Thursday, June 15, 2023

Midnight Sun - Midnight Sun (1971 denmark, spectacular jazz prog rock)



Midnight Sun is a group based on the Rainbow Band, which was formed by former Young Flowers member Peer Frost with musicians in the jazz field. The band name was changed to Midnight Sun. This is their first album released from Danish Sonnet in 1971.

As mentioned above, the members are Frost, Bo Stief, Niels Bronstead, Bent Hasselmann, Kirsten Smedegaard's Rainbow Band. A 6-member formation with Alan Mortensen newly added to the 5 members, co-produced by Freddie Hanson and the band, sleeve design by Roger Dean. Most of the songs are first recorded as the Rainbow Band, but even though they are remakes, the arrangements are somewhat different, giving the impression that the whole is more sophisticated and jazzy. 

It has a good sound as a jazz rock with bluesy vocals, which is similar to the IF style, and the slightly husky and smoky English vocals are more addictive than Rainbow Band, which may be too bright. Especially the highlight is "Living on the Hill", which lasts for 15 minutes and shows a solid prog-like development, where Frost plays bluesy and hard guitar, and the hard explosion is relatively cool. good. The guitar playing rhythm and the keyboard are both fluent and skillful, and I think it's a good record that crosses the sticky heaviness of Northern Europe and the feeling of British jazz-rock.
Tracks
1. Talkin' (Allan Mortensen, Niels Bronsted) - 5:11
2. King Of The Sun (Allan Mortensen, Andy Levy, Bent Hesselmann) - 4:35
3. Nobody (Niels Bronsted) - 5:06
4. Where You Going To Be? (Andy Levy, Bent Hesselmann) - 5:38
5. B.M. (Bo Stief) - 2:34
6. Sippin' Wine (Allan Mortensen) - 3:06
7. Living On The Hill (Lars Bisgaard, Peer Frost Johansson) - 15:02
8. Rainbow Song (Bent Hesselmann) - 3:47

Midnight Sun
*Peer Frost Johansson - Guitars
*Niels Bronsted - Piano
*Bent Hesselmann - Tenor, Soprano Saxophones, Flute
*Bo Stief - Bass
*Carsten Smedegaard - Drums
*Allan Mortensen - Vocals


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Wednesday, June 14, 2023

The Nighthawks - Ten Years Live (1982 us, solid blues bar rock)



In the late '70s, The Bayou became home club for The Nighthawks. We alternated full week runs with C-Smash and Sinbad, with each of us challenging and breaking each other's house attendance records. On otherwise quiet Mondays, we teamed with Mike Tramonte to produce the Blue Monday at The Bayou series, hosting Chicago blues legends like J.B, Hutto, Otis Rush, Louis Meyers, Big Walter Norton, Carey Bell, as well as Blue Wave brother bands such as Roomful of Blues, The Fabulous Thunderbirds, George Thorogood and The Destroyers, and Billy Price. 

The '80s brought the Cellar Door folks from M Street into The Bayou and they enlarged the balcony and stage, turning the club into a showcase room on a par with New York's Bottom Line and L.A.'s Roxy. What better place to record a live album—three sets a night for four nights, the home town crowd, and the holiday season, topped off with two shows New Year's Eve and a live radio broadcast.

People in D.C. refer to all this as tradition—and, in the normally short-lived scene of rock music, anything that occurs annually for several years seems to be designated as such. But the end of 1981 meant the end of the first ten years for The Nighthawks, and this recording is our celebration—an anniversary, a birthday party with so many people who made it all possible. They are the stars of this LP. And you can hear them—stomping, whistling, hollering and generally have a ball!

This set of tunes was performed nightly for months in advance to make sure it had the feel and flow of a typical Nighthawks' show. The middle set of three, it captures the peak of an evening. It is dedicated to you for your drinking and dancing, listening and partying pleasure.
by Mark Wenner, 1982
Tracks
1. Introduction - 0:39
2. Metropolitan Avenue - 5:30
3. Guard Your Heart - 3:04
4. Push and Shove - 4:13
5. Jenny Lou - 2:46
6. Moving Up In Class - 7:10
7. If You Go - 7:44
8. Back Stabbing Woman - 2:51
9. Destination - 3:29
10.No Secrets - 3:29
All songs by Mark Wenner, Jimmy Thackery, Jan Zukowski, Pete Ragusa except track #4 co-written with Mitch Collins

The Nighthawks
*Mark Wenner - Vocals, Harp
*Jimmy Thackery - Guitar
*Jan Zukowski - Bass
*Pete Ragusa - Drums

Tuesday, June 13, 2023

The Nighthawks - Side Pocket Shot (1977 us, stunning blues rock, roots 'n' roll)



The Nighthawks are the quintessential bar band, loud and gritty with occasional flashes of grace. This third effort for locally distributed Adelphi Records showcases the band's talent as well as its limitations.

Having gained a sizeable following in Atlanta, Boston, and New YorK. At the core, though, the Nighthawks still have juke joint moxie and this album is in that vein.

"Are You Ready (For Me Baby)" is a reworking of the old rhythm-and-blues tune which the group adapts to its chew-'em-up-spit-'em-out delivery. Jim Thackery immediately establishes his credentials as one of this area's top guitarists, and vocals are raw and effective. All that is immediately neutralized in the next track, a poor interpretation of Larry Williams's "Slow Down". This one may suffer by comparison since a lot of bands - including the Beatles - have recorded it. Still, the sluggish rhythm and thin singing make this version expendable.
by Mark Kernis, October 9, 1977
Tracks
1. Are You Lonely (For Me Baby) (Bert Berns) - 4:36
2. Slow Down (Larry Williams) - 2:52
3. I Keep Cryin' - 4:20
4. James' Hawaiian Punch - 1:54
5. Honkey Tonk Queen - 2:58
6. I'll Get the News - 3:53
7. Tramp on the Highway - 4:12
8. Love's so Hard (To Understand) - 4:30
9. Vaseline Machine No. 2 (Leo Kottke) - 1:53
10.Fatback Mama - 3:30
11.Bring It on Home (Willie Dixon) - 3:02
All songs by Mark Wenner, Jimmy Thackery, Jan Zukowski, Pete Ragusa except where stated

The Nighthawks
*Jimmy Thackery - Guitar, Vocals
*Mark Wenner - Harmonica, Vocals
*Jan Zukowski - Bass 
*Pete Ragusa - Drums
With
*Rick Anderson - Percussion
*Tommy Hannum - Pedal Steel Guitar 
*David Maxwell - Piano
*The Rhythm Kings - Horns
*Lucile Schoettle - Vocals 

Monday, June 12, 2023

Tibet - Tibet (1978 germany, marvelous prog krautrock, 2013 japan SHM remaster)



Jürgen Krutzsch formed German band Tibet in 1972, having been inspired by the Eastern experimentation of groups such as the Beatles and Third Ear Band. Krutszch had spent the latter part of the sixties in cover bands (Fine Art, Nostradamus), and was interested in putting together a group that played native Tibetan instruments such as the tabla, violin, zither, and flute. He quickly abandoned this idea after recruiting former band mates Karl-Heinz Hamann (Fine Art, Teske) and Dieter Kumpakischkis (Nostradamus), as well as drummer Fred Teske and vocalist Kalus Werthmann, but the band did retain a certain pseudo-mystic feel to their music during their nine year existence.

The band toured extensively throughout the seventies, opening occasionally for fellow countrymen and friends of the band Kraan, but managed to release only a single album, their self-titled 1979 studio release. The tracks for the debut album were recorded in three separate sessions dating from December 1976 to September 1978. The band’s sound was a complex fusion of astral rock, jazz, classical music and Tibetan sounds, heavily keyboard-driven (Hammond, mellotron) and compared to the likes of  Eloy, Amenophis, and even Uriah Heep although most of their studio release consists of tracks that are similar in style but more reserved than any of those bands.

Tibet deserves recognition for having been a small part of the progressive music scene with their extensive live performance history throughout the seventies, and for the eclectic and ambitious style of music for which they were known by their small but persistent fan base.
Tracks
1. Fight Back (Dieter Kumpakischkis, Fred Teske, Jürgen Krutzsch, Karl Heinz Hamann, Allan Borel) - 4:59
2. City By The Sea (Kalus Werthmann, Deff Ballin) - 4:24
3. White Ships And Icebergs (Deff Ballin) - 6:15
4. Seaside Evening (Kalus Werthmann) - 4:13
5. Take What's Yours (Dieter Kumpakischkis, Fred Teske, Jürgen Krutzsch, Karl Heinz Hamann, Allan Borel) - 7:23
6. Eagles (Deff Ballin, Fred Teske, Jürgen Krutzsch, Karl Heinz Hamann) - 6:05
7. No More Time (Kalus Werthmann) - 5:30

Tibet
*Kalus Werthmann - Lead Vocals
*Jürgen Krutzsch - Guitar, Percussion
*Deff Ballin - Keyboards, Percussion
*Dieter Kumpakischkis - Keyboards
*Karl Heinz Hamann - Bass, Percussion
*Fred Teske - Drums

Saturday, June 10, 2023

Mike Bloomfield - Try It Before You Buy It (1973 us, wonderful gospel folkish bluesy rock)



This was Mike Bloomfield's second solo album for Columbia Records recorded in 1973. By that time Mike's popularity had faded so they did not release it then but put it out briefly on the CBS Special Products label in 1975.

The cover shows Mike Bloomfield with his mother. The album didn’t leave a trace and the reason could be that it probably never even got a release! (1973 or 1975 promo copies are known to exist). Even the CBS special product CD is hard to find. It’s a good album with fine playing from a great band. The lead singing is split between 4 people. There are some great tracks like “Your Friends”, which is what Mike Bloomfield and his friends do best: music that’s bluesy, slow and with a feeling. A great track. Also a great vocal performance on  from Mike Bloomfield.

It’s not exactly a blues album, but it’s rooted in the blues for certain. It’s not a Rock ’n’ Roll album either (well, the Dr. John song “Lights Out” certainly is a rocker!). Mike Bloomfield penned  even has a Caribbean feel to it due to Mark Naftalin playing the marimba. Nice bottleneck on “Baby Come On”, a track any guitarist would be proud of. 

The highlights on this record are Roger Troy’s contributions. He sings lead on three gospel-like songs: “Shine On Love”, “When I Get Home” and “Let Them Talk”. It’s understandable that all three were used again when “Living in the Fast Lane” was released in 1980.
Tracks
1. Been Treated Wrong (Robert Brown) - 5:10
2. When It All Comes Down - 3:07
3. Lights Out (Mac Rebennack) - 1:48
4. Baby Come On - 3:48
5. Shine On Love (Roger Troy) - 4:57
6. When I Get Home - 4:27
7. Try It Before You Buy It - 3:48
8. Midnight On The Radio - 2:58
9. Your Friends (Deadric Malone) – 6:54
10.Tomorrow Night - 2:10
11.Let Them Talk (Sonny Thompson) - 5:22
All songs by Mike Bloomfield except where indicated

Personnel
*Michael Bloomfield - Guitar, Lead Vocals
*Mark Naftalin - Keyboards, Vibes, Marimba, Accordion, Trombone
*Barry Goldberg - Keyboards 
*Roger Troy - Bass, Lead Vocals 
*George Rains - Drums 
*Nick Gravenites - Lead Vocals 
*Ron Stallings - Lead Vocals, Tenor Sax 
*Jimmy Vincent - Rhythm Guitar 
*Howard Wales - Keyboards 
*John Wilmeth - Trumpet
*Mel Graves - Tenor Sax
*Harry Mann - Alto Sax
*Hart McNee - Baritone Sax 
*Chuck Bennett - Trombone 
*Joe Bullock, Ollie Griffin, Tommy Tony (From The Church Of God In Christ) - Background Vocals
*John Wilmeth - Horns Arranger

1965-66  The Barry Goldberg Blues Band - Blowing My Mind ..Plus (2003 remaster and expanded)
1968  Mike Bloomfield, Al Kooper, Steve Stills - The Super Sessions (2014 Hybrid Multichannel SACD 24/88) 

Thursday, June 8, 2023

Otis Rush - Mourning In The Morning (1969 us, stunning electric chicago blues, feat Duane Allman, 2006 remaster)



Breaking into the R&B Top Ten his very first time out in 1956 with the startlingly intense slow blues "I Can't Quit You Baby," southpaw guitarist Otis Rush subsequently established himself as one of the premier bluesmen on the Chicago circuit. Rush was often credited with being one of the architects of the West Side guitar style, along with Magic Sam and Buddy Guy. It was a nebulous honor, since Rush played clubs on Chicago's South Side just as frequently during the sound's late-'50s incubation period. Nevertheless, his esteemed status as a prime Chicago innovator was eternally assured by the ringing, vibrato-enhanced guitar work that remained his stock in trade and a tortured, super-intense vocal delivery that could force the hairs on the back of your neck upwards in silent salute. If talent alone were the formula for widespread success, Rush would certainly have been Chicago's leading blues artist. But fate, luck, and the guitarist's own idiosyncrasies conspired to hold him back on several occasions when opportunity was virtually begging to be accepted.

Rush came to Chicago in 1948, met Muddy Waters, and knew instantly what he wanted to do with the rest of his life. The omnipresent Willie Dixon caught Rush's act and signed him to Eli Toscano's Cobra Records in 1956. The frighteningly intense "I Can't Quit You Baby" was the maiden effort for both artist and label, streaking to number six on Billboard's R&B chart. His 1956-1958 Cobra legacy is a magnificent one, distinguished by the Dixon-produced minor-key masterpieces "Double Trouble" and "My Love Will Never Die," the tough-as-nails "Three Times a Fool" and "Keep on Loving Me Baby," and the rhumba-rocking classic "All Your Love (I Miss Loving)." Rush apparently dashed off the latter tune in the car en route to Cobra's West Roosevelt Road studios, where he would cut it with the nucleus of Ike Turner's combo.

After Cobra closed up shop, Rush's recording fortunes mostly floundered. He followed Dixon over to Chess in 1960, cutting another classic (the stunning "So Many Roads, So Many Trains") before moving on to Duke (one solitary single, 1962's "Homework"), Vanguard, and Cotillion (there he cut the underrated Mike Bloomfield-Nick Gravenites-produced 1969 album Mourning in the Morning, with yeoman help from the house rhythm section in Muscle Shoals). The house band (including Duane Allman and drummer Roger Hawkins) picks up on Rush's harrowing vibe and runs with it on the stunning "Gambler's Blues," a chomping "Feel So Bad," and a shimmering instrumental treatment of Aretha Franklin's "Baby I Love You." 
by Bill Dahl
Tracks
1. Me (Mike Bloomfield, Nick Gravenites) - 2:55
2. Working Man (Mike Bloomfield, Nick Gravenites) - 2:25
3. You're Killing My Love (Mike Bloomfield, Nick Gravenites) - 3:00
4. Feel So Bad (Chuck Willis) - 3:39
5. Gambler's Blues (B.B. King, Jules Taub) - 5:39
6. Baby, I Love You (Ronnie Shannon) - 3:09
7. My Old Lady (Mike Bloomfield, Nick Gravenites) - 2:11
8. My Love Will Never Die (Otis Rush) - 4:33
9. Reap What You Sow (Mike Bloomfield, Nick Gravenites, Paul Butterfield) - 4:54
10.It Takes Time (Otis Rush) - 3:26
11.Can't Wait No Longer (Mike Bloomfield, Nick Gravenites) - 3:52

Musicians
*Otis Rush - Guitar, Vocals
*Duane Allman - Guitar
*Joe Arnold - Tenor Saxophone
*Barry Beckett - Keyboards
*Ronnie Eades - Baritone Saxophone
*Roger Hawkins - Drums
*Gerald Jemmott - Bass
*Jimmy Johnson - Guitar
*Gene Miller - Trumpet
*Mark Naftalin - Keyboards
*Aaron Varnell - Tenor Saxophone
*Nick Gravenites - Producer 
*Michael Bloomfield - Producer

Monday, June 5, 2023

The Ringers - Let Them Be Known (1965-70 us, fine obscure garage beat, 2001 release)



The Ringers were more than just another typical '60s L.A. garage band among the myriad in that city to be infected with Beatlemania. The fact that they have remained unknown to even some of the most ardent devotees of mid-'60s rock is an injustice that is at last being corrected all these decades down the track. The Ringers' originally released output consisted of just three 45s that were issued between the years of 1964 and 1966, and a Peru-only LP in 1970. The Vinyl LP presents the band´s most significant beat 'n' garage recordings. including four single sides from the mid-'60s and six previously unreleased recordings from the same period. The line-up features drummer Bill Lynn, who also played with Elvis Presley. "Let Them Be Known" presents the band's most significant beat'n'garage recordings, including four singles sides from the mid-'60s and six previously unreleased recordings from the same period. 
Tracks
1. Mersey Bounce (Stan Bonaccorso) - 2:26
2. Let It Be Known (Stan Bonaccorso) - 2:22
3. Echo (Stan Bonaccorso) - 2:08
4. Sad And Lonely (Unknown) - 1:51
5. Sun Also Rises (Unknown) - 2:12
6. Ask Me No Questions (Joey D. Vieira, Stan Bonaccorso) - 2:29
7. Never Too Young (Stan Bonaccorso) - 2:11
8. Graduation Doll (Keith Johnson, Stan Bonaccorso) - 2:45
9. Mersey Bounce #2 (Stan Bonaccorso) - 2:20
10.Daydream (Paul Indelicato, Stan Bonaccorso) - 2:33
11.Not The Marrying Kind (Stan Bonaccorso) - 2:31
12.Snake Pit (Keith Johnson, Stan Bonaccorso) - 2:26
13.Give Me A Chance (Stan Bonaccorso, Tommy Rettig) - 2:30
14.You Captured My Eye Girl (Stan Bonaccorso) - 2:28
15.If We Can't Make It Baby (Stan Bonaccorso) - 2:29
16.Another Day (David Turner, Keith Johnson) - 2:10
17.Band Song (David Turner) - 1:36
18.Dreamland (Bill Lynn, David Turner) - 1:07
19.Ramblin' And Rollin' (David Turner) - 3:11
20.Try A Little Bit Harder (Bill Lynn, David Turner) - 4:30
21.Rollin' Home (David Turner) - 4:13
22.Down On My Knees Again (Bill Lynn, David Turner) - 2:36
Tracks 2,7 as The TR-4

The Ringers
*Rex Paris - Bass, Vocals 
*Bill Lynn - Drums, Vocals 
*Keith Johnson - Guitar, Vocals 
*Tom Crockett - Guitar 
*Paul Indelicato - Guitar, Vocals 
*David Turner - Vocals

Friday, June 2, 2023

rep> The Art Of Lovin' - The Art Of Lovin' (1968 us, imaginative psychedelia)



Massachussetts outfit whose only album (released in 1968) is full of interesting and quite imaginative psych-folk rock with great female vocals by Gail Winnick. The Art Of Loving have a mixe male/female vocal style at their head - a sound that’s somewhere in the Mamas & Papas mode, but a bit more stripped down - and crafted here with leaner, darker sounds that are really great - and almost a bit spooky at times! 

As with other Mainstream rock sessions, there’s something magical about the way the bass is recorded - a completely flat tone that pushes the music up from the bottom , and really makes a magical platform for rougher guitar, organ, and drums. Tracks are almost all originals by male singer Paul Applebaum. 

It's easy to see why this album is valued so highly by collectors. Shortly after the album was released Sandy Winslow suffered a schizophrenic episode that left him in and out of care for the next 30 years. In spite of his fragile mental health, he managed to attract national attention through his scratchboard art. Sadly, in October 2002 he died after a brief bout with cancer.
Tracks
1. Paul's Circus - 3:15
2. What The Young Minds Say - 2:40
3. You΄ve Got The Power - 3:01
4. Take A Ride - 3:07
5. Good Times - 2:32
6. Daily Prayer - 2:51
7. The First Time - 3:30
8. And I Have Seen Them All - 3:14
9. You'll Walk Away (Gail Winnick, Paul Applebaum) - 2:26
10.(How Can we) Hang On To A Dream (Tim Hardin) - 2:47
11.State Of Mind - 3:36
All songs by Paul Applebaum except where stated

The Art Of Lovin'
*Paul Applebaum - Vocals, Lead Guitar
*Johnny Lank - Bass
*Sandy Winslow - Drums, Percussion
*Barry Tatelman - Saxophone
*Gail Winnick - Vocals

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Wednesday, May 31, 2023

Mississippi - Mississippi (1972 australia, great folk soft rock)



Mississippi evolved from Adelaide folk-rock band called Alison Gros, a trio consisting of Graeham Goble, Russ Johnson and John Mower. Alison Gros recorded one independent single ("Naturally" / "Would You Really Have To Go?") on the Gamba label in 1970. The band then moved to Melbourne and signed to Ron Tudor's Fable Records, for whom they cut two more singles in 1971, "If I Ask You" / "So Good" (July) and "All The Days" / "Weaver Of Life" (December).

Their next recordings for Fable is a genuine oddity of Australian rock. Under the pseudonym Drummond, the members of Alison Gros cut a novelty 'chipmunk' versions of the '50s rock'n'roll classic "Daddy Cool", which was released in July '71. It was a shameless cash-in on the success of Ross Wilson's new band Daddy Cool, whose own version of that song was included on Daddy Cool's hugely successful debut album.

Riding in on the coattails of DC's chart breakthrough, the Drummond version of the song actually knocked Daddy Cool's huge #1 hit "Eagle Rock" off the top of the charts and, inexplicably, became one of the biggest hits of the year, charting for 22 weeks (a fact Ross Wilson sarcastically referred to when introducing the song during Daddy Cool's farewell concert in 1972, captured on DC's The Last Drive-In Movie album). Fable went on to release three more singles under the Drummond pseudonym, but these were apparently recorded by anonymous studio musicians and the members of Alison Gros were not involved.

In early 1972, Alison Gros changed their name to Mississippi. They recorded their excellent self-titled debut LP with the addition of session players Peter Jones (piano), Geoff Cox (drums), Barry Sullivan (bass, ex-Chain) and Graham Lyall (flute). It was released in September that year on Fable's new Bootleg imprint, a subsidiary label recently set by Tudor and musician Brian Cadd. The Mississippi album showcased the band's considerable vocal abilities and Goble and Johnson's strong writing skills. The material and the tight harmonizing showed the influence of groups like The Hollies, The Bee Gees, Crosby and Stills, Nash & Young. Their debut single "Kings of the World" (released in July) became a Top 10 hit in October.

With their album and single now critical and commerical successes, the band decided to begin touring in support of the LP in late '72. Needing a singer and bass player for the touring band, Graeham Goble decided to contact Beeb Birtles, formerly bassist with Zoot), whom he knew from his Adelaide days. After Zoot split, Beeb had formed a shortlived duo called Frieze with Daryl Cotton. After that project folded he went to work for the AMBO booking agency, and it was here that he got a call one day from Graeham Goble.

When they met, Goble played the new LP to Beeb, and he was knocked out by what he heard; Goble in turn was greatly impressed by Birtles' ability. Although Beeb had by then switched from bass to guitar, Gobles invited him to join the band. According to Birtles, the rest of the band objected, but Goble threatened to quit unless Birtles was hired. Beeb bought a new bass and auditioned with the group, but the lineup was completed first by an unknown bassist (who was soon replaced by Colin Deleuca, ex-Fugitives), and drummer, Derek Pellici (ex The Ash). In December '72 they issued a second single, "Mr Moondog" / "All Through The Day". One of the group's important early appearances was their set at the 1973 Sunbury Rock Festival in January, where they were backed by a full orchestra. Graeham Goble has assisdously kept a diary throughout his career (now totalling over 1900 live performances!) and happily this means he has a virtually complete record of all Mississippi's live gigs, which can be viewed on  the Live Shows page of his official website. Over the next two years Mississippi worked solidly in pubs, clubs and discos all over the country, and although they never achieved the commerical success they deserved, it was a formative period for Graeham Goble, who wrote and first performed many of the songs that he later recorded with such success with LRB, including "It's A Long Way There". 

There were several more lineup changes, beginning in February 1973 when Russ Johnson left to join Country Radio; he was replaced for a month by Kerryn Tolhurst (who had himself just left Country Radio). When Tolhurst left to form The Dingoes he was replaced by Harvey James. Their next single, "Early Morning" / "Sweet World" was released in July '73, and in October they supported The Jackson Five on their Australian tour. When the tour ended, Deleuca and Mower both left the band. Deluca was replaced first by bassist Andre Santos, then by Charlie Tumahai (ex- Healing Force, Chain, Friends) in December.
MilesAgo
Tracks
1. Save The Land - 5:15
2. Mr. Moondog - 2:48
3. Three Days (Graham Goble) - 3:50
4. All Through The Day (Graham Goble) - 2:53
5. Sweet World (Graham Goble) - 4:37
6. Feel Alone (Graham Goble) - 3:38
7. Do I - 3:53
8. Kings Of The World (Graham Goble) - 2:30
9. City Sunday - 1:30
10.When You're Old - 3:23
11.Day Job Song (Graham Goble) - 4:52
All songs by Russ Johnson except where indicated

Mississippi
*Graeham Goble - Lead, Harmony Vocals, Acoustic, Electric Guitars
*Russ Johnson - Lead, Harmony Vocals, Lead Guitar, Acoustic Guitar
*John Mower - Lead Vocal
With
*Peter Jones - Orchestrations
*Geoff Cox - Drums 
*Graeme Lyall - Flute (Tracks 4,5), Tenor, Soprano Saxophones (Track 7)
*Barry Sullivan - Bass
*Brian Cadd - Piano (Track 6)
*Peter Jones - Piano (Tracks 1,4), Tambourine, Percussion (Track 7)  
*John Gray - Bass (Track 11)
*Ted Van Zyl - Drums (Track 11)

 

Monday, May 29, 2023

Touch - Street Suite (1969 us, rough heavy psych blues rock)



Coming directly from playing live with some of the finest hard rock bands of the era, Touch entered the studio to record their only album in 1968, released the following year in a limited pressing of 100 LPs. This Gear Fab reissue collects that entire album with the original lineup's two non-LP 45s, three songs recorded by the altered post-LP lineup, and a couple cuts by the Essence, the latter day band of Touch leader Ray Schulte. As such, it is the complete collection of the band's intense, sometimes left-leaning psychedelia grounded in blues. The early singles, which show the band as still slightly tentative, include a slowed-down version of the Doors' "Light My Fire" bolstered by some nice fuzz guitar and a smoking take on the traditional "Stormy Monday Blues," as well as two solid band compositions.

At this stage in the band's existence, Paulette Butts still mainly sang harmony to Schulte's appealingly gruff lead, but she began to surface out front more on the LP, adding another tensive dimension to the music. This is also where the band's political consciousness began to assert itself. The "suite" in the album's title is not figurative; Street Suite opens with a song sequence comprised of the introductory "Happy Face" and "Beginnings," which leads directly into the incendiary "Get a Gun," subtitled "A Song About Self Defense." Indeed, the song burns with the intensity that it implies, and Butts' vocals add a subversive edge to the performance. "Catfish" pulls off some progressive blues that cut a bit deeper than much of the era's blue-eyed blues, and Touch showed that they were equally capable of slowing things down on "Got to Keep Travelin' On," a cut that is both country-ish and reminiscent of the Lovin' Spoonful. 

The second side of the LP displayed its political threads even more so than the first, with titles such as "Let's Keep the Children on the Streets" and "Motor City's Burning," and the music is as thrilling and immediate as the titles bear, even when, like many of their peers, the lyrics are somewhat more sophomoric than the sentiments. The few cuts that the band recorded following their lineup changes show the band to be a more introspective psychedelic ensemble, though the music still maintains its merits. The songs by Schulte's the Essence, despite the presence of sitar on one of the cuts, are night-and-day away from his former band's music, but they are still pretty songs that show the influence of psychedelia, although they are much closer to an '80s synth-pop sound. Touch's album should have been more commercially successful than it was, as it is easily one of the stronger second-level psych-blues albums of the decade.
by Stanton Swihart
Tracks
1. Stormy Monday Blues (Traditional) - 6:26
2. Round Trip (Chuck Sabatino, Ray Schulte) - 3:14
3. Day To Day Man (Chuck Sabatino, Ray Schulte) - 3:14
4. Light My Fire (Jim Morrison, John Densmore, Ray Manzarek, Robby Krieger) - 5:37
5. Lady Of The Universe - 6:07
6. The Magic Inside You - 4:02
7. Rainbow (David Surcamp) - 3:00
8. Happy Face/Get A Gun - 6:03
9. Beginnings/Catfish (Ray Schulte/Traditional) - 9:02
10.Got To Keep Travelin' On - 3:15
11.Let's Keep The Children On The Streets - 5:47
12.Motor City's Burning (Albert B. Smith) - 5:13
13.Gettin' Off - 7:02
14.Melt Away - 2:16
15.Everything To You - 2:28
All songs by Ray Schulte except where noted

Touch
*Ray Schulte (Raymond Stone) - Guitar, Vocals, Harmonica
*Jerry Schulte - Bass
*Paulette Butts - Vocals, Tambourine
*Ovid Bilderback - Drums
*David Surkamp - Rhythm Guitar, Vocals (Tracks 5-7)
*Tom Rhoty - Drums
*Chuck Sabatino - Vocals
*Eric Salas - Drums

Relasted Act