Sunday, October 20, 2013

Beacon Street Union - The Eyes Of The Beacon Street Union / The Clown Died In Marvin Gardens (1967-68 us, outstanding bosstown psychedelia)

The Beacon Street Union were part of the dreaded, overhyped Bosstown Sound. The scene was a reaction to the San Fransisco rock explosion but Bosstown could in no way compete with the Bay area. The Beacon Street Union released three good experimental psych/hard rock albums (one album under the Eagle moniker) during the late 60′s and early 70′s. They were one of the best amongst a desperate bunch which included the Ultimate Spinach, Eden’s Children, Puff and Orpheus.

The Bosstown Sound was not a total waste as it did produce other decent acts such as Earth Opera (which included a young David Grisman and the Rowen Brothers), Listening and Phluph. The Eyes Of The Beacon Street Union was the band’s debut released in 1968 off the MGM label. Most of the songs were written by John Lincoln Wright (vocals) and Wayne Ulaky (bass). The album opens with a silly introduction by Tom Wilson which explodes into the records first song, My Love Is. My Love Is was an excellent way to open up the band’s debut, as it was full of crashing Who-like drums and energy, strong harmonies, amateur lead vocals and a ripping psych guitar solo. 

Of the albums 11 songs, there are three weak songs which include two covers (Beautiful Delilah and Sportin’ Life) and a pointless jugband tune titled Four Hundred And Five. The rest of the album was pretty stellar, hard hitting garage psychedelia, full of highlights like the very trippy, percussion oriented Mystic Morning. Blue Avenue (with some great heavy riffs), the anti drug anthem Speed Kills and Green Destroys The Gold were full on psych assaults with guitar freakouts and a strong sense of urgency (Sadie Said No is more of the same). Just these three killer bad trips alone are worth the price of admission. Other compositions such as South End Incident/I’m Afraid and The Prophet are slow but still strong with lots of drug inspired dimentia. The Eyes of.. was a powerful debut that showed a band that took chances and fired on all cylinders.
by Jason Nardelli

The second album The Clown Died In Marvin Gardens again was critically assaulted. I was thrilled with it from the cover to the arrangements. It seemed like someone had put time and money into the affair. It was thrilling for a fan to see this group be lavished with production efforts. The orchestrations by Larry Fallon were lush and fully integrated to the songs.

The album begins with The Clown Died In Marvin Gardens. A fully blown metaphor of life as a surrealistic Monopoly game. The follow up song The Clown's Overture is a soothing orchestral wash. A perfect come down after what should be an intense experience of the opening song. Then the orchestra leads you into Agnus of Aberdeen a dramatic ballad of childhood lost. Thus ends a trio of songs united by common orchestra arrangements that have the earmarks of 'concept' on them. Nicley done, but no concept is apparent and it's not successful in that way. A cover of Blue Suede Shoes breaks the unified feel and reminds you they are ROCK after all.

Beacon Street Union promo picture     May I Light Your Cigarette? is an innovative mood piece. It is built up on layers of heavily tremoloed guitars almost exclusively. Wright does a Morrison-stlye monologue which never seems to add up to anything. The cut fails as a song but shows the group's efforts to be experimental and creative. This is always dangerous as a 'product' to sell to the public but can be essential to group creativity in the long run. It shows that they had plenty of ideas and should have had time to develop them but this was the second and last album so that would never happen.

The album ends with the 16;34 minute Baby Please Don't Go. This was a live favorite of the band (and many other groups in the sixties) and is a showcase for the band playing. It works that way and gives you a good idea of what they did live. Although they never recorded another album, this effort shows them to be a healthy creative unit who have progressed as a group. It would have been nice to get more material from them. 
by Paul "Blowfish" Lovell
1. My Love Is (Ulaky) - 4:09
2. Beautiful Delilah (Berry) - 2:10
3. Sportin' Life (Beacon Street Union) - 3:08
4. Four Hundred And Five (Farrell, Rhodes, Tartachny, Ulaky, Weisberg, Wright) - 2:09
5. Mystic Mourning (Rhodes, Ulaky, Weisberg) - 5:55
6. Sadie Said No (Ulaky, Wright) - 2:51
7. Speed Kills (Ulaky, Wright) - 1:55
8. Blue Avenue (Ulaky) - 2:49
9. South End Incident (Ulaky) - 3:53
10.Green Destroys The Gold (Ulaky) - 3:00
11.The Prophet (Ulaky, Wright) - 4:31
12.The Clown Died In Marvin Gardens (Ulaky, Wright) - 3:53
13.The Clown's Overture (Fallon) - 2:40
14.Angus Of Aberdeen (Ulaky, Weisberg) - 4:39
15.Blue Suede Shoes (Perkins) - 2:08
16.A Not Very August Afternoon (Rhodes, Tartachny, Weisberg, Wright) - 3:43
17.Now I Taste The Tears (Clifford)  - 3:12
18.May I Light Your Cigarette (Ulaky, Wright) - 5:38
19.Baby Please Don't Go (Rhodes, Tartachny, Ulaky, Weisberg, Wright) - 11:13

Beacon Street Union
*John Lincoln Wright - Vocals
*Richard Weisberg - Percussion
*Wayne Ulaky - Bass
*Paul Tartachny - Guitar
*Robert Rhodes - Brass, Keyboards

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The Alarm Clocks - Yeah! (1966 us, awesome rough garage punk)

Formed in 1965 in Parma, OH, teenagers Mike Pierce (bass and vocals), Bruce Boehm (guitar), and Bill Schwark (drums), the Alarm Clocks got a lot of mileage out of one 45 single, although it would be 40 some years before they would really take advantage of it. The trio recorded two raw slices of garage punk, "Yeah!" and "No Reason to Complain," live in a studio in 1966 and released it on their own Wake Up label, and a month or so later recorded a live demo tape of their live set at Sound Ideas Recording Studios. Nothing much came of either venture, and the group disbanded in 1967. The single, though, took on a life of its own, gradually filtering through the informal garage band collectors network and becoming a highly sought-after item.

Both sides of the 45 turned up on 1996's Back from the Grave compilation from Crypt Records, and eventually the bandmembers were tracked down. The A and B side of the single plus the complete demo tape and three tracks from Boehm's earlier band the Perceptions made up the album Yeah!, which was released by Norton Records in 2000. 

Perhaps sensing unfinished business, the Alarm Clocks re-formed in 2006 with all the original members on board plus a new fourth member, guitarist Tom Fallon. This second coming of the group recorded a new album in two days at Freddy Fortune's basement studio in Michigan in 2006. The album appeared as The Time Has Come later in the year from Norton Records. 
by Steve Leggett
1. Yeah (M. Pierce) - 2:44
2. No Reason To Complain (M. Pierce) - 2:12
3. Louie Louie (R. Berry) - 3:18
4. Money (Cordy, Bradford) - 2:48
5. It's All Over Now (B. Womack) - 3:58
6. Bald Headed Woman (S. Talmy) - 3:23
7. I'm Alright (Nanker, Phlelge) - 3:13
8. She's About A Mover (D. Sahm) - 2:41
9. Route 66 (B. Troup) - 2:14
10.The Perceptions - Wipe Out (The Surfaris) - 2:12
11.The Perceptions - I'm A Fool (J. Cooper, R. West) - 2:39
12.The Perceptions - Tree Stump Cover Theme (B. Boehm) - 1:56

The Alarm Clocks
*Mike Pierce - Bass, Vocals
*Bruce Boehm - Guitar
*Bill Schwark - Drums

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