rep>>> Trees - On the Shore (1970 uk, beautiful progressive folk, 2nd album 2008 double disc remaster)

Having honed their repertoire on the road, Trees returned to the studio in October 1970 to cut their second and last LP, the masterful On The Shore. Another beautifully-judged blend of original and traditional material, it received extravagant praise but failed to break through commercially, spelling the end for the band’s original incarnation.

It makes its long-awaited reappearance on vinyl here, as a deluxe double LP set. Featuring a gatefold sleeve packed with rare images, a lavish 12-page booklet with an introduction from their guitarist David Costa and a detailed band history, and numerous bonus tracks, it is the fullest edition of this classic album ever assembled.

‘An exceptionally intoxicating brew of gothic folk songs, eastern-tinged guitars, male-female vocal interplay and solid drum grooves. Impeccable stuff’

Shindig magazine

A splendid fusion of austere English folk and the fluid guitar lines of America’s West Coast, and as good as anything produced by their contemporaries in the field’

Record Collector

Tracks

1. Soldiers Three (Traditional) - 1:51

2. Murdoch  (Bias Boshell) - 5:10

3. Streets Of Derry (Traditional) - 6:09

4. Sally Free And Easy (Cyril Tawney) - 1:12

5. Fool  (Bias Boshell, David Costa) - 10:12

6. Adam's Toon (Adam De La Halle) - 5:22

7. Geordie  (Traditional) - 5:06

8. While The Iron Is Hot  (Bias Boshell) - 3:21

9. Little Sadie  (Traditional) - 3:11

10.Polly On The Shore  (Traditional) - 7:31

Bonus Disc

1. Soldiers Three (Traditional) - 1:50

2. Murdoch - 6:36

3. Streets Of Derry (Traditional) - 7:34

4. Fool - 5:24

5. Geordie (Traditional) - 5:09

6. Little Sadie (Traditional) - 2:40

7. Polly On The Shore (Traditional) - 6:09

8. Forest Fire - 4:06

9. Little Black Cloud - 2:14

Songs 2,4,8,9 written by Bias Boshell

Tracks 1-7 remixed

Track 8 BBC Session 1971 

Track 9 Demo 1970 

Trees
*Bias Boshell - Guitars, Piano, Acoustic 12-String, Vocals
*Celia Humphris - Vocals, Keyboards
*Barry Clarke - Lead Guitar
*Unwin Brown - Drums, Percussion, Vocals
*David Costa - Acoustic Guitar, Electric 12-String, Dulcimer
Guest Musicians
*Tony Cox - Bass (on track 4)
*Michael Jeffries - Harp

1970  Trees - The Garden Of Jane Delawney (2008 Sony)

Just Paste

Text Host

Free Text

rep>>> The Travel Agency - The Travel Agency (1968 us, elegant pop psych early prog, 2012 remaster and expanded)

The Travel Agency formed in San Francisco and released their self-titled LP, produced by Bread's James Griffin,  on LA's Viva Records in 1968. Drummer Frank (real name Francisco) Lupica joined  a little later, prior to the LP.  Lupica had previously been in Us, a Bob Segarini-led  garage band who'd recorded for the Autumn label in 1965  but whose sole 45 was not released due to a dispute over  arrangements between Segarini and the label they split soon after and Segarini went on to lead a succession of more successful  bands (Family Tree, Roxy, Wackers).

Side One is the stronger; the haunting and stately  neo-prog keyboard intro which blossoms into the poppy  What's A Man, strong fuzztone on Cadillac George,  and gentler love songs Lonely Seabird and So Much Love.  There are fast commercial rockers (Make Love and Old Man)  and catchy pop (That's Good). Perhaps because of this diversity  and the lack of band identity, thanks to the absence of  any member info or credits, the album was overlooked and remains underrated. 

Steve Haehl and Frank Lupica reappeared  a couple of years later in Shanti, whose eponymous  Eastern-influenced LP was released in 1971. Two tracks thereon  were composed by non-member Mike Aydelotte, aka Michael Sage  when he was in Travel Agency. Lupica went on to a solo career and,  billed as Francisco, performed one-man shows all over California  playing numerous exotic instruments including a self-built electrified I-beam; adorned with keyboards and other devices, he dubbed it  the Cosmic Beam. In 1976 he released his proto-new age LP,  Cosmic Beam Experience. 

In the same year he was musician and  composer for Tanka, a very short animated film about  Tibetan thank gas (images from the Tibetan Book Of The dead)  alongside former Shanti bandmates Ashish Khan and Pranesh Khan; 

in 1979 he was sound effects creator for Star Trek The Motion Picture; and in 1998 his music was used and sampled in the film The Thin Red Line. He played viola the Deep Song CD by Ranee Lee.

by Max Waller with thanks to Jeff Jarema.

Tracks
1. What's A Man - 5:06
2. Sorry You Were Born - 3:08
3. Cadillac George - 4:42
4. Lonely Seabird - 3:21
5. So Much Love - 3:02
6. Make Love - 2:25
7. That's Good - 6:57
8. I'm Not Dead - 2:17
9. She Understands - 3:10
10.Come To Me - 3:16
11.You Will Be There - 2:16
12.Old Man - 2:12
13.Time – 2:35
14.Made For You – 2:09
15.Emit – 2:34
16.What's A Man – 3:08
17.She Understands – 3:07
All songs by Steve Haehl, Michael Sage, Frank Lupica
Bonus Tracks 13-17

The Travel Agency
*Steve Haehl - Guitar, Vocals
*Michael S. Aydelotte aka Michael Sage - Bass
*Francisco (Frank) Lupica - Drums

Related Acts

1971  Shanti - Shanti

1976  Francisco - Cosmic Beam Experience (2005 reissue)

Just Paste

Text Host

Free Text

rep>>> Terence - An Eye For An Ear (1969 canada, mindblowing mixture of soulful pop psych 'n' garage, Fallout 2008 reissue)

Terry Black was the Fabian of Canada and covered buttloads of Barri Sloan songs in his pop career and  had six top 40 hits in Canada as a teenager, as well as recording the cult Black Plague LP in 1966. His parents moved him to Los Angeles and he was slated to play Elvis' brother in a movie, but the deal fell through. 

This album is an attempt to go heavy ‘n’ get cred, with lotsa Hendrix rip-offs and baritone over-the-top-soul vocals (think 'Wind Cries Mary' or the Ides of March 'Vehicle'). It's got blasting fuzz solos, swinging drum breaks, lots of organ whooshing, big time brass riffs here and there. 

Tracks

1. An Eye for An Ear  - 3:39

2. Rap - 3:17

3. Second City Song - 2:52

4. Power - 3:45

5. Exiles - 2:22

6. Fool Amid the Traffic - 4:23

7. Priscilla - 2:21

8. Lighting Frederick's Fire - 4:29

9. The Emperor (Richard Gael, Eric Robertson) - 4:27

10.Does It Feel Better Now - 2:41

All songs by Richard Gael, Patrick Riccio II except where stated

*Terence (aka Terry Black) - Vocals, Guitar

Just Paste

Text Host

Free Text

rep>>> Caedmon - Caedmon (1978 uk, rocked out spiritual acid folk with prog flashes and male, female vocals, 2006 edition)

The Scottish group Caedmon’s only Ip rested in relative obscurity for years until one of the 500 copies turned up in the early ’90s. The band was contacted, a few stray copies were unearthed, and collector mania set in, aimed at procuring what some were proclaiming to be the best folkrock album ever recorded, Christian or otherwise. So does Caedmon live up to all the hype? Absolutely yes! Wow! 

The professional standards set by this custom are so astonishing all other Christian folk albums sound anemic by comparison. The production, the arrangements, the playing, the songwriting, the enamoring vocals of lead singer Angela Naylor – everything on this album is A+ throughout. ‘Ten Maidens Fair’ opens in the roguish tradition of Steel eye Span as it tells Christ’s parable amid cascades of mandolin that duel with biting fuzz guitar – a frequent combination here that has lent folks to describing Caedmon’s music as “acid” or psychedelic folk. ‘Maker Man’ has a cool jazzy feel with some nice bongo accompaniment that’s prominent throughout the Ip. 

‘Death Of A Fox’ introduces the proficient cello playing of Ken Patterson. This song is truly “progressive folkrock” – a fast aggressive piece with a melodic center section that combines classical mood with traditional Scottish jigs and reels One of the males takes over lead vocals for ‘Sea Song’, a touching ballad that evokes an air of sadness as a lone electric lead plays over soft keyboards and acoustic guitar. ‘Asian’ follows with a vengeance and some of the most lethal fuzz on the album. ‘Living In The Sunshine’ jams with a touch of funky syncopation. ‘Storm’ on the other hand is an intricate and mesmerizing folk/psych masterpiece that cites Mark 4:35-41 as its inspiration. 

Mandolin and cello compete at breakneck speed in ‘Columbus Song’ which tells the story of a conflict between a druid and holy man. ‘Smile On Your Face’ provides some straightforward jamming British folkrock, while ‘Caedmon’s Hymn’ closes the Ip with a solemn meditative prayer backed by recorder and floating harmonies Two additional songs appear on a 45 that was originally included with the Ip – ‘Beyond The Second Mile’ (yet another evocative ballad that provides Angela’s most captivating vocal performance yet) and the Negro spiritual ‘Give Me Jesus’. Got all that? OK, the bad news: in the rare event that a copy does turn up it’s usually in the $1200+ range, Sigh. Ah, but there’s good news, too: the album was re-issued in 1994 on both vinyl and CD (and for considerably less than a house payment, too!). 

This re-issue includes both songs from the single. Obviously I’ve gone to great lengths here to describe this wonder Still it’s difficult to put these sounds into words that do it justice – there’s so much emotion and depth in here that can only come through the listening experience. I certainly hope you’ll have that opportunity.

by Ken Scott

Tracks

1. Ten Maidens Fair (Ken Patterson) - 4:17

2. Maker Man (Ken Patterson) - 3:15

3. Death Of A Fox (Jim Bisset) - 4:18

4. Sea Song (Simon Jaquet) - 5:35

5. Aslan (Simon Jaquet) - 4:15

6. Beyond The Second Mile (Sam Wilson) - 6:45

7. Living In The Sunshine (Jim Bisset) - 3:27

8. Storm (Angela Naylor, Jim Bisset, Ken Patterson, Sam Wilson, Simon Jacquet) - 6:06

9. Columbus' Song (Jim Bisset) - 2:21

10.Smile On Your Face (Simon Jaquet) - 4:35

11.Caedmon's Hymn (Jim Bisset) - 4:15

12.Give Me (Traditional) - 4:15

Caedmon
*Angela Naylor - Vocals
*Simon Jaquet - Vocals, Guitar, Mandolin
*Jim Bisset - Vocals, Electric Guitar
*Ken Patterson - Vocals, Piano, Cello
*Sam Wilson - Vocals, Bass

Just Paste
Text Host

Free Text

rep>>> Aardvark - Aardvark (1970 uk, great heavy progressive rock, 2011 remaster)

The group Aardvark remains one of those numerous bands who released a single album in the early seventies and subsequently sunk without a trace. However the band still retain a certain amount of interest amongst progressive rock enthusiasts because of their particular heavy styled progressive rock that was completely keyboard based with the band making do without the use of any guitar. 

The band itself was a studio band with most compositions entrusted to the hand of Dave Skillin and were based in the Midlands. Strangely enough, though the band dispensed with any guitars, they had trouble with the recruitment of a keyboardists and one could say that they were mainly a studio band with very little live dates to their name. 

Because of their very brief history, very little can be said about the band and it is their album that speaks volumes for what they were all about. However, there are a couple of interesting anecdotes related to this band and for those musos who try to connect musicians and bands through the ages, Aardvark had a number of musicians who would later go on to make names for themselves with various other outfits. 

The album was released in 1970 on the Deram Nova label in both mono and stereo versions as (S)DN 17 with a value on today's market of 50.00 British sterling. Though titled Aardvark, it is also known as Put It In Your Pipe And Smoke It. In all probability the title was withdrawn because of its obvious drug references, with the title track reduced to just Put It In You Pipe. 

Steve Milliner previously played keyboards with Black Cat Bones, a London based blues-rock based band who only released one album during their brief tenure together. The band is rather more well-known because both Paul Kossof and Simon Kirke played in the band before leaving to form legendary band, Free. 

Dave Skillin would eventually join prog-band Home, another Forgotten Sons candidate whilst I could not find anything related to Frank Clark. Stan Aldous is also known for the work he had done previously with garage band Odyssey. 

Throughout the brief Aardvark history, the band also went through a number of keyboardists. Amongst these one finds Paddy Coulter, Dave Watts, who would later play with Jackson Heights and Affinity and the late Peter John Wood. Wood would go on to play with Quiver, The Sutherland Brothers, Al Stewart and Natural Gas. 

The band Aardvark are also involved in one of the myths of British psychedelia. The group Tintern Abbey only released one single throughout their recording span, Beeside/Vacuum Cleaner, for Deram (DM 164) in 1967. Considered as one of the most collectable items from this particular musical period, it has long been rumoured that the band had recorded a second single, How Do I Feel Today which was never released yet which was supposedly circulated amongst collectors. 

In fact the single was never recorded and the name of the single was actually an unissued Aardvark single that was meant to be released on independent label as Rubble 12. However the tapes were lost by Deram and the band used the name of the Aardvark title, created a fictitious cover and thus deceived countless numbers of psychedelic fans all over the world!

by Nigel Camilleri

Tracks
1. Copper Sunset - 3:17
2. Very Nice Of You To Call - 3:39
3. Many Things To Do - 4:20
4. Greencap - 6:02
5. I Can't Stop - 5:26
6. Outing - Yes - 9:50
7. Once Upon A Hill (Stan Aldous) - 3:03
8. Put That In Your Pipe And Smoke It - 7:13
All songs by Dave Skillin except where noted.

Aardvark
*Stan Aldous - Bass
*Frank Clark - Drums
*Steve Milliner - Keyboards, Recorder, Vibraphone
*Dave Skillin - Vocals

Just Paste

Text Host

Free Text

rep>>> Oriental Sunshine - Dedicated To The Bird We Love (1970 norway, dreamy exotic folk psychedelia, 2006 remaster)

I love psych. I love world music. I love psych world music. Sadly, too often what gets marketed in the west as psych world music turns out to be regular local pop from the late ’60s – early ’70s with maybe some twangy guitar thrown on top (Rough Guide, don’t get me wrong, you’re great – but you are really guilty of this). Psych should at least sound like a thick fog of burning joss sticks was present during some point of the recording, if not marijuana and/or various hallucinogens.

This most recent reissue of the legendary single LP by the Norwegian band Oriental Sunshine manages to have that effect in spades, without relying on heavy guitar freakouts. Students Nina Johansen and Rune Walle met in 1968 and bonded over a shared love of The Beatles, Joni Mitchell and Ravi Shankar.

They fortuitously met Satnam Singh, an emigrant from New Delhi, who happened to be an accomplished tabla and flute player. Together Oriental Sunshine created a gentle, peaceful, evocative sound; western pop, jazzy and mellow, yet with strong Indian influences and instrumentation on every track. It all hangs together beautifully and is quite unlike anything else I’ve ever heard, yet completely within that Joni Mitchell/Beatles/Indian musical Venn diagram that originally brought Johansen and Walle together.

Their sole album, ‘Dedicated to the Bird We Love’ was released on Philips in 1970, with the trio joined by accomplished jazz musicians Espen Rud (Min Bul), Sture Janson, and Helge Grøslie (Junipher Greene). The album was recorded by the legendary Norwegian producer and recording technician Jan Erik Kongshaug.

Unfortunately for the band,  Nina Johansen’s father died right before the album was released in 1970, and Satnam Singh was deported back to India, effectively ending the band. In the years since, ‘Dedicated to the Bird We Love’ (named after Blackbird by The Beatles as well as in honour of Johansen’s father) has only grown in stature among psych and world music aficionados, with original pressings selling for over a thousand dollars. Round 2’s lovingly remastered reissue of this album on vinyl brings it within a reasonable price for a new generation of music lovers to discover it.

by Ben Adams, 3 December 2016 

Tracks

1. Across Your Life (Nina Johansen) - 3:31
2. Mother Nature (Hans Jorgen Hoines) - 2:25
3. Look At Me (Nina Johansen) - 1:41
4. Unless (Nina Johansen) - 2:51
5. Land Of Wisdom (Hans Jorgen Hoines) - 1:48
6. Let It Be My Birth (Hans Jorgen Hoines) - 2:11
7. Can Anybody Tell? (Nina Johansen) - 5:49
8. Visions (Nina Johansen) - 2:47
9. My Way To Be Hurt (Nina Johansen) - 3:05
10. Where You Went (Tum Kahan Gaye) (Satnam Singh) - 2:51
11. I'm Going (Nina Johansen) - 0:58

Oriental Sunshine
*Nina Johansen - Vocals, Guitar
*Rune Walle - Sitar, Vocals, Guitar
*Satnam Singh - Bamboo Flute, Tablas, Vocals
With
*Helge Grosli - Keyboards
*Sture Janson - Bass
*Espen Rud - Drums, Percussion

Just Paste

Text Host

Free Text

rep>>> Steve Miller Band - Children Of The Future (1968 us, superb psych blues rock, 2012 digipak remaster with bonus track)

The 1968 debut of the Steve Miller Band begins with a shattering cacophony, followed by an acoustic strum emerging like a beacon of light amidst the darkness and clatter.  The album’s title track “Children of the Future” is far removed from the ironic detachment of “The Joker” or the sleek majesty of “Fly Like an Eagle,” later hits that proved the group could go “pop” while still showing off their versatility and impeccable musicianship.

Though the blues-rock guitarist from Wisconsin rose through the ranks in the fertile Bay Area psychedelic rock scene, Miller’s first album was recorded by producer Glyn Johns at London’s Olympic Studios.  Miller and his band (originally Boz Scaggs on guitar/lead and background vocals, Lonnie Turner on bass/background vocals, Jim Peterman on mellotron and organ/background vocals, and Tim Davis on drums/lead and background vocals) married blues guitar licks to hazy, lysergic melodies.  The centerpiece of Children of the Future is the side-long suite which opened the LP, primarily written by Miller.  

It’s bookended by the title song (“We are children of the future…wonder what in the world we are going to do…When they get high, they can see for miles and miles/When we get high, I can see myself for miles…You know I’ve got something that you can use”) and the B.B. King-influenced closer “The Beauty of Time is That It’s Snowing (Psychedelic B.B.),” an instrumental with only the “We are children of the future” mantra for lyrics.  What Mr. King thought of it, I don’t know.  Miller did, indeed, get high, as his lyrics went, and was busted and imprisoned for marijuana possession while recording the album.  The suite’s lyrics combine optimism with hippy-dippy cosmic belief redolent of the period (“In my second mind, I can see you grow/Feel you flow/It moves my soul, yeah”) though traditional love song sentiments and blues tropes are also present.

The second side is more traditional, though songs still flow into one another.  Boz Scaggs, on the verge of coming into his own as a solo artist, contributes two tracks to Side Two.  His pretty, ethereal pop song “Baby’s Callin’ Me Home” (with Ben Sidran on harpischord) segues into the electric rock of “Steppin’ Stone” (not the Monkees hit).  Long before “Jet Airliner,” Miller contributed the folk-rock “Roll with It” (“There’s a plane goin’ down the runway…Believe I better go with it/There’s a train goin’ by the highway…believe I better roll with it”) with its wailing guitar solo.  

The album is rounded out by Jim Pulte’s “Junior Saw It Happen” and a couple of R&B covers, “Fanny Mae” (with its striking R&B harmonica and a riff that was also semi-appropriated for The Beach Boys’ “Help Me, Rhonda”) and the slow-burning “Key to the Highway.”  The new reissue adds one bonus track, the shimmering non-LP single “Sittin’ in Circles,” written by another well-regarded tunesmith, Barry Goldberg of the Electric Flag.

by Joe Marchese

Tracks
1. Children Of The Future - 2:59
2. Pushed Me To It - 0:35
3. You've Got The Power - 0:53
4. In My First Mind (Steve Miller, Jim Peterman) - 7:31
5. The Beauty Of Time Is That It's Snowing (Psychedelic B.B.) - 5:24
6. Baby's Callin' Me Home (Boz Scaggs) - 3:24
7. Steppin' Stone (Scaggs) - 3:00
8. Roll With It - 2:29
9. Junior Saw It Happen (Jim Pulte) - 2:29
10.Fanny Mae (Buster Brown) - 3:09
11.Key To The Highway (Big Bill Broonzy, Charlie Segar) - 6:16
12.Sittin' In Circles (Barry Goldberg) - 3:06
All songs by Steve Miller unless as else stated

Band
*Steve Miller – Vocals, Guitar, Harmonica
*Boz Scaggs – Guitar,  Vocals  
*Lonnie Turner – Bass, Vocals
*Jim Peterman – Hammond Organ, Mellotron. Vocals
*Tim Davis – Drums, Vocals
With
*Ben Sidran – Harpsichord

1968  Sailor (2012 digipack remaster)
1969  Your Saving Grace (2012 digi pack remaster)
1970  Steve Miller Band - Number 5 (2012 digi pack remaster)

Just Paste
Text Host

Free Text

rep>>> Steve Miller Band - Sailor (1968 us, spectacular psych bluesy rock, 2012 digipak remaster)

Most definitely a part of the late-'60s West Coast psychedelic blues revolution that was becoming hipper than hip, Steve Miller was also always acutely aware of both the British psychedelic movement that was swirling in tandem and of where the future lay, and how that would evolve into something even more remarkable. 

The result of all those ideas, of course, came together on 1968's magnificent Sailor LP. What was begun on Children of the Future is more fully realized on Sailor, most notably on the opening "Song for Our Ancestors," which begins with a foghorn and only gets stranger from there. Indeed, the song precognizes Pink Floyd's 1971 opus "Echoes" to such an extent that one wonders how much the latter enjoyed Miller's own wild ride. 

Elsewhere, the beautiful, slow "Dear Mary" positively shimmers in a haze of declared love, while the heavy drumbeats and rock riffing guitar of "Living in the U.S.A." are a powerful reminder that the Steve Miller Band, no matter what other paths they meandered down, could rock out with the best of them. And, of course, this is the LP that introduced many to the Johnny "Guitar" Watson classic "Gangster of Love," a song that would become almost wholly Miller's own, giving the fans an alter ego to caress long before "The Joker" arose to show his hand. 

Rounding out Miller's love of the blues is an excellent rendering of Jimmy Reed's "You're So Fine." At their blues-loving best, Sailor is a classic Miller recording and a must-have -- especially for the more contemporary fan, where it becomes an initiation into a past of mythic proportion. 

by Amy Hanson

Tracks
1. Song For Our Ancestors - 5:57
2. Dear Mary - 3:35
3. My Friend (Tim Davis, Boz Scaggs) - 3:30
4. Living In The U.S.A.  - 4:03
5. Quicksilver Girl - 2:40
6. Lucky Man (Jim Peterman) – 3:08
7. Gangster Of Love (Johnny Guitar Watson) - 1:24
8. You're So Fine (Jimmy Reed) - 2:51
9. Overdrive (Boz Scaggs) - 3:54
10.Dime-A-Dance Romance (Boz Scaggs) - 3:26

Tracks 1,2,4,5 written by Steve Miller

Band
*Steve Miller - Guitar, Harmonica, Lead Vocals
*Boz Scaggs - Guitar, Backing Vocals
*Lonnie Turner - Bass Guitar, Backing Vocals
*Jim Peterman - Keyboards, Background Vocals
*Tim Davis - Drums, Backing Vocals

1969  Steve Miller Band - Your Saving Grace (2012 Edsel)

Just Paste

Text Host

Free Text

rep>>> Ellen McIlwaine - We The People (1973 us, brilliant jazzy bluesy folk rock)

Brilliant work from the great Ellen McIllwaine! Ellen's certainly not a soul artist -- but she's got a particularly soulful approach to folk rock -- one that's made her a favorite of groovers worldwide in the past few decades, thanks to a big push from Gilles Peterson, and the club scene in Tokyo and Germany! The approach on this record is kind of like a mixture between Chaka Khan and Joni Mitchell -- lots of upbeat grooves, mixed with jazzy acoustic guitar and some wonderfully soaring vocals -- in a style that needs to be heard to be fully understood. The standout cut is the amazing "Jimmy Jean", a soaring jazzy dance cut with unbelievable vocals -- and other nice ones include "Sliding", "Ain't No Two Ways", and "All To You".

Tracks

1. Ain't No Two Ways About It (It's Love) - 4:26

2. All To You - 3:05

3. Sliding - 2:52

4. Never Tell Your Mother She's Out Of Tune (Jack Bruce, Pete Brown) - 2:25

5. Farther Along (Traditional) - 3:44

6. I Don't Want To Play - 3:20

7. Underground River - 3:54

8. Everybody Wants To Go To Heaven (But Nobody Wants To Die) (Al Fields, Timmie Rogers, Tom Delaney) - 2:25

9. Jimmy Jean - 2:59

10.We The People - 3:23

All songs by Ellen McIlwaine except where stated

Track 10 Recorded Live At Carnegie Hall, New York

Musicians

*Ellen McIlwaine - Guitars, Vocals

*James Madison - Drums

*Don Payne - Bass

*Gerry Mercer - Drums

*Don Moore - Bass

*Thad Holiday - Bass, Vocals

*Don Kaplan - Piano

*Colin Tilton - Saxophone

*Candido - Conga

*Bill Curtis - Conga

*Bill Keith - Pedal Steel

1972  Ellen McIlwaine - Honky Tonk Angel   

Related Act

1968  Fear Itself - Fear Itself (2006 edition)

Just Paste

Text Host

Free Text

rep>>> Colonel Bagshot - Oh! What A Lovely War (1971 uk, amazing atmospheric psychedelia through guitar-based soft-progressive to folky ballads, 2012 Flawed Gems remaster)

Colonel Bagshot's Incredible Bucket Band, were an English rock band formed in the late 1960s in Liverpool, England, comprised of Brian Farrell, Terry McCusker, Dave Dover and Kenny Parry. They had several record deals, toured Europe and played gigs like the Reading Festival. A record by the band from that period (Six Day War) was remixed by DJ Shadow, and also featured in the recent hit-film Phonebooth which starred Colin Farrell.

Brian later went solo and the other guys formed another band called 'Bunny', who went on to support the popular Glam Rock/Pop band, Slade, on their tours. Kenny Parry later joined the band, Liverpool Express-whom still play to this day. 

Tracks

1. Six Day War - 3:58
2. Lay It Down - 3:07
3. Lord High Human Being - 3:00
4. Headhunters - 2:47
5. I've Seen The Light (Ken Parry) - 4:45
6. Dirty Delilah Blues - 4:15
7. Sometimes - 2:02
8. That's What I'd Like To Know - 4:00
9. Smile - 2:55
10.Tightrope Tamer - 2:50
11.Oh! What A Lovely War - 3:18

All songs by Brian Farrell except where noted

Colonel Bagshot
*Brian Farrell - Vocals, Guitar, Stylophone
*Kenny Parry - Vocals, Guitar, Keyboards
*Dave Dover - Vocals, Bass Guitar, Keyboards
*Terry McCusker - Vocals, Drums

Just Paste

Text Host

Free Text