Alan Bown made an improbable rock star -- though it could be argued that he was never really a "star." With the trumpet as his instrument, he wasn't even a terribly likely rock & roll bandleader, but he definitely was that, and for a lot of years. And if his bands' recordings had been as successful as their live shows, he'd likely have been a star and then some.
The latter two areas were where Bown's interest lay, and he was soon a member of a group called the Embers that was booked into the Star Club in Hamburg, Germany, working on the same bills as such Liverpool-based artists as Tony Sheridan, the Beatles, the Undertakers, et al. He returned to England after the extended engagement and joined the John Barry Seven, led by the trumpeter/arranger John Barry. He was actually more involved with the group than Barry, whose burgeoning careers as a record producer and film music composer were taking off in a big way and keeping him busy outside of performing.
When Barry disbanded the group in 1964, Bown picked up the pieces and formed an outfit of his own -- his proposed name was ABC, standing for Alan Bown Community, but at the behest of his manager he chose the Alan Bown Set instead. The sextet was an immediate success as a live act, and it became an audience and critical favorite in London.
Even a signing to the Island label failed to re-ignite their commercial prospects, though Bown did keep a version of the band -- including Mel Collins on saxophone -- together for touring purposes as late as 1972. After that last tour, Bown himself -- following a short stay in a band called Jonesy -- moved on to a producer's spot with British CBS Records, where he was one of those involved with the signing of Mott the Hoople and Sailor. By the 1980s, he had long since abandoned performing in favor of the business side of the music business, and started his own production and publishing company.
Thanks to the continued reissue of his '60s-era recordings, however, he remains a much-loved and fondly remembered figure as a performer, from the British beat era into the psychedelic period.by Bruce Eder
1. My Friend - 3:05
2. Strange Little Friend - 2:45
3. Elope - 3:22
4. Perfect Day - 3:06
5. All I Can Do - 2:46
6. Friends In St. Louis - 2:31
7. The Prisoner - 10:16
8. Kick Me Out - 2:42
9. Children Of The Night - 2:41
10.Gypsy Girl - 2:32
11.Still As Stone - 2:45
12.Wrong Idea - 2:31
Bonus Tracks 11-12
In the UK release featured Robert Palmer’s vocals, recorded after Jess left the band; the US release was issued with Jess’ vocals
*Vic Sweeney - Drums, Percussion
*Stan Haldane - Bass
*Tony Catchpole - Electric, Acoustic Guitar
*Robert Palmer - Lead Vocals, Percussion
*Jeff Bannister - Piano, Organ
*John Anthony - Alto, Tenor Saxophone, Recorder, Clarinet
*John Hemmings - Trombone
*Alan Bown – Trumpet, Flugelhorn, Maracas
*Jess Roden - Vocals