Back during the early-to-mid-‘70s, England’s Unicorn was plowing a similar country rock-styled vein as pub-rockers like Brinsley Schwarz, but their American West Coast musical leanings were tempered by the inherently British folk-rock sound of primary songwriter and guitarist Ken Baker. Pink Floyd guitarist David Gilmour became a huge Unicorn supporter, picking up on them after the 1971 release of their debut album, Uphill All the Way, and subsequently producing three wonderful albums and opening more than a few doors for them in the industry. With a trio of fine albums to tour under, and an indelible connection to (then) world-beaters Pink Floyd, Unicorn pulled down opening slots with ‘70s-era heavyweights like Fleetwood Mac, Linda Ronstadt, Billy Joel, and the Doobie Brothers.
Still, none of those Gilmour-produced records – 1974’s elegant Blue Pine Trees, 1976’s more rock-oriented Too Many Crooks, and 1977’s band swansong, One More Tomorrow – performed very well commercially in spite of their overall creativity and excellence and the band would break up. Still, those albums garnered new fans through the years and were ripe for rediscovery when U.K. archival label Esoteric Recordings reissued all three titles in 2017, expanded with bonus tracks and fresh liner notes.
Just when Unicorn fans thought that there would be no more unheard music from the band comes news from Omnivore Recordings that on October 5th, 2018 the label will release the Unicorn compilation album Laughing Up Your Sleeve. The 20-track collection will be released in CD, vinyl, and digital formats and features previously-unreleased demos by the band recorded in Gilmour’s home studio circa 1973-74, with the Floyd guitarist adding his tasty pedal steel guitar to the band’s “Sleep Song.”
Laughing Up Your Sleeve also includes never-before-seen and recently rediscovered photos of the band that document their working in the studio with Gilmour and performing live onstage in London. Liner notes go into detail about the band’s history and the finding of these long-lost recordings with new interviews with Gilmour and original band members. The album was produced by the band’s Pat Martin from the restored original multi-track tapes and are said to feature remarkable sound quality (not surprising, as the band’s sophomore effort, Blue Pine Trees, is as sonically gorgeous an album as you’ll ever hear).
David Gilmour, quoted in the album’s new liner notes, says “one could say that Unicorn didn’t want success quite enough, or that they just weren’t prepared to compromise their music to better fit into the competitive world of popular music. Their music still gives me great pleasure.” The band’s unique blend of American influences like the Band and Crosby, Stills & Nash and homegrown favorites like Ray Davies and Syd Barrett resulted in some incredible, timeless music that is ripe for rediscovery here in the 21st century.
by Rev. Keith A. Gordon Wednesday, August 01, 2018
Unicorn released three exquisite albums in the mid-’70s with David Gilmour of Pink Floyd in the producer’s chair. The albums and the band found a wide audience elusive, even though the band opened for many heavyweights in the day (including Linda Ronstadt, Fleetwood Mac, The Doobie Brothers, Billy Joel, Dr. Hook), played with Kate Bush on her first proper demo recordings that landed her a deal with EMI, and were even covered by their producer, David Gilmour, on his first self-titled solo album, released in 1978.
Laughing Up Your Sleeve attempts to correct what may have been a matter of wrong time, wrong place for a band whose music overflows with beautiful melodies, lush arrangements and perfect harmonies. The CD/LP/Digital release compiles twenty previously unreleased demos, recorded in Pink Floyd’s David Gilmour’s home studio in 1973–74, with Gilmour adding pedal steel guitar to “Sleep Song.”
Unicorn’s music owes as much to rustic Americana acts such as The Band, The Byrds, and Crosby, Stills, Nash, and Young, as it does to the lyrical themes of English tradition and whimsy relayed by the likes of Ray Davies and even Syd Barrett.
Although musically inspired by American acts (mostly folk and country rock), theirs is a very British sound which, unfortunately, was out of step for the time in which it was released, at least in England from where they rarely strayed.
Laughing Up Your Sleeve contains many never-before-seen, recently discovered photos of the band, including pictures of the band in the studio with Gilmour and on stage in London. In addition, extensive liner notes detail the band’s story, how these demos were found and new interviews with David Gilmour and key band members. These demos, recorded on multi-track tapes, have been lovingly restored and beautifully mixed and mastered by Scott Anthony at Storybook Sound in New Jersey with input from Pat Martin from Unicorn. The sound quality is simply stunning.
It’s hard to imagine this music managed to remain under the radar for so long, but true artists, Unicorn never played “the game” the music industry requires in order to achieve commercial success. We are fortunate then, that this music was preserved so we can give it its just reward now.
1. Sleep Song - 4:51
2. I Saw You - 4:09
3. Ooh! Mother - 3:29
4. The Farmer - 3:32
5. Autumn Wine (Kevin Smith, Roy St. John, Steve Waters) - 2:27
6. Take It Easy - 2:46
7. Electric Night - 4:59
8. All Night Long - 3:33
9. Just Wanna Hold You - 5:00
10.The Ballad Of John And Julie - 5:18
11.Disco Dancer - 3:33
12.Weekend - 4:14
13.Blue Pine Trees - 3:09
14.Bogtrotter - 5:24
15.Ferry Boat - 6:01
16.Kevin Barry (Traditional Lyrics, Ken Baker) - 3:18
17.Holland - 3:28
18.Nightingale Crescent - 3:33
19.Drinking All Night (Kevin Smith, Roy St. John, Steve Waters) - 3:06
20.So Far Away - 3:22
All songs by Ken Baker except where stated
Bonus Tracks 12-20
1974 Unicorn - Blue Pine Trees (2006 Japan and 2017 remaster and expanded)
1976 Unicorn - Too Many Crooks (2006 Japan remaster)