Wednesday, June 26, 2024

Kin Ping Meh - Kin Ping Meh 3 (1973 germany / uk, tough prog rock, digipak remaster)



1972 was a very good year for Kin Ping Meh. They wrote the music for a drug musical called 'Rausch', composed the soundtrack for ZDF series "Sechs unter Millionen" (Weber said in an interview: "We tried to make good rock music because for us, this job is an important milestone, a big step ahead in our career") and thus joined the short list of German rock bands who had achieved something similar, e.g. Can with 'Spoon', their song for a Durbridge crime movie, or Popol Vuh for the Herzog movie 'Aguirre, der Zom Gottes'. Almost simultaneously, they opened the Sailing Olympics in Kiel, went on tour with Rory Gallagher and Golden Earring, and released their second album, 'No. 2'.  In their annual vote, the readers of magazine "Popfoto" voted them among the Top 5 in the category, 'Most Promising Band'. 

But they had to pay a high price for constantly being on the road - 1972 saw a drastic change in the line-up. Willie Wagner, Werner Stephan and Torsten Herzog left the band to be replaced by Gerhard "Gagey" Mrozeck, Uli Gross, British bass player Alan Joe Wroe and his fellow countryman Geff Harrison. With this line-up, Kin Ping Meh recorded 'III', the band's third album, in the Summer of 1973. The album featured a wind section and a female choir. It was mainly because of singer Geff Harrison's influence that the band developed a hard rock image. "The people mainly want to really rock, to be happy and to get to see something. And that's all true in our case", the band explained in a 1973 "Musik Express" interview and added: "There is not much demand for space and cosmic rock right now." Kin Ping Meh played concerts with hard rock superstars like Deep Purple and Slade and appeared on a couple of television shows. 
Alex Gitlin
Tracks
1. Come On In (Fritz Schmitt, Gerhard Mrozeck) - 5:24
2. Random (Alan Joe Wroe, Uli Gross) - 3:50
3. Love Is The Day (Alan Joe Wroe, Gerhard Mrozeck, Uli Gross) - 4:59
4. Rock Is The Way (Fritz Schmitt, Gerhard Mrozeck) - 4:46
5. Circus (Alan Joe Wroe, Gerhard Mrozeck, Uli Gross) - 14:06
6. Mrs. Holmes (Alan Joe Wroe, Kalle Weber, Uli Gross) - 7:20

Kin Ping Meh
*Gerhard Mrozeck - Acoustic, Electric Guitars, Vocals
*Fritz Schmitt - Organ, Piano, Moog Synthesizer
*Alan Joe Wroe - Bass
*Kalle Weber - Drums, Percussion
*Geff Harrison - Lead Vocals, Percussion
With
*Uli Gross - Guitars, Vocals
*Werner Stephan - Vocals
*Elga Blask - Backing Vocals
*Peter Bender - Backing Vocals
*Gabriele Oberpichler - Backing Vocals
*Rolf Köhler - Backing Vocals
*Helmut Mocker - Horn Arrangements


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Tuesday, June 25, 2024

Various Artists – Sad About The Times (1969-81 canada / us, impressive west coast jangle, power pop late night jams acid folk psych, 2019 remaster)



So here it is, the wonderful Sad About The Times. Imbued with a sense of "sad bliss”, this compilation of could-have-been-hits from 1970s North America drifts between acid folk strummers, soft rock whispers and jangly psych jammers, all crowned with entirely unique vocal performances. Every track tugs on the same very specific heart string, triggering an emotion familiar but difficult to describe.

Sad About The Times is one of those records that permeates your subconscious, floats around with you and plays in your mind when you're at your most contemplative or wistful. 
Artist - Tittle - Composer
1. West - Sad About The Times (Lloyd Perata) - 2:34
2. Hollins Ferry - Lonely City (Rob Fahey) - 4:23
3. Randy And The Goats - N.Y. Survivor (Mark Chmielinski) - 3:50
4. Willow - Loaves And Fishes (Barry Fitzgerald, Kevin Dolan, William McSweeney) - 
5. Art Lown - Deep Blue Sea (Art Lown) - 2:43
6. Jode - Tomorrow is Gone (Jason Rivera, Omar Rivera) - 3:10
7. Norma Tanega - Illusion (Norma Tanega) - 3:40
8. David Chalmers - Hotel Room (David Chalmers) - 4:00
9. Jim Spencer - Another Lonely Day (Jim Spencer) - 2:11
10.Hoover - Absolute Zero (Willis Hoover) - 3:35
11.Space Opera - Holy River (Scott Fraser) - 5:26
12.Roger Rodier - Am I Supposed To Let It By Again (Above The Covers) (Roger Rodier) - 4:07
13.Emmett Finley - Paula's Song (Emmett Finley) - 3:40
14.Sky - Sing For Me (John Corey) - 4:27
15.Smubbs - The Running Water (Richard Segall) - 5:05
16.Oliver Klaus - Here Comes the Sun (Maurice Singfield Jr.) - 2:32
17.Antonia Lamb - Wolf (Antonia Lamb) - 3:18
18.Kevin Vicalvi - Lover Now Alone (Kevin Vicalvi) - 3:06
19.Boz Metzdorf - Sails Across The Sea (Boz Metzdorf) - 5:52
20.Dennis Stoner - Maybe Someday/Maybe Never (Dennis Stoner) - 6:32
21.Perth County Conspiracy - If You Can Want (Smokey Robinson) - 4:28

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Monday, June 24, 2024

Kin Ping Meh - Kin Ping Meh (1971 germany, splendid kraut rock with hard prog elements, expanded edition)



The career of rock band Kin Ping Meh from Mannheim lasted almost exactly seven years and reached quite a few heights. But it still left the band rather disillusioned in the end. Drummer Kalle Weber's resume from the Spring of 1977: "If you're not a pop star, you're still the asshole." Together with amateur musicians Werner Stephan (vocals), Joachim Schafer (guitar, piano), Frieder Schmitt (organ piano) and Torsten Herzog (bass), Weber had formed Kin Ping Meh in 1970.

The name Kin Ping Meh (meaning "branch of a plum blossom in a golden vase") is taken from a Chinese 16th century novel depicting the life and customs of that time. On September 15, 1970 the band gave their first concert. Over the next months, they took part in seven important talent competitions. They won them all and were offered a recording contract from Polydor. From now on, everything went very quick - the important Sunday paper "Bild am Sonntag" had a two-page report about the band in January and their first single was released in February. 'Everything's My Way' made the Top 5 of various radio playlists and March saw the band tour with The Hollies.

In May it was back to the studio to record the second single, 'Everyday'. After guitarist Willie Wagner replaced Joachim Schafer, the band from Mannheim recorded and produced their debut album in autumn 1971, and in December it hit the stores. The band was almost constantly touring at that time and supported acts like Uriah Heep.

The debut album of the Mannheim band was released in December 1971. Producers were Rattles musicians Frank Dostal and Achim Reichel, recording took place in Hamburg's Windrose Dumont Time studio and mixing was done at the Star Studio. Conny Plank, who just made himself a name as a brilliant producer at that time, was the sound engineer. The band had previously released two singles that caused a nation-wide splash. On 'Kin Ping Meh', the band used traditional instruments and line-up and presented eight straight-forward blues-rock songs.

The 11-minute opener, 'Fairy Tales', with its excellent long instrumental part, was followed by 'Too Many People', a straight rock number. 'Sometimes' and 'My Dove' show the musicians in a calmer mood. 'Everything' is a new version of the first single, 'Everything's My Way', and has different lyrics. In its usual critical manner, music magazine "Sounds" looked for reasons "why the record is so mediocre", but had to admit that "the band's musical talents and the palpable enthusiasm actually are a good basis for a solid and catchy down-to-earth sound..." "Pop" magazine, on the other hand, liked all of the "eight melodious, catchy tunes…

The band plays together perfectly, and the production is without flaw. Kin Ping Meh undoubtedly will be celebrate another commercial success with this LP." That forecast was correct - the album paved the road to success over the coming years. Apart from the eight songs of the original release, this CD offers as bonus tracks the singles 'Everything's My Way'/'Woman' (1970, Polydor 2041126), 'Every Day'/'Alexandra' (1971, Polydor 2041172) plus the single A-side 'Too Many People' (1972, Polydor 2041247). The flip side of that single was the album version of 'My Dove' and can be found on the regular album.
Alex Gitlin
Tracks
1. Fairy-Tales (Willie Wagner) - 10:50
2. Sometime (Frieder Schmitt, Kalle Weber, Willie Wagner) - 5:46
3. Don't You Know (Kalle Weber, Torsten Herzog) - 7:25
4. Too Many People (Kalle Weber, Werner Stephan) - 5:02
5. Drugsen's Trip (Michael Gassenmaier, Torsten Herzog) - 5:52
6. My Dove (Frieder Schmitt, Kalle Weber, Werner Stephan) - 3:37
7. Everything (Kalle Weber, Werner Stephan) - 5:15
8. My Future (Torsten Herzog, Werner Stephan, Willie Wagner) - 2:47
9. Everything's My Way (Werner Stephan) - 3:21
10.Woman (Joachim Schäfer, Torsten Herzog) - 4:11
11.Every Day (Joachim Schäfer, Kalle Weber) - 4:14
12.Alexandra (Joachim Schäfer, Kalle Weber) - 2:36
13.Too Many People (Kalle Weber, Werner Stephan) - 3:50
Bonus Tracks 9-13

Kin Ping Meh
*Willie Wagner - Guitar, Mouth Organ, Vocals
*Werner Stephan - Lead Vocals, Acoustic Guitar, Percussion 
*Frieder Schmitt - Organ, Piano, Electric Piano, Mellotron, Vocals
*Torsten Herzog - Bass, Vocals
*Kalle Weber- Drums, Percussion

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Saturday, June 22, 2024

Parchment Farm - Parchment Farm (1972-73 us, rough underground psych rock, 2024 release)



Over the course of about five years beginning in late 1968, several musicians living in eastern Missouri rocked the area clubs and festivals with a mix of cover and Heavy original songs. The band’s name, Parchment Farm, came from a song on Blue Cheer’s debut LP, “Vincebus Eruptum.”

With several changes in their lineup during the years, they supported some of the top names from late sixties to mid seventies. Their sound is underground bluesy psych rock. Parchment Farm disbanded round 1974.
Tracks
1. Songs Of The Dead - 3:56
2. Midnight Ride - 3:33
3. Devil's Film Festival - 4:18
4. Medici - 7:29
5. Summer's Comin' Soon - 7:12
6. Blind Man - 5:13
7. Blue Skies Comin' - 3:11
8. My Lady - 3:07
9. Friends Or Lovers - 5:30
10.Mind Trip - 4:44
11.Concrete Jungle - 2:40
12.If I'm Elected I Will Not Serve - 4:39
All songs by Paul Cockrum

Parchment Farm
*Paul Cockrum - Guitar
*Robert "Ace" Williams - Bass
*Mike Dulaney - Drums

Friday, June 21, 2024

Roy Harper - Lifemask (1972 uk, sensational prog acid folk rock, feat. Jimmy Page, 2018 remaster)



Lifemask was an emotional if not musical rebirth for Roy Harper, who nearly lost his life in 1972 due to a rare congenital circulatory disorder. When the album was released in early 1973, it showed Harper refining the acoustic music he had perfected on 1971's Stormcock. Some of the songs on the album previously appeared in a motion picture entitled Made, but the sound is nonetheless consistent throughout. "Highway Blues" and "South Africa" are the best-known songs on this set, and have remained concert mainstays for many years. 

The former is a strong opener and added a touch of synthesizer to Harper's instrumental stable, while the latter was a political comment on apartheid in the guise of a touching love song. "Little Lady" and "Bank of the Dead" (featuring Jimmy Page) are fairly similar in sound and context, but remain pleasant, if not classic, cuts anyway. The album-closing "The Lord's Prayer" is quite possibly the most confounding piece in Harper's catalog. It has all the benchmarks of one of his classics -- epic, album-side length, poetically obscure lyrics, many musical movements, and, as usual, guitar help from Jimmy Page. However, despite its potential, the song's a bit boring and doesn't approach Harper's former or future epics in terms of listenability. Despite that, Lifemask remains a strong album from Harper's progressive folk period, even if it is a notch below its predecessor, Stormcock. 
by Brian Downing
Tracks
1. Highway Blues - 6:31
2. All Ireland - 2:53
3. Little Lady - 4:22
4. Bank Of The Dead - 3:12
5. South Africa - 4:03
6. The Lord's Prayer - 22:59
All songs by Roy Harper

Personnel
*Roy Harper - Guitar, Synthesizer, Bass, Harmonica, Bells,, Vocals
*Jimmy Page - Guitar (Tracks 4,6)
*Brian Odgers - Bass (Tracks 4,6)
*Ray Warleigh - Flute (Track 6)
*Laurie Allan - Drums (Track 1)
*Brian Davison - Drums (Track 6)
*Steve Broughton - Bongos (Track 6)
*Tony Carr – Bongos, Drums (Tracks 4,6)


Thursday, June 20, 2024

Dana Gillespie - Box Of Surprises (1969 uk, fantastic swinging bluesy folkish psych rock, 2008 remaster with extra tracks)



On her ’69 sophomore longplayer, Dana takes over the songwriting credits, taking full advantage of it. With Savoy Brown behind her, and Mike Vernon in the producer’s chair, one would guess that the result must’ve been as blue as blues can get, while it’s just as stylistically varied as Foolish Seasons.

With the above personnel made obvious only by the title tune, there’s also at least two tracks (Like I’m A Clown, I Was A Book) worthy of the mod-stompin’ shoulda-been-a-hit tag , already stuck firmly onto previous year’s You Just Gotta Know My Mind.

She revisits the acid folk of the debut LP’s title tune, and gets even moodier with the pair of ballads recalling The Zombies (When Darkness Fell), or The Swinging Blue Jeans’ take on You’re No Good with and additional Eastern touch to it (I Would Cry).

As a bonus, we get four sides of pre-debut singles, of which Page’s freaked-out fuzz solo in ‘65’s Thank You Boy makes the addition worthwhile on it’s own.
by Garwood Pickjon
Tracks
1. Box of Surprises - 4:26  
2. Like I'm a Clown - 2:16  
3. Taffy - 3:13   
4. When Darkness Fell - 4:21   
5. For David, The Nest Day - 4:29   
6. If You're Dreaming - 2:13   
7. Foolish Seasons - 2:30   
8. Grecian Ode - 3:34   
9. By Chasing Dreams - 3:06   
10.I Was a Book - 2:03   
11.Describing You - 3:04   
12.I Would Cry - 4:41   
13.Thank You Boy (Barry Mason, John Carter, Ken Lewis) - 2:05   
14.You're a Heartbreak Man - 2:20   
15.Pay You Back With Interest (Allan Clarke, Graham Nash, Tony Hicks) - 2:50   
16.Adam Can You Beat That - 1:53
All compositions by Dana Gillespie except where stated

Musicians
*Dana Gillespie - Vocals, Guitar, Keyboards
*Chris Youlden - Guitar, Piano, Vocals
*Lonesome Dave Peverett - Guitar, Vocals
*Kim Simmonds - Guitar, Harmonica, Piano
*Bob Hall - Piano
*Rivers Jobe - Bass
*Tony Stevens - Bass, Percussion
*Roger Earl - Percussion, Drums
*Jimmy Page - Guitar (Track 13)


Tuesday, June 18, 2024

Roy Harper - Flat Baroque And Berserk (1970 uk, sterling folk rock, 2016 remaster)



Flat Baroque and Berserk' was the first record of mine to go into the charts. For the first time in my recording career, proper care and attention was paid to the presentation of the song. Peter Jenner was assigned by EMI Records to produce the recording. Peter and I got on really well and he was a better overseer of my work than anyone I have been involved with before or since. I had also had a Studio upgrade. EMI Studios, Abbey Road was at that time the most advanced studio in Europe, and over the next ten years I was to record in near-perfect conditions.

Over those years, the studio buzzed with four separate Beatles, some Stones, The Pink Floyd, Cliff and the Shadows, Gracie Fields, three of four musical knights, Kate Bush, Olivier Newton-John, The Hollies, Yehudi Menuin, Stefan Grapelli, The Plastic Ono Band, Eric Clapton; you name them, they were all there. Jimmy Page and I were in there three or four times together.It was a creative hotbed where the technical staff, headed by Ken Townsend, were second to none.

Meanwhile, back at the ranch, I was very pleased with my first record made in such elevated surroundings. The song that I was best known for in those days, 'I Hate the White Man,' was recorded live for this album, and still stands as a testament to my lifelong devotion to espousing equal rights for all humans. I have long since wondered about the wisdom of stating that you have more than the capacity to hate your own race for it's misdemeanors, but as a polemic it has been both an effective tool and somewhere of a place to stand.

Much of the rect of the record is on a gentler level, although 'Hells Angels,' recorded with 'The Nice,' is just as raw and was very eventful.'Another Day' is one of the best love songs I ever wrote and the overall balance of the record is very good.
by Roy Harper
Tracks
1. Don't You Grieve - 5:44
2. I Hate The White Man - 8:04
3. Feeling All The Saturday - 1:56
4. How Does It Feel - 6:27
5. Goodbye - 5:47
6. Another Day - 2:58
7. Davey 1:32
8. East Of The Sun - 3:04
9. Tom Tiddler's Ground - 6:49
10.Francesca - 1:22
11.Song Of The Ages - 3:54
12.Hell's Angels - 6:55
Music and Lyrics by Roy Harper

Personnel
*Roy Harper - Vocals, Acoustic Guitar, Electric Guitar (Track 12)
*Skaila Kanga - Harp  (Track 11)
*Tony Visconti - Recorder  (Track 9)
*Keith Emerson - Keyboards  (Track 12)
*Lee Jackson - Bass Guitar (Track 12)
*Brian Davison - Drums  (Track 12)
 

Monday, June 17, 2024

Tir Na Nog - A Tear And A Smile (1972 ireland, wonderful folk rock, 2012 remaster with bonus tracks)



Tir Na Nog expanded their horizons on their 1972 sophomore release by adding drums (Barry DeSouza) and bass (Larry Steele), as well as some effective string arrangements. Produced by the legendary Tony Cox (Caravan, Francoise Hardy, Family), A Tear and a Smile retained all of Sonny Condell and Leo O'Kelly's offbeat phrasing, playful melodic deviations, and pastoral balladry, while subtly turning an eye to the prospects of a little commercial appeal. 

The easy folk-rock of O'Kelly''s "When I Came Down" and "The Same Thing Happening" wouldn't have sounded out of place on the country-rock-heavy airwaves of U.S. radio, and even though Condell's lighthearted Noel Coward imitation on the bouncy "Bluebottle Stew" is like listening to a half-baked Monty Python skit, it works because -- like everything on A Tear and a Smile -- it's executed so sincerely. Tir Na Nog were more than mediocre, but a few songs shy of great, and fans of Ralph McTell, the Dransfields, and Cat Stevens will find common ground and much to love here. 
by James Christopher Monger

The second album A Tear and a Smile takes the first steps in a more rock-oriented direciton with the addition of the rhythm section of Larry Steele (bass) and Barry DeSouza (drums). Producer Tony Cox who'd previously worked successfully with Family and Caravan adds string arrangements to some songs and there are subtle developments suggesting stronger commercial appeal. Sales remained modest but the album did manage to secure a release in the USA, with some tracks substituted for with songs from the debut. The single preceeding the album "The Lady I Love" was Melody Maker Single Of The Week! 
Tracks
1. Come And See The Show (Sonny Condell) - 3:18
2. Down Day (Sonny Condell) - 5:50
3. When I Came Down (Leo O'Kelly) - 4:33
4. The Same Thing Happening (Leo O'Kelly) - 4:47
5. Bluebottle Stew (Sonny Condell) - 2:21
6. So Freely (Leo O'Kelly) - 3:34
7. Hemisphere (Sonny Condell) - 2:17
8. Lady Ocean (Leo O'Kelly) - 4:33
9. Goodbye My Love (Leo O'Kelly) - 4:21
10.Two White Horses (Sonny Condell) - 2:42
11.The Lady I Love (Sonny Condell) - 3:19
12.Heidi (Leo O'Kelly) - 3:22
Bonus Tracks 11-12

Tir Na Nog
Sonny Condell – Guitar, Clavinet, Percussion, Vocals
Leo O'Kelly – Guitar, Vocals
With
Larry Steele – Bass
Barry De Souza – Drums

 

Friday, June 14, 2024

Randy Holden - Population II / Guitar God (1970 / 2001 us, powerful stoner guitar drivin' hard rock, 2001 bonus tracks edition)



Listening to this album solidly for the past few months it surprises me that I could have been so absentminded as to forget to include it in my Early 70’s Proto-Metal Baker’s Dozen. Its’ always a challenge to compile those kinds of lists as there’s inevitably someone who you’re going to kick yourself for not including!

Randy Holden started his career in the early part of the 1960’s and was a member of; The Fender IV (Surf-Rock), Sons of Adam (Surf Rock/Psych), The Other Half (Psych/Garage Rock – Mr Pharmacist was later covered by The Fall), followed by a short stint in Blue Cheer on the record New! Improved! before going solo and launching his debut album, 1970’s Population II.

Population II is a reference both to there being 2 members in the band (Randy – guitar/vocals and drummer/keyboardist Chris Lockheed) and an astronomical term denoting a star cluster with heavy metals present – how apt! The album cover is of the duo stood in front of such a cluster in a valley as seen through a telescopic lens. The album is considered one of the earliest examples of Doom Metal and coincidentally was released in the same year as the first two Sabbath albums. The album has been reissued by RidingEasy Records who have some form when it comes to somewhat obscure 70’s Rock thanks to their superlative Brown Acid compilation series.

The record starts with Guitar Song that features some playful guitar histrionics before a slow, sludgy riff, which could be described as Sabbathesque, descends and Randy singing ‘I love the sound of a guitar playing, I love the way it makes me feel inside’, we would never have guessed. The theme of the song is so simple it’s beautiful, a man’s dedication to his craft. Fruit & Icebergs is a track that featured on the Blue Cheer record Holden guested on, and man, this version is infinitely a lot heavier and doomier, in fact you get the distinct impression that the version you hear here is how Randy intended it to be all along. 

Next are 2 short numbers, the first of which Between Time reminds me of the Rolling Stones (Keith Richards was an influence) meets Blue Cheer. The other, Fruit & Icebergs (Conclusion) is er, a conclusion of the earlier track of the same name. Blue My Mind has a definite cool Hendrix vibe before the longest track on the album, the simply amazing 10 minute Keeper Of My Flame which concludes the album, a track that is both melodic and airy yet also grinding and devastating, there is some amazing playing on here, it’s progressive in scope but never self-indulgent or tiresome.

You can hear a sense of joy from Randy Holden on this record, free from the constraints of being in bands where he was given no control, he was determined to make the most of it here. Unlike the likes of Joe Satriani and self-proclaimed genius Yngwie Malmsteen, this is a guitar orientated record you can enjoy, with no over the top shredding, instead it feels grounded and unpretentious.

Much like Hendrix the words/lyrics are largely functional with the focus instead on the amazing music. Sadly, due to record company woes, Randy went into hibernation for the best part of 2 decades before re-emerging, but thanks to the ever-excellent RidingEasy Records hopefully one of rock’s most overlooked guitar heroes will at last get the kudos he so richly deserves. Stoner and doom metalheads will now be able to experience one of the most important documents in the development of the genre we dearly love.
by Reza Mills, 27th February 2020

After the recording of "Population II" in 1970, Randy Holden quit the music business never to be heard from again....until the release of this album in 1996 (in a limited Japanese edition). Sought out by long time fan Randy Pratt (executive producer for this project) and joined by Paul Whaley (prior to recording Guitar God Holden and Whaley, former Blue Cheer drummer, had not seen or spoken to each other for over two decades), and Robert Bauer, Randy delivers an extravagant album full of double and triple tracked guitar. Only one instumental on the album, Randy demonstrates his singing and song writing as well as his guitar prowess. 

The album opens with Dark Eyes which contains as heavy a riff as can be found on Population II. The tempo speeds up with Wild Fire, No Trace, and Got Love. Pain In My Heart has a return to heavy. Blue My Mind is redone from the Population II days with a fuller sound. Must be listened to with headphones for the full experience. Randy is definitely having fun here, exploring his whole pallette of pyrotechnics. 
Tracks
1. Guitar Song - 6:12
2. Fruit And Iceburgs - 5:02
3. Between Time - 1:50
4. Fruit And Iceburgs - Conclusion - 1:54
5. Blue My Mind - 6:01
6. Keeper Of My Flame - 10:05
7. Dark Eyes - 5:08
8. Wild Fire - 5:38
9. Scarlet Rose - 4:04
10.Pain In My Heart - 4:39
11.Hell And High Water - 5:40
12.No Trace - 4:16
13.Got Love - 4:02
14.Blue My Mind - 4:11
15.Castle In The Sky - 5:14
16.Dark Eyes (Part Two) - 5:07
All songs by Randy Holden

Musicians
Randy Holden - Guitar, Vocals, Bass (Tracks 1-6)
Christopher Lockheed - Drums (Tracks 1-6)
Robert Bauer - Bass (Tracks 7-16)
Paul Whaley - Drums (Tracks 7-16)
Rachel Stavach - Vocals  (Tracks 10,11) 

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Thursday, June 13, 2024

Tom Rapp - Familiar Songs (1972 us, gorgeous haunting prog folk rock, 2003 remaster)



Post Pearls Before Swine work from Tom Rapp – a record that has him stepping out as a solo act, but with a feel that's quite similar to his recordings with the group! The mood here is laidback and slightly folksy – but also augmented more by piano than by guitar, and recorded with a watery style that works wonderfully with Rapp's sad-tinged vocals. A number of the songs appear to be remakes of versions from earlier years – and titles include "Snow Queen", "The Jeweler", "Rocket Man", "Sail Away", "Full Phantom Five & I Shall Not Care", "These Things Too", and "Grace Street".
Tracks
1. Grace Street - 3:10
2. The Jeweler - 3:28
3. Rocket Man - 3:04
4. Snow Queen - 3:45
5. If You Don't Want To (I Don't Mind) - 3:17
6. Charley And The Lady - 3:22
7. Margery - 3:12
8. Medley: Full Phantom Five / I Shall Not Care - 2:57
9. These Things Too - 3:37
10.Sail Away - 3:46
All Music and Lyrics by Tom Rapp
Except "Full Phantom Five" from a William Shakespear poem
"I Shall Not Care" lyrics by Sara Teasdale

Personnel
*Tom Rapp - Vocals, Guitar
*Robbie Merkin - Piano
*David Wolfert - Guitar
*Morrie Brown - Bass
*Billy Mundi - Drums