Tuesday, February 18, 2014

Fruupp - Future Legends (1973 ireland, sensational art prog rock, 2004 japan, 2009 esoteric and 2016 blu spec with bonus track)



One of the hardest-working progressive bands to end up languishing in relative obscurity, Fruupp was begun in 1971 by guitarist Vince McCusker. After a brief musical apprenticeship in London, McCusker returned to Belfast and quickly pulled together a group of largely classically trained musicians; the lineup was unusual in that keyboardist Stephen Houston doubled on the oboe. (The unusual band name was taken from a Lectreset sheet.) 

The band's resulting sound is not unlike Spring or early Genesis, with primary composers McCusker and Houston acting as foils for each other: Houston's cello, oboe, and violin typically lend dark folk textures beneath McCusker's aggressive guitar parts and Peter Farelly's Celtic-influenced vocals. After two years of gigging, they shopped their demo tape around and were picked up by Pye Records for their Dawn label. Between 1973 and 1975, Fruupp released four albums, the last of which was produced by King Crimson alum Ian McDonald; the band also toured in support of Crimson.

 Despite playing hundreds of gigs per year throughout the U.K. and Europe during this period, their record sales never quite took off, and the band closed up shop after a final London gig at the Roundhouse in 1976. 
by Paul Collins
Tracks
1. Future Legends - 1:27
2. Decision - 6:21
3. As Day Breaks With Dawn - 4:58
4. Graveyard Epistle - 6:14
5. Lord Of The Incubus - 6:20
6. Olde Tyme Future - 5:33
7. Song For A Thought - 7:25
8. Future Legends - 0:47
All titles composed by Vince McCusker

Fruupp
*Peter Farrelly - Bass, Flute, Vocals
*Martin Foye - Drums, Percussion
*Stephen Houston - Keyboards, Oboe, Vocals
*Vincent McCusker - Acoustic , Electric Guitars, Vocals

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Monday, February 17, 2014

Gospel Oak - Gospel Oak (1970 uk / us, fine rural blues rock)



Gospel Oak was a surprise to me, both in bibliographical terms and for the music. This was another album I picked up at a yard sale with no prior knowledge of the product. I literally bought it for the album cover which showed what I thought were a bunch of English hippy guys poised in a beatific rural setting (the oak tree picture on the cover was stunning). I literally had visions of early 1970s UK progressive moves.  Besides, Kapp had some interesting late 1960s and early-1970s acts on its roster (no, I'm not thinking about Cher). Anyhow it turned out that virtually every one of my preconceived notions was wrong. 

Matthew Kelly was a Californian who'd previously attracted attention playing blues harmonica and touring with the likes of Mel Brown, John Lee Hooker, and T-Bone Walker. The man clearly had some chops to be supporting names like that. Kelly soon found himself caught-up in San Francisco's burgeoning rock scene. He added electric guitar to his repertoire and started playing with Chris Herold and Dave Torbert. In 1969 the three of them were hired to play in the band Horses which was fronted by sometimes actor and lead singer Don Johnson (yeap, the Miami Vice guy). Horses recorded one self-titled album before collapsing.  

I found a brief online interview where Kelly actually talked about the experience: "I'm a bit embarrassed about. We actually made a record. We were backing up this Hollywood singer, a guy who was sort of a Jim Morrison type. We got flown down to Hollywood and lived there for three or four months while we were making this very commercial record, of which Jump for Joy (A Kingfish tune) was on the record with this guy Don Johnson was singing. Fortunately this record is very difficult to get. So for anybody that wants to run right out and buy it, I think they will have a very difficult time. It is just as well for it is a bit embarrassing." 

Perhaps out of personal shame Kelly's next move found him headed for the UK.  At the same time drummer Kerry Gaines, keyboardist Cliff Hall, pedal steel guitarist Gordon Huntley, lead guitarist Bob Le Gate, and singer/bassist John Rapp found themselves in England.  Originally from Indiana, they somehow managed to attract the attention of Beatles publicist Tony Barrow. Barrow signed on as manager and used his connections to get the band a record deal with Kapp. The label then decided to ship the group to London where they hooked up with fellow expatriot Kelly.  The expanded lineup was the teamed with producers Mike Leander and Roger Watson for their self titled debut LP.  

Musically "Gospel Oak" was all over the genre map.  With Rapp and Le Gate responsible for most of the material, tracks like 'Recollections of Jessica' and 'Big Fat White Man' were decent country-rock complete with nice melodies and catchy group harmonies. Showcasing Kelly's harmonica and Le Gate's lead guitar 'Brown Haired Girl', 'Common Expressions' and the instrumental 'South Bleach' offered up a harder edged blues sound, while 'Go Talk To Rachel' and 'O.K. Sam' found the group taking a stab at a more conventional and accessable rock attack.

Propelled by some nifty Le Gate guitar, best of the lot was the album-closer 'St. Anne's Pretension'.  The album was never less than enjoyable, but by the same token it lacked anything to distinguish it from the competition.  The album's certainly likeable which makes it too bad if didn't sport one or two slightly stronger compositions.  With those ingredients these guys could have been major players.  Kapp also tapped the album for a single in the form of 'O.K. Sam' b/w 'Go Talk To Rachel' (Kapp catalog number 2115).
Tracks
1. Brown Haired Girl (John Rapp) - 3:34
2. Common Expressions (John Rapp) - 3:17
3. Recollections Of Jessica (Tim Hovey, Bob Le Gate) - 3:05
4. Big Fat White Man (Tim Hovey, Bob Le Gate) - 2:35
5. South Bleach (Instrumental) (Bob Le Gate, Kerry Gaines, Matthew Kelly) - 2:36
6. Why We Came (Kerry Gaines, John Rapp) - 2:57
7. Go Talk To Rachel (John Rapp) - 4:07
8. O.K. Sam (Tim Hovey, Bob Le Gate) - 3:25
9. St. Anne's Pretension (Kerry Gaines, John Rapp) - 4:39

Gospel Oak
*Kerry Gaines - Drums, Percussion
*Matthew Kelly - Harmonica, Guitar
*Bob Le Gate - Lead Guitar, Vocals
*John Rapp - Vocals, Bass, Rhythm Guitar
With
*Cliff Hall - Keyboards
*Gordon Huntley - Pedal Steel Guitar

Related Act
1969  Horses - Horses

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Mojo Men - There Goes My Mind (1967-68 us, splendid folk sunny psych, Sundazed release)



There Goes My Mind is essentially the album the Mojo Men would have liked Warner Brothers to put out in 1968, but which Warners, for whatever reason, declined to do. Although the liner notes make clear that the intention was for the band to eventually record the material with Warners with full orchestration, these 16 1967-1968 recordings -- all original songs, and all but two previously unreleased -- actually sound almost as fully produced as the typical late-'60s finished product. All but two of the tracks come from a June 30, 1968, session, and to be honest most of these aren't quite as good as the sweet early harmony-laden pop-folk-psych buzz the Mojo Men conjured on their best slightly earlier recordings, shortly after drummer-singer Jan Errico had joined. 

Some good early San Francisco rock-type bittersweet melodies, yearning melancholy lyrics, and accomplished male-female harmonies on songs like "I Wish Today Were Yesterday," "Unaware of Me," and the haunting harpsichord-laden "Watch You Walk Away," though occasionally the tunes lean toward a slightly bubblegummy sunshine pop vibe. Yet it's one of the 1967 demos, "Today" (no relation to the Jefferson Airplane classic of the same name), that emerges as the standout, qualifying as a lost near-classic of San Francisco rock with its enchanting never-neverland lyrics, startling tempo changes, and beguiling wistful melody. And the other 1967 demo, the jazzy and similarly reflective "But Now and Then," isn't too far behind. 
by Richie Unterberger
Tracks
1. When You're Down - 2:37
2. Sure of Your Love (Jim Alaimo, Jan Errico) - 2:59
3. Everyday Love - 4:04
4. I Wish Today Were Yesterday - 2:48
5. Take Me Away (Jim Alaimo, Jan Errico) - 1:36
6. Unaware of Me (Jim Alaimo, Jan Errico) - 2:56
7. Candy (Jim Alaimo, Jan Errico, Paul Curcio, Don Metchick) - 2:50
8. Ashamed of Me (Jim Alaimo, Jan Errico) - 3:15
9. It's Okay (Jim Alaimo, Jan Errico) - 2:28
10.Watch You Walk Away - 3:08
11.There Goes My Mind (Jim Alaimo, Jan Errico, Paul Curcio, Don Metchick) - 2:48
12.Today (Mono Demo Version) - 2:09
13.But Now and Then (Mono Demo Version) - 2:16
14.Summer Flowers (Mono Demo Version) - 2:29
15.Not for Me (Mono Demo Version) - 1:44
16.Take Me Away (Mono Demo Version) (Jim Alaimo, Jan Errico) - 1:29
All songs by Jim Alaimo, Jan Errico, Paul Curcio except where noted

The Mojo Men
*Jim Alaimo - Bass, Vocals
*Jan Errico - Vocals, Drums
*Paul Curcio - Guitar, Vocals
*Don Metchick - Keyboards

1965-66  The Mojo Men - Whys Ain't Supposed To Be (Sundazed release)

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Sunday, February 16, 2014

The Mojo Men - Whys Ain't Supposed To Be (1965-66 us, excellent garage beat, Sundazed release)



Quite a few references show The Mojo Men as being part of the San Francisco music scene.  Technically that's correct, but the original line up of 

singer/bassist Jim Alaimo, guitarist Paul Curcio, drummer Dennis DeCarr and keyboard player Don Metchick morphed out of the Coral Gables, Florida based The Valiants.  

Frontman Alaimo was a cousin to Steve Alaimo and had recorded some material under the monikers 'Jim Paris' and 'Jimmy Summers and the Slicks'.  The Valiants had actually provided backing on some Steve Alaimo sides, but 1964 saw the quartet head for San Francisco where they changed their name to 'The Mojo Men' and briefly picked up Sly Stone as a member. While Stone quickly moved on to form Sly and the Family Stone, he was instrumental in getting the group signed to San Francisco DJ 'Big Daddy' Tom Donahue's Autumn Records where they recorded three 45s during the 1965-66 period.  Stewart also wrote some of their material, including the hit 'She's My Baby' and produced most of their Autumn Records sides.

Prior to the release of their third single the band underwent a personnel change that saw original drummer DeCarr replaced by former Vejtables singer/ drummer Jan Errico.  The personnel switch also marked a change in musical direction with the band dropping their earlier garage/R&B leanings (they'd opened for the Stones during their first San Francisco concert appearance at the Civic Auditorium) for a far more polished and produced pop-oriented sound.  With Autumn in financial collapse, the group switched over to the much large Reprise Records. 
Tracks
1. Something Bad (S. Stewart, Steve Alaimo, Paul Curcio) - 2:12
2. She's My Baby (Stone, S. Stewart, Steve Alaimo, Paul Curcio) - 3:33
3. My Woman's Head (S. Stewart, Steve Alaimo, Paul Curcio) - 3:53
4. The New Breed (S. Stewart, Steve Alaimo, Paul Curcio) - 3:35
5. Dance With Me (Steve Alaimo, Paul Curcio) - 2:39
6. Off The Hook (Mick Jagger, Keith Richards) - 2:43
7. Why (Steve Alaimo, Paul Curcio) - 2:18
8. Fire In My Heart (Paul Curcio) - 2:51
9. As I Get Older (S. Stewart, Steve Alaimo, Paul Curcio) - 3:11
10.Mojo Men Day (Wmex Radio Spot) - 0:56
11.Mama's Little Baby (Steve Alaimo, Paul Curcio, Don Metchick) - 2:26
12.Oh Misery (Steve Alaimo, Paul Curcio) - 2:10
13.Lost Love (Steve Alaimo, Paul Curcio, Don Metchick) - 2:07
14.Why Can't You Stay (Steve Alaimo, Paul Curcio) - 2:25
15.Girl Won't You Go On Home (Steve Alaimo, Paul Curcio) - 1:41
16.Cry Baby (Steve Alaimo, Paul Curcio) - 2:40
17.Everything I Need (Paul Curcio) - 2:44
18.he Goes With Me (Steve Alaimo, Paul Curcio) - 1:49
19.Free As A Bird (Steve Alaimo, Paul Curcio) - 2:22
20.Loneliest Boy In Town (Steve Alaimo, Paul Curcio) - 3:03
21.Fire In My Heart (Demo Version) (Paul Curcio) - 2:34

The Mojo Men
*Jim Alaimo - Bass, Vocals
*Paul Curcio - Guitar, Vocals
*Dennis DeCarr - Drums, Vocals
*Don Metchick - Keyboards

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Saturday, February 15, 2014

The Southwest F.O.B. - Smell of Incense (1966-69 us, lovely sunny folk psychedelia, Sundazed remaster and expanded)



Late-sixties Dallas band Southwest F.O.B. are mostly remembered for "Smell of Incense," a pop-psychedelic tune with an ethereal organ that was a big regional hit in the South, and a small national one. The group were more aligned with the "soft rock" or sunshine pop sounds typical of many late-sixties pop-psychedelic southern Californian acts than the tough Texas garage style. Multi-part vocal harmonies characterized many of their arrangements, and their occasional use of horns added a mild dash of soul. 

Although "Smell of Incense" was a pop-slanted cover of a song by L.A. psychedelic group the West Coast Pop Art Experimental Band, most of their material was original, penned by Dan Seals and John Ford Colley [sic], who went on to land some big soft-rock hits in the 1970s as England Dan and John Ford Coley. Their brand of psychedelia was way tougher than what they'd make in the 1970s, but certainly on the tame side. After making one album and a few singles, Seals and Colley left the group to form a duo, leaving the remaining members to carry on for about a year before disbanding. 
by Richie Unterberger
Tracks
1. Smell Of Incense (Bob Markley, Ron Morgan) - 2:40
2. Tomorrow - 3:11
3. Rock 'N' Roll Woman (S. Stills) - 2:47
4. Downtown Woman/Nadine (Colley,  Seals, C. Berry) - 6:54
5. All One Big Game - 2:54
6. On My Mind - 2:26
7. Bells Of Baytown - 3:30
8. And Another Thing - 11:55
9. Mercy, Mercy, Mercy (Joe Zawinul) - 2:59
10.Independent Me - 2:27
11.Green Skies - 2:02
12.As I Look At You (Tony Durrell) - 2:23
13.Beggar Man - 2:29
14.Feelin' Groovy (P. Simon) - 2:52
15.Theze Few – Dynamite (Dan Seals) - 2:36
16.Theze Few – I Want Your Love (Dan Seals) - 2:15
17.Smell Of Incense (Single Mix) (B. Markley, R. Morgan) - 2:41
18.Nadine (Single Version) (C. Berry) - 2:59
19.Tomorrow (Alternate Mono Mix) - 3:11
20.And Another Thing (Edited Mono Version) - 3:10
All songs by John Colley and Dan Seals except where indicated

The Southwest F.O.B.
*Mike "Doc" Woolbright - Bass
*Tony "Zeke" Durrell - Drums
*Larry "Ovid" Stevens - Guitar
*Dan Seals - Lead Vocals, Saxophone
*John Colley - Organ, Keyboards
*Randy Bates - Trumpet

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Big Brother Feat. Ernie Joseph - South East Tour (1971 us, exciting raw hard psych, Akarma issue)



Supposedly "South East Tour" was originally released in 1971 under All American catalog number AA-5773-LPD.  Not that we're experts or anything, but we've never seen an original copy of the album which probably makes Akarma's 1998 reissue your only real choice if you want to hear this set.   

The title and packaging certainly give you the impression this is a live set, but that's not really the story here. Half of the ten tracks are pulled from Joseph's earlier band - A Giant Crab Comes Forth.  (I'm too lazy to pull the LP, but I think the songs are all pulled the first Giant Crab LP).  The other five selections are billed as previously unreleased efforts, but tracks such as "Keeping the Faith" and "How Many Times" don't sound like concert recordings to our ears.  In terms of quality, the new stuff varies from ponderous boogie ("Satisfied Woman") to mildly entertaining ("Truthfulness").  To be honest,  Giant Crab tracks such as the fuzz guitar propelled "Hotline Conversation" and the blue-eyed soul-ish "Save Me (Save Me)" provide the highlights. 
Tracks
1. Satisfied Woman (Ernie Joseph, Cary Colt, Brian Faith) - 3:44
2. Truthfulness  (Ernie Joseph, Cary Colt, Brian Faith) - 5:08
3. Hotline Conversation  (Ernie Joseph, Cary Colt, Brian Faith) - 3:00
4. Thru The Fields  (Ernie Joseph, Bill Holmes) - 2:41
5. Keeping The Faith  (Ernie Joseph, Cary Colt, Brian Faith) - 0:38
6. Save Me (Save Me)  (Scott English, K. Young) - 2:15
7. How Many Times  (Ernie Joseph, Cary Colt, Brian Faith) - 5:25
8. Directions  (Ernie Joseph, Cary Colt, Brian Faith) - 2:59
9. Look At the Way  (Ernie Joseph, Cary Colt, Brian Faith) - 4:17
10.My Love (Is Gonna Grow On You)  (Scott English, H. McCracken) - 2:15

Big Brother
*Ernie "Joseph" Orosco - Vocals, Guitar, Bass
*Cory Colt - Rhythm Guitar, Bass, Keyboards, Backing Vocals
*Brian Faith - Drums, Bass
*Greg Munford - Backing Vocals

1970  Big Brother Feat. Ernie Joseph - Confusion

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Friday, February 14, 2014

Big Brother Feat. Ernie Joseph - Confusion (1970 us, stunning rough hard psych, Akarma edition)



This is one of those LPs I'd heard about for years, but never managed to lay my hands on. Every time I stumbled across a copy in a store it carried an astronomical price ($250 for the last copy I saw three years ago in San Diego), or when I found a copy on the internet it was either already sold, or if it was part of an auction I was quickly outbid. Well, having finally found a copy, was it worth the wait? Yes.

So what do we know about these guys? Not much. Under his given name Ernie Orosco, front man/singer/guitarist Joseph had previously played with a number of Santa Barbara, California-based acts including Ernie and the Emporers and Ernie's Funnys. He'd also recorded a pair of interesting late-'60s albums as a member of Giant Crab (see separate entries). Following the breakup of Giant Crab, Orosco/Joseph apparently relocated to Los Angeles, where he formed Big Brother (not to be confused with Janis Joplin's original outfit). Backed by guitarist Cory Colt, drummer Steve Dunwoodle (aka Steve D. and multi-instrumentalist brother Ruben (aka Ruben the Jet), the quartet attracted the attention of  the small All American label. 

Produced by Bill Holmes who'd handled production for the two earlier Giant Crab LPs, 1970's "Confusion" came as a major change in direction to anyone familiar with Orosco/Joseph's earlier pop/lite-psych moves. With all four members received writing credits, material such as 'Heart Full of Rain', 'L.L.A. (Lubricated Love Affair)' and the bluesy 'Heavy Load' offered up a set of Hendrix-styled guitar pyrotechnics. 

Elsewhere, the heavily phased 'E.S.P.' (sounding like a strange reworking of The Pretty Thing's 'L.S.D.') was actually a reworking of Giant Crab's final single. Given the abundance of guitar rockers, at least to our ears, the standout track was the atypical ballad 'Wake Up In the Morning'. Sweet and sincere, its a beautiful effort. Sure, it ain't the most original LP you'll hear this year and parts of the percussion heavy closing suite 'Gravus Delictum (Unforgiveable Sin)' drag, but the performances were enthusiastic and its an album I play on a regular basis. (Courtesy of Dan McClean, the LP also sports a great black and silver period piece cover)
Tracks
1. Heart Full Of Rain (Bill Holmes, Ernie Joseph) - 3:33
2. Wake Up In The Morning (Ernie Joseph, Cory Colt, R.T. Jet, Bill Holmes) - 6:40
3. E.S.P. (Self, Ciebiera) - 2:15
4. Heavy Load (Ernie Joseph, Cory Colt, R.T. Jet, Bill Holmes) - 6:39
5. L.L.A. (Lubricated Love Affair) (Ernie Joseph, Cory Colt, R.T. Jet, Bill Holmes) - 3:54
6. Saint James Infirmary (J. Primrose) - 6:06
7. Gravus Delictum (Unforgiveable Sin)
.A.Under Cover Man (Instrumental) (Ernie Joseph, Cory Colt, R.T. Jet) - 1:17
.B.Puck-A-Chick-A (Instrumental) (Steve Dunwoodle) - 0:51
.C.Bare Skin (Instrumental) (Steve Dunwoodle) - 2:44
.D.Roll-In (Instrumental) (Steve Dunwoodle) - 2:07
.E.Roll-Out (Instrumental) (Steve Dunwoodle) - 0:58
.F.Climax (Instrumental) (Steve Dunwoodle) - 0:58
.G.403 Halkirk (Instrumental) (Ernie Joseph, Cory Colt, R.T. Jet) - 3:35

Big Brother
*Cory Colt - Rhythm Guitar, Bass, Keyboards, Backing Vocals
*Steve Dunwoodle - Drums, Vocals
*Ruben "The Jet" Orosco - Bass, Sax
*Ernie "Joseph" Orosco - Vocals, Guitar, Bass

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Wednesday, February 12, 2014

Trevor McNamara - Yeah Captain (1969 aussie, sensational folk psych)



Trevor started his music career at the age of 15, having taught himself to play the guitar. He played in a band called 5 Sided Circle which was considered unique and ahead of its time in the 'mod era' of music. He left after two years and formed a 4-piece band called Musik Express. This band achieved national success in Australia and released a single entitled 'Jackie's Thing', written by Trevor. He left Musik Express to stage a rock opera called 'Piano' which he wrote.

After 'Piano', Trevor was urged to record, and the album 'Yeah Captain' was made - Trevor was then 19. His work had been featured on many recordings, film scores, opera and a wide range of commercials in Australia. The 5 Sided Circle performed for a few years in the '90s, playing at exclusive clubs, and supporting acts from the '60s and '70s, eg, Moody Blues on their Australian tours.

While music is his main love, these days Trevor is a successful businessman and contemporary artist, His paintings are featured all over Australia and the demand for his work grows daily.

'Yeah Captain' was made in 1969, and was the first album of its type produced in Australia. All songs were written and performed by Trevor McNamara. Trevor sang and played all instruments, multi-tracking when necessary, and squeezing everything possible onto a 4-track recording deck. Technology was very young compared to what is available today.

The record company suggested that short tracks be included on the album, because radio stations used 'fillers' between hourly newsbreaks etc., and this would enable more airplay for the local release. Also, any form of controversy in the songs was suggested to create more publicity.

The albums was a milestone in Australia, but Trevor never liked it. Even today, collectors approach Trevor for copies of 'Yeah Captain' - they are always declined.
CD Liner-notes
Tracks
1. Silver - 3:29
2. Waking - 0:37
3. The Gun - 2:44
4. 15 - 1:00
5. Jackie's Thing - From The Rock Opera "Piano" - 2:27
6. Joseph Blackwell - 2:53
7. Riding To Athenbury - 1:47
8. Yeah Captain, Part 1 - 4:10
9. Now - 2:12
10.P.I.P. - 1:28
11.Cavalier - 1:10
12.Digging - 1:05
13.I'm Very Sane, Thank You - 0:54
14.Black Girl - 2:27
15.Sinners - 0:48
16.Living On A Strain - 1:47
17.Yeah Captain, Part 2 - 2:32
18.Morocco (Bonus Track) - 3:21
19.Country Corn (Bonus Track) - 3:42
All songs written and arranged by Trevor McNamara

*Trevor McNamara - Vocals, Guitar

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Tuesday, February 11, 2014

Donovan - In Concert, The Complete Anaheim Show (1967 uk, folk jazzy psych masterpiece, 2006 two disc set)


Donovan In Concert: The Complete 1967 Anaheim Show is an expanded version of the Donovan In Concert album released in 1968. This version includes 4 unreleased tracks from the concert. There are other four tracks that weren't included in the older version, but were released previously in the 2005 compilation Try For The Sun: The Journey Of Donovan: Epistle To Derroll, To Try For The Sun, Someone Singing and The Tinker And The Crab. Mixed by Peter Mew at Abbey Road Studios, London, September 2005.

Catch The Wind could not be recorded completely due to a machine problem, so just the second half of the song was recorded. The edition of the songs differs a bit from the 1968 version, changing the parts where Donovan talks between songs from the begining of a track to the end of the previous track. The version of Preachin' Love is 4:32 minutes longer than the one in the 1968 release, where they edited the sax and drums solo, maybe to fit in the vinyl record.

The sax part at the end of Mellow Yellow is longer than the 1968 version. The front cover is almost the same as the one in the original released, except the title is written on the left side. The original back cover (with a picture by Stephen Goldblatt) passed to be part of the booklet, and on the back cover is the track list and a picture of Donovan in white clothes playing guitar surrounded by flowers.

The concert was introduced by radio personality Rhett Walker, who makes a little introduction, saying the famous phrase "Welcome to the phenomenon of Donovan". On this version he's introduced by an unkown man. Walker describes an anecdote that had happened a few weeks before at the Hollywood Bowl Concert, and then hands the proceedings to Donovan's father, Donald Leitch:

It's a very widespread belief that the Anaheim Concert was recorded on September 23, 1967, but it's a confusion. On September 23rd Donovan played the Hollywood Bowl Concert, to which Rhett Walker refers in the introduction. In the paperback edition of Donovan's autobiography The Hurdy Gurdy Man there's a picture with the description: "The Hollywood Bowl, November 17th 1967". 

The place is correct, but the date is wrong, according to the person who took the photograph, Susan Geary, there were no pictures available from the Anaheim show, so they used pictures from the Hollywood Bowl for this album.

Donovan played a few songs still unknown to the audience: for example, Poor Cow (introduced by Donovan as Poor Love, its original title, which was changed when the song appeared in the film Poor Cow), Pebble And The Man (later to be re-worked as Happiness Runs in the Barabajagal album, that's why Donovan says he still doesn't know the name of the song) and the special track, Rules And Regulations, which would never be recorded again. He also plays songs of his up-coming album at that time, A Gift From A Flower To A Garden, which was released later in December 1967.

Donovan played with a group of musicians that had recorded with him on his previous albums, including flautist Harold McNair and percussionist Tony Carr: both create an outstanding atmosphere in Preachin' Love. A small part of the show is backed up with a string band to which Donovan refers to as The Flower Quartet. The concert was recorded on a four-track machine.
Donovan-unofficial

Finally. This 1967 concert recorded at the Anaheim Convention Center, just a few weeks after his Hollywood Bowl show, was recorded in its entirety and released as a single LP with a total of 14 tracks. This double-disc CD reissue contains 23 tracks, and is, as it survives, the entire gig. In addition, the sound has been painstakingly remastered; the result is a brilliant sounding document. 

Flow in a Donovan concert is important, and here, presented as it occurred, listeners can drift right into the tidepool of magic. The band is a quintet with Harold McNair on flute and saxophones, Loren Newkirk on piano, Andy Tronosco on upright bass, Tony Carr on drums, and John Carr on bongos. Donovan plays acoustic guitar throughout. The hippy mysticism and flower power poet is everywhere here. 

This isn't rock star excess at all, but an organic, drenched-in-sunshine concert full of gentleness with a premium on good vibes. Tunes not on the original LP and CD issues include "Sunny Goodge Street," "Epistle to Derroll," "Sand and Foam," "Hampstead Incident," "To Try for the Sun," "Someone Singing," "The Tinker and the Crab," and a partial recording of the second half of "Catch the Wind," which was included for purposes of completion, but was marred by a malfunctioning tape recording. 

Donovan was already an expert at getting audiences to eat out of his hand, and here that happens in spades. In fact the only album that comes close to having the flow of this concert was the studio recording of Van Morrison's Astral Weeks. While it's true this is only available as an import, it should be sought out by any fan, or, for that matter, any cynic who hasn't heard this particularly beautiful and airy genius of Donovan Leitch. With this presentation, Donovan In Concert becomes one of the great live albums of the '60s.
by Thom Jurek
Tracks
Disc one
1. Intro - 3:25
2. Isle Of Islay - 4:21
3. Young Girl Blues - 6:09
4. There Is A Mountain - 3:04
5. Poor Love (Poor Cow) - 3:28
6. Sunny Goodge Street - 3:13
7. Celeste - 5:15
8. The Fat Angel - 3:24
9. Guinevere - 3:39
10.Widow With Shawl (A Portrait) - 3:00
11.Epistle To Deroll - 5:53
12.Preaching Love - 9:38
Disc two
1. Lullaby Of Spring - 4:27
2. Sand And Foam - 3:21
3. Hampstead Incident - 5:10
4. Writer In The Sun - 4:11
5. Try For The Sun - 3:27
6. Someone Singing - 2:55
7. Pebble And The Man, Happiness Runs - 3:10
8. The Tinker And The Crab - 3:38
9. Rules And Regulations - 2:33
10.Mellow Yellow - 4:42
11.Catch The Wind (Part) - 1:16
All Music and Lyrics by Donovan

Personnel
*Donovan - Vocals, Acoustic Guitar, Harmonica.
*Lorin Newkirk - Piano.
*Andy Troncosco - Bass.
*Harold McNair - Flute, Saxophone.
*Tony Carr - Drums.
*"Candy" John Carr - Bongos, Finger Cymbals
*The Flower Quartet - Strings

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Monday, February 10, 2014

Twice as Much - Sittin' On a Fence, The Immediate Anthology (1966-68 uk, delicate baroque sunny folk psych)



One of the most anonymous-sounding acts of the British Invasion, Twice as Much was the duo of Dave Skinner and Andrew Rose, harmony singers who also wrote much of their own material. Signed to the Immediate label (run by Rolling Stones manager Andrew Loog Oldham), the pair recorded several singles and a couple of albums between 1966 and 1968. 

Most of these recordings were innocuous, pleasantly forgettable pop affairs in the Peter & Gordon/Chad & Jeremy mold, with light orchestral pop/rock arrangements that sometimes employed a touch of the Baroque. They had their only British Top 40 success with a cover of the Stones' "Sitting on a Fence"; although the Stones' version was one of their best cuts from the Between the Buttons era, the Twice as Much interpretation seems to miss the point completely, transforming it into a chipper, quasi-vaudevillian tune without a hint of ambiguity or sullenness. 
by Richie Unterberger

The duo's two albums are assembled together on one CD, and appended with singles that weren't on either, all in glittering sound (it took till the mid-'90s, at least, for proper sources to be assembled on the Immediate Records catalog). The first six tracks, representing single A- and B-sides, have a fair amount of appeal today as artifacts of '60s pop/rock, with "Step Out of Line," an original by the duo, probably representing their own sound best, kind of between Simon & Garfunkel and Peter & Gordon, and closer to the latter. 

The album cuts are a more difficult fit, ranging from Broadway tunes to covers of Beatles and other songs -- though if these guys were to have covered any Beatles tracks, the right ones were chosen in "Help!" and "We Can Work It Out," and the harmony versions of the Small Faces songs are an interesting variant on the latter, even if they won't displace the Small Faces' own renditions. 

There are also good covers of Phil Spector material ("Is That What I Get for Loving You Baby?") and rock classics like "Do You Wanna Dance," but their very best efforts were, in many ways, the duo's own songs, and filmmaker Peter Whitehead seems to have had the best instincts when he lifted their "Night Time Girl" from the first album for use in his documentary Tonite Let's All Make Love in London. Fans of Vashti Bunyan may also want to pick this CD up for the presence of "The Coldest Night of the Year," as the folksinging legend appeared with the duo, fully credited, on the record. 
by Bruce Eder 
Tracks
1. Sitting On A Fence (Mick Jagger, Keith Richard) - 3:07
2. Baby I Want You  - 2:14
3. Step Out Of Line  - 3:09
4. Simplified  - 3:24
5. True Story  - 2:42
6. You're So Good For Me (Charles Bell, Andrew Loog Oldham, Dave Skinner, Andrew Rose) -  2:33
7. I Have A Love (Leonard Bernstein) - 2:02
8. Help (John lennon, Paul McCartney) - 2:46
9. Is This What I Get For Loving You Baby? (Phil Spector, Gerry Goffin, Carole King) - 2:48
10.Night Time Girl  - 2:46
11.Life Is But Nothing  - 3:54
12.The Spinning Wheel  - 2:21
13.Happy Times  - 3:23
14.Sha La La La Lee (Mort Shuman, Kenny Lynch) - 2:08
15.We Can Work It Out (John Lennon, Paul McCartney) - 2:15
16.As Tears Go By (Mick Jagger, Keith Richard) - 3:16
17.The Time Is Right  - 3:03
18.The Summer's Ending  - 2:39
19.Play With Fire (Mick Jagger, Brian Jones, Keith Richards, Charly Watts, Bill Wyman) - 2:29
20.Why Can't They All Go And Leave Me Alone?  - 2:57
21.Crystal Ball (Mort Shuman, Scott Fagan) - 2:44
22.Hey Girl (John Phillips) - 2:25
23.Listen  - 2:40
24.Green Circles (Steve Marriott, Ronnie Lane, Mick O'Sullivan) - 2:38
25.Life Is But Nothing / Happy Times / Do You Wanna Dance (Dave Skinner, Andrew Rose / Bobby Freeman) - 3:35
26.You'll Never Get To Heaven  - 2:39
27.Coldest Night Of The Year (Barry Mann, Cynthia Weil) - 3:27
28.She's Alway On My Mind  - 2:23
All songs by David Skinner and Andrew Rose unless as else stated

Personnel
*David Skinner - Vocals, Keyboards
*Andrew Rose - Vocals
*Nicky Hopkins - Keyboards
*Alan Weighall - Drums
*Andy White - Drums
*Eric Ford - Drums
*Jim Sullivan - Guitar
*Jimmy Page - Guitar
*Joe Moretti - Guitar
*John McLaughlin  - Guitar
*Alan Hakin - Percussion
*Eric Allen - Percussion
*Red Weller - Percussion
*Arthur Greenslade - Orchestra Arrangements

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