Sunday, May 24, 2026

rep>>> Jack Bruce Band - Live At Manchester Free Trade Hall (1975 uk, magnificent blend of jazz blues prog and classic rock, 2003 edition)



This double-CD set was one of the unexpected bonuses of the 2001/2002 remastering of Jack Bruce's RSO/Polydor catalog -- amid a search of the vaults, a tape of this performance, the only official live recording of the Jack Bruce Band, was unearthed. They were news to Bruce at the time of their discovery, rough mixes done in contemplation of a concert album that was abandoned. It has its technical problems, but it was possible to clean up most of the sound to a fully professional modern standard, except for a couple of spots where extraneous noise does intrude, especially on the opening of disc two. But those are insignificant flaws in relation to the overall content of these tapes, which capture the band in fine form, especially Bruce, lead guitarist Mick Taylor, and keyboardist Carla Bley -- Ronnie Leahy fills out the keyboard sound and Bruce Gary handles the drumming. Their sound is surprisingly tight and their playing rich and crisp, doing a mix of progressive rock and blues-rock in which there are at least four potential lead instruments beyond Bruce's voice, which is extremely powerful throughout and, indeed, more expressive on-stage than it ever seemed amid the cacophony of Cream's concerts. 

The repertory is drawn almost entirely from his solo catalog (though they do close with an extended version of "Sunshine of Your Love"), with a special emphasis on songs from Out of the Storm. Though Carla Bley gets a lot of the spotlight for her work on piano, organ, Mellotron, and various other keyboard instruments, Leahy gets an extended featured spot on the piano for the medley of "Tickets to Waterfalls"/"Weird of Hermiston"/"Post War." Although there are a few standard-length songs here, this was a band that mostly preferred to stretch out, a fact illustrated by the presence of only four numbers on the second CD, which runs the better part of an hour. What made it work was that they had enough to say to fill that length, even on the 23-minute "Smiles and Grins," and the otherwise familiar "Sunshine of Your Love," here flexed out to over 13 minutes. They switch gears effortlessly between vocal numbers like "One" and instrumental-driven jams such as "You Burned the Tables on Me," without skipping a beat or letting the listener go. 

It's difficult to imagine how RSO would have released this recording reasonably intact in its own time -- there are too many tracks here that would have taken up a full side of an LP, and while Leon Russell and a few others had made the triple-live album a reality in rock, one is hard-put to imagine RSO springing for that with Bruce, whose critical notices were fantastic but whose sales -- especially in England -- had never matched his reviews. So perhaps it's just as well that this recording was forgotten but not lost, to show up today. 

The mix of blues, jazz elements, and hard rock, all in a free-form jam format, now seems all the more bracing and the CD market allows it to be kept intact. It's also doubly fortunate that this show was recorded during the period in which technology had finally mastered the art of capturing the sound of various electronic keyboard devices on-stage intact -- it's a small matter, but fans of the Mellotron will probably love this release. 
by Bruce Eder
Tracks
Disc 1
1. Can You Follow? - 1:43
2. Morning Story - 7:27
3. Keep It Down - 5:30
4. Pieces Of Mind - 5:42
5. Tickets To Waterfalls / Weird Of Hermiston / Post War - 24:21
6. Spirit (Tony Williams) - 10:44
Disc 2
1. One / You Burned The Tables On Me - 16:41
2. Smiles And Grins - 23:56
3. Sunshine Of Your Love (Eric Clapton, Jack Bruce, Pete Brown) - 12:07
All songs by Jack Bruce, except where stated

Musicians
*Carla Bley - Clavinet, Mellotron, Organ, Electric Piano, Synthesizer
*Jack Bruce - Bass Guitar, Piano, Vocals
*Bruce Gary - Drums
*Ronnie Leahy - Piano, Electric Piano, Synthesizer
*Mick Taylor - Guitar

Just Paste

The Mob - The Mob (1970-72 us, exciting jazz funky brass rock)



The MOB was the first band in Chicago to have a full horn section. Prior to The MOB (early-to-mid ’60’s), Gary Beisbier and Jimmy Holvay had horns in all of their line-ups. “Beatle Time” was recorded in December of 1963 and charted on WLS. Gary and Jimmy recorded as a group called The Livers, previously The Chicagoans. The song carries the melody with a horn section.

In June of 1966, The MOB was playing at a club in Schiller Park on River Road called the Wine and Roses. Coming to see The MOB were every rock band musician in town including The Missing Links, The Exceptions and Carl Bonafede. The MOB’s very first release [”Wait (Please Don't Walk Away)” b/w “Mystery Man”] was on Cameo / Parkway Records in May of 1966. “Kind Of A Drag” by The Buckinghams was released in 1967, later Blood Sweat & Tears, CTA, the Ides Of March and Chase all featured horns.

It was said in Danny Seraphines’ book, that the MOB inspired Danny, Terry and Wally to add horns to their group, which was originally called The Missing Links, which then became The Big Thing (now known as Chicago).  In March of 1966, Jimmy Holvay was asked to write and produce a two sides for The Missing Links. It was a single called “Makin’ Up And Breakin’ Up” b/w “You Hypnotize Me” on Ivanhoe Records, when they were a four piece band, prior to them adding a horn section and re-forming as The Big Thing.

The Buckinghams also recorded their version of “Makin’ Up And Breakin’ Up” for their first USA LP. It was the producers (Dan Belloc and Carl Bonafede) who added horns to The Buckinghams tracks. The Buckinghams did not have horns in their band.

n early 1967, manager Joe DeFrancesco (in his quest to secure The MOB a recording contract with a major label) came up with a strategy. He directed The MOB to record at a top studio in New York City. The studio was A & R Recording, and the engineer was Brooks Arthur. The MOB recorded: "Disappear", "Blowin' My Mind", "I Wish You'd Leave Me Alone" and "Everybody's Got To Have Somebody", a newer version than the one recorded at Capitol Records' Studio B in Hollywood.

While in New York, Joe had a marketing brainstorm. A few months previously, Joe had seen a Las Vegas act, The Kirby Stone 4, perform at the Scotch Mist on Chicago's Rush Street. He befriended one of its members, Larry Foster, who was a celebrity voice impersonator.

While Joe was sitting in A & R Recoding's control room and mixing the tracks, he came up with an ingenious marketing plan of how he would launch the next super group to the world. He contacted Larry Foster, with whom he created a radio spot campaign titled "WHO IS THIS MOB?!" The twist was not only that these mobsters weren't gangsters but also that "they were clean". They were a musical group.

The mobsters and Joe secured a major record deal with Mercury. The single chosen to be released in 1968 was "Disappear" (Holvay/Beisbier) b/w "I Wish You'd Leave Me Alone" (Holvay/Beisbier). The February 14th holiday was also known in Chicago for the St. Valentine's Day Massacre, which occurred in the 1920's. It was decided to purchase numerous ads (with the royalties from The Buckingham's hits) on the local Top 40 power house radio station WCFL, which ran the radio spots for weeks; all building up to the release of Mercury Records #72791 1-40785 and 1-40786 Bag-O-Tunes (BMI).

There were five radio spots Foster recorded: James Cagney, Walter Winchell, Humphrey Bogart, Al Capone and Edward G. Robinson. Each radio spot did not include any clip from The MOB’s single but instead teased that “they were clean”.
The Mob 
Tracks
1. Maybe I'll Find A Way - 2:44
2. Once A Man, Twice A Child - 4:11
3. (I’d Like To See) More Of You - 3:37
4. Lost - 3:57
5. Give It To Me - 3:04
6. For A Little While - 4:03
7. Goodtime Baby - 2:20
8. I Dig Everything About You - 2:34
9. Love Has Got A Hold On Me - 2:54
10.Back On The Road Again - 3:19
11.Savin' My Lovin' For You - 3:43
12.Medley: Everyday People (Sylvester Stewart) / Love Power (Teddy Vann) - 4:26
13.Make Me Yours - 3:00
14.All I Need - 2:46
15.I Feel The Earth Move (Carol King) - 2:52
16.Money (That's What I Want) (Berry Gordy, Janie Bradford) - 2:47
17.Where You Lead (Carole King, Toni Stern) - 2:22
18.Two And Two Together - 2:52
19.Uh-Uh-Uh-Uh-Uh-Uh - 2:52
All compositions by Gary Beisbier, James Holvay except where stated
Tracks 1-10 from 1970
Tracks 11-19 from 1971-72

The Mob
*Little Artie Herrera - Lead Vocals
*Al Herrera - Tenor Sax, Lead Vocals
*Gary Beisbier - Tenor, Alto, Baritone Sax, Background Vocals
*Mike Sistak - Trombone, Guitar, Lead Vocals
*Jim Holvay - Guitar, Fender Bass, Lead Vocals
*Tony Nedza- Hammond B3, Background Vocals
*Bobby Ruffino - Drums