, cutting what was essentially the Zoo's live set at the time. The album, Thunder On A Clear Day (Vault 122), includes rerecorded versions of "You Don't Remember" and "Love In Your Face” both of which arc longer and in stereo. 

The pair are included on this CD, along with two previously unreleased album tracks, "Hall Of The Mountain King" and "Enchanted Park." Wells recalls dashing with producer Gene Simmons over the percussion. "I wanted to do a Santana sounding thing with the drums. We had these Latin licks, but Gene didn't have time for it. He did pump up the drums in the mix. They sound pretty good." Simmons added keyboards to the session and many different sound effects, including a string introduction to "Blues With A Feeling" that Wells recalls he found on a tape in the studio. Vault released die LP and edited versions of "Rainbow" and "Bullfrog" as a single (Vault 948) in late 1968. 

The album is now considered a West Coast hard-rock classic. "I was surprised with the album cover and my double exposure picture on the back," says Wells. "I was definitely the strongest personality in the band, because I wanted things done a certain way, and I clashed several times with Gene Simmons, but he forgave me. He knew I was a crazy drummer. For that time, (considering) the quality of the studio, they did pretty good with what we had." After the release, the band played several large concerts at the Phoenix Veterans Memorial Coliseum, opening for national acts. "We played with Iron Butterfly twice, The Byrds, Crabby Appleton and Blue Cheer," Wells remembers. "The second time we played with Iron Butterfly we used rented amps for some reason and the fuses kept blowing. It was the most horrendous night of my career. We were really ready to kick butt, and they kept blowing fuses right and left. We had to stop after a couple of songs." There was a final Vault single release in 1969, "Only Thing That's Wrong"/ "Stallion Of Fate" (Vault 961), the group's swansong release. 

Following the demise of the Zoo in 1970, Wells played in local Phoenix country-rock band E.Z. Pickins, before answering to a higher calling in the mid-70's. He recently earned his Doctorate of Ministry and has his own church in California, although he still plays drums on Sunday. As Wells says: "I can still get things going with my double bass drums. I don't miss a lick. I've even got some new things, but this time it's for the Lord."
by John P. Dixon
1. You Don't  Remember (Single Version) (R. Sutko, G. Farley) - 2:49
2. Clean Old Man (R. Sutko, Paquette) - 2:37
3. Love In Your Face (Single Version) (G. Farley, R. Sutko) - 2:03
4. Tossin 'n' Turnin (Rene, Adams) - 2:16
5. Quiet Before The Storm (P. Ladd, R. Sutko) - 4:56
6. Rainbow (P. Ladd, R. Wells, R. Sutko) - 4:17
7. Bullfrog (M. Merrick)- 6:39
8. Love In Your Face (G. Farley-R. Sutko) - 3:20
9. You Don't Remember (R. Sutko, G. Farley) - 3.09
10. It's All In My Head (H. Aceves) - 5:06
11. Blues With A Feeling (W. Jacobs) - 9:54
12. Only Thing That's Wrong (A. Chitwood, R. Sutko) - 2:44
13. Stallion Of Fate (S. Ladd, J. Preston) - 2:55
14. Country (R. Sutko, G. Farley) - 2:53
15. Hall Of The Mountain King (Grieg) - 2:59
16. Enchanted Park (R. Sutko G. Farley) - 4:29

Twentieth Century Zoo
*Allan Chitwood - Bass
*Bob Sutko - Vocals, Harmonica
*Greg Farley - Guitar
*Randy Wells - Drums
*Paul "Skip" Ladd - Lead Guitar

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  1. I have a vinyl reissue from the 80's, but not with all this bonus tracks (9 tracks in more). I hope that they are same level that the original album. In my memory this is a great magical gem, as good even better than Floating Bridge on the same Vault label.
    Thanks Marios for the sharing. Essential blues psych record!!!

    1. @Laurent:You may have mixed feelings at the beginning not the bonuses, because they are very good, but the order of the songs ... CD American group Twentieth Century Zoo 'Thunder On A Clear Day'. Label Sundazed Music had proposed to put bonuses before and after the base material... four recordings of the singles at the beginning and at the end five tracks.(a little odd solution)

  2. Sigh..Label Sundazed Music has proposed to put bonuses before and after the base material... four recordings of the singles at the beginning and at the end five tracks.(a little odd solution)
    Over the years... knowing the material from the LP,with time (a few times listen) , can not imagine any other than the beginning of the disc sensational 'You Don't Remember' starting strongly coupled and distorted guitar. After that, it is an excellent example of how a song should sound garage psychedelic clearly stated in the coating. 'You Do not Remember "is a pattern of this type of music - hard, with passion and zadziornie and primarily to pain melodiously. It is worth noting that the song is on the CD twice. In addition to the single's version, also in a modified and slightly milder arrangement placed on the LP, but with a magnified sounds of organ Hammond. Another addition was the folk 'Clean Old Man'. Genuinely beautiful, full of brooding,acoustic-composition enriched with lots of stringed instruments section. How different from the rest of the repertoire.

    Next two guitar recording that's dynamite. In the introduction to 'Love In Your Face' there is an unexpected, powerful, almost devastating guitar chord that heralds from the well will have to face the audience. What a pity that so short were the singles tracks. Just as in the case of 'You Do not Remember' also 'Love In Your Face' in the revised version appeared on the 'Thunder On A Clear Day', only this time preceded by a naturalistic effect of broken glass in place of the electric guitar. However, 'Tossin' And Turnin'... it in terms of melodic rhythm and blues properly, but harder and played a big load of energy.

    The first track on the LP begins 'Quiet Before The Storm' quiet and if they did not fit the opening of the album. Admission was used here the effect let go in the opposite direction the tape. This played at a slow tempo song inspired charmed, sometimes slightly mystical atmosphere is created thanks to the leading party leader delicate Hammond organ. In a word - the music was appropriate to the title. But the 'Rainbow' was back on a stronger path, which is a lot of great parties and a strong guitar, strong rhythm. A great combination. On the other hand the 'Bullfrog' group shows its other face. We meet here not only as a quintet lovers sharper sounds, but primarily as a passionate improvisation. In fact, we have here a few minutes a great, well embedded in the blues tradition, a wonderful play.

  3. These trends are even more noticeable in the last two compositions on the LP - 'It's All In My Head', and above all in the classic blues 'Blues With A Feeling '. The first recording of eye-catching thanks to the almost relentlessly distorted guitar. While deliberately ripped and the longest on the album 'Blues With A Feeling' was a kind of tribute to the masters of the genre. Played with the occasional harmonica track participation was loaded to the brim with wonderful improvisations guitar, Hammond organ, and even a piano. A matter of fact there was nothing here the noise characteristic of earlier rock songs, in return nearly every second was steeped in atmosphere closer to the blues traditionally understood. Apparently there is nothing new or some element of surprise, but listen to this perfectly. In addition, extremely emotional vocal interpretation, sometimes on the border shouting.
    In some places, the team extended its music sound effects. For example - the sound of a passing train, the aforementioned breaking glass and shouting and howling distorted, police car siren. Of course, they were marginal and were kind of ornamentation appearing in the introduction or the few end recordings.

    You should also look at the five the last tracks on CD As many as three of them have so far been not published. Interestingly presents version of 'In The Hall Of The Mountain King " Edvard Grieg. In the form, proposed formation of introduction here a short monologue spoken gloomy, slightly distorted voice.
    The perfect is also the last on CD 'Enchanted Park'. Is reminiscent of the beginning of the melody played by a music box or music box. Suddenly this dreamy aura is disturbed by the entrance quintet typical rough, rock songs to the moment the team again changed the mood by introducing a short, creating a nervous atmosphere enriched motif maniacal laughter. I love the schizophrenic ideas...Enjoy!!!

  4. I already own this....and this is ESSENTIAL listening. A great, almost-forgotten band with a killer sound. Thanks for sharing this.

  5. Hi, would love to hear this, could you reup it, thanks

  6. .....Twentieth Century Zoo...ReVisited.....