Wednesday, September 12, 2012

Madder Lake - Stillpoint (1973 aussie, inventive progressive rock, 2008 Aztec reissue)



It all seems so long ago, but in the early seventies Australia hosted a burgeoning music scene that built on the garage pop explosion of the sixties. Music and culture had reflected on the initial rock’n’roll explosion, and all sorts of new avenues were being explored.

One of the most adventurous explorers was Melbourne ’s magnificent Madder Lake . Their career was typical of the times. Emerging from the sixties as a cover band (San Sebastian), they coalesced into an original band of great creativity and power, helped kickstart an independent Australian music industry, participated in the legendary gigs like Sunbury, and after two amazing albums that pushed the envelope of creativity and could’ve been major highlights in any part of the world, eventually folded without ever achieving the critical or popular acclaim their originality and talent deserved.

That’s the nutshell version, and it will do for now, because the focus really should be on this magnificent pair of albums that have now been given the lavish Aztec Music treatment they deserve. Like Sebastian Hardie in Sydney Madder Lake have remained a secret known only to those who remembered swaying close eyed as their music transported you to a higher state.

It’s often called progressive rock, and that’s probably fair enough, because it was music that transformed our understanding of what was possible, but ultimately it’s too limiting to try and tie music like this down with a label. Explore for yourself and be prepared to marvel and just what the Australian music industry was capable of in 1973 and 1974.

Stillpoint came first and is the product of just a few days in the studio. From the opening bars of “Salmon Song” you realise that you’re hearing something very different. Brenden Mason’s guitar and John McKinnon’s keyboards interplay joyously as the rhythm section of Kerry McKenna (bass) and Jac Kreemers (drums) underpin the sonic excursions with a thunderous bottom end that has just been waiting for a digital remastering to be fully revealed. After six and a half minutes creating expectation, Mick Fettes gravely vocals burst through the speakers, and the strength of Madder Lake is revealed. This is a band the absolutely revels in sparking off each other. The speed of recording captures an almost improvisational feel that was characteristic of their live performances. If “Salmon Song” was the only thing they’d ever recorded they would have been a great band, fortunately for music lovers everywhere it was just an entree.

Stillpoint contains the two singles that were obligatory for any band wanting to achieve recognition in the music industry, “Goodbye Lollipop” and “12-lb Toothbrush”, but goes way beyond that as the band explored textures, sounds and space. “Lollipop” is still irresistible, the perfect name for three and a half minutes of pure, unadulterated joy, while “Toothbrush” sounds as fresh as the first time its “na na nana nana na na” vocal hook first entered the collective consciousness of a generation of Australians.

This superb re-release supplements the musical explorations of the original album with some wonderful rarities. Aztec Music were obviously determined to make sure “12-lb Toothbrush’s” infectious hook infiltrated as many brains as possible, because the original single version is included here, as is a live version from Sunbury ’73. Two tracks from the rare “Final Blow” LP recorded live at The Garrison in Melbourne on 10 June 1973 round out the collection and offer convincing proof of just how powerful Madder Lake were on stage.
by Bernie Howitt
Tracks
1. Salmon Song - 8:22
2. On My Way To Heaven - 3:51
3. Helper - 5:07
4. Listen To The Morning Sunshine - 5:11
5. Goodbye Lollipop - 3:36
6. Song For Little Ernest - 4:30
7. 12-Lb. Toothbrush - 6:02
8. Bumper Bar Song (B-Side) - 4:41
9. 12-Lb. Toothbrush (Single Version) - 3:50
10.Country Blues (B-Side) - 2:43
11.Down The River (G. Ratziass) (Live At Sunbury) - 6:14
12.12-Lb. Toothbrush (Live At Sunbury) - 8:18
13.Bumper Bar Song (Live At Garrison) - 5:50
14.When Is A Mouse (Live At Garrison) - 5:38
All song by Madder Lake except where noted.

Madder Lake
*Mick Fettes - Vocals
*Jack Kreemers - Drums
*Brendon Mason - Guitar
*Kerry Mckenna - Bass
*John Mckinnon - Keyboards
*Andy Cowan - Keyboards

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4 comments:

  1. The original lineup — McKenna, Kreemers, McKinnon, Mason and Fettes — all met in 1968, while studying at the Swinburne Institute of Technology, Melbourne's renowned arts and media college. The entry in Noel McGrath's 1978 rock encyclopedia says that Madder Lake was their first band, but in fact all the members had been through the usual round of teenage beat groups before meeting at Swinburne. The band which became Madder Lake evolved from an earlier student band, which included Kerry McKenna and Brendan Mason, who had been playing together since their early teens. By the time they began studying at Swinburne, Kerry and Brendan already had their own established band, San Sebastian, gigging regularly around the Melbourne area. They had even competed in the Victorian heats of the Hoadleys Battle of the Sounds.

    It's one of the great ironies of Australian rock that this outstanding and innovative group, who excelled both live and on record, that they have never received the recognition they deserve was unable to extend its career overseas, even though their records sold in impressive quantities in England and Europe — and still do. Their central importance to the early success of the fledgling Mushroom record label has also been overlooked, and as lead singer Mick Fettes recently observed:"there wouldn't have been a Mushroom if it wasn't for us."
    Madder Lake was one of the most original and distinctive of the "new wave" of Australian groups that emerged around 1970. They were also an important and popular part of the of the Melbourne music scene. It's unfortunate that they're only known for their extant recordings -- their two excellent 1970s Albums and one "Best Of.." compilation -- because they are prolific writers, and according to Mick they have are "literally hundreds of songs" stockpiled,waiting to see the light of day.

    Thx Marios!

    ReplyDelete
  2. Hello, alas deposite links are dead, could You re-up ?

    ReplyDelete