Thursday, January 16, 2014

Lee Michaels - Lee Michaels (1969 us, remarkable organ drivin' groovy heavy psych)

One of the most interesting second-division California psychedelic musicians, keyboardist Lee Michaels was one of the most soulful white vocalists of the late '60s and early '70s. Between 1968 and 1972, he released half a dozen accomplished albums on A&M that encompassed baroque psychedelic pop and gritty white (sometimes gospel-ish) R&B with equal facility. A capable songwriter, Michaels was blessed with an astonishing upper range, occasionally letting loose some thrilling funky wails. In 1971, he landed a surprise Top Ten single with "Do You Know What I Mean," one of the best and funkiest AM hits of the early '70s.

But Michaels was really much more of an album-oriented artist, from the time he began recording in the late '60s. Michaels started playing music in Southern California, where he was in a band with future members of Moby Grape, the Turtles, and Canned Heat. By the time he signed to A&M, however, he'd moved to San Francisco, joining the management stable of Matthew Katz (which also included, at various times, Jefferson Airplane, Moby Grape, and It's a Beautiful Day). Michaels was unusual for a San Francisco act in that he relied mostly on an organ-based sound, especially after the first pair of albums, when for a time he played (live and in the studio) with the mammoth drummer "Frosty" as his only accompanist.

"Do You Know What I Mean," ironically, was a throwaway tune that Michaels wrote hurriedly. Though Lee himself didn't think much of it, the song was a first-rate blast of blue-eyed soul; around this time, the gospel influence that had often informed his sound came to the fore. His albums in the mid-'70s for Columbia, however, were both critical and commercial disappointments. Michaels moved to Hawaii for an extended retirement from the music business. In the early '80s he announced the forthcoming independent release of a new solo album entitled Absolute Lee, which finally saw distribution through One Way Records in 1996; however, little has been heard from him since.
by Richie Unterberger

One of the masterpieces of the period, Lee Michaels was essentially recorded live in the studio by only Michaels (organ/bass pedals) and Frosty on drums. It's a fabulous performance and one of the finest R&B/rock sets of the period. The first side is comprised of a medley of soulful workouts that come out sounding not unlike Led Zeppelin. Here, Michaels pulls out all the stops (literally) and showcases the organ as a bona fide rock instrument. Despite the lengthy drum solo, it's one of the finest sides of Los Angeles rock & roll. Michaels also reprises "My Friends," a song from his first album, to great effect. Lee Michaels is also home to the good-time, pro-drug anthem "Highty Hi," as well as an awesome cover of "Stormy Monday." A true party platter. 
by Matthew Greenwald
1. Medley: Tell Me How Do You Feel/(Don't Want No) Woman/My Friends/Frost (Lee Michaels) - 20:27
2. Stormy Monday (T-Bone Walker) - 5:12
3. Who Could Want More (Lee Michaels) - 3:44
4. Want My Baby (Lee Michaels) - 2:59
5. Heighty Hi (Lee Michaels) - 6:01

*Lee Michaels - Bass,  Keyboards,  Vocals
*Bartholomew Smith Frost - Drums, Percussion

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