Tuesday, September 15, 2026

rep>>> Highway Robbery - For Love Or Money (1972 us, superb heavy psych rock, 2000 reissue)



After a stint with The Boston Tea Party lead guitarist Michael Stevens began looking for another project. Perhaps inspired by Capitol Records' success with a power trio (e.g. Grand Funk Railroad), Stevens decided to build a hard rock trio. He eventually ended up with a line up consisting of singer/drummer Don Francisco who had previously been a member of the California-based Atlee and Crowfoot and bassist John Livingston Tunison IV had been in an outfit by the name of Manitoba Hugger (?).

Stevens and company attracted the attention of managers Robert Cavallo and Joseph Rufallo who'd turned acts like Little Feat and The Weather Report into big names. The pair signed Highway Robbery to their management roster and quickly approached Bill Halverson about producing the band's debut album. Signed by RCA Victor and teamed with Halverson in the production role, all hyperbole aside, these guys managed to write and record one of the great and overlooked hard rock albums of the 1970s.

At least to my ears 1972's "For Love or Money" is a impressive on a number of fronts. With Stevens credited with writing all eight songs, the LP wasn't particularly original, but the band had good taste when it came to appropriating sounds. In this case their recipe borrowed liberally from bands like early Black Sabbath, Blue Cheer, Free, Led Zep and even a little Grand Funk bombast. Those ingredients were then mixed into something that managed to combine hard rock punch with a commercial sheen that was derivative, but still quite attractive.

With the exception of a pair of radio ready power ballads which were supposedly tacked on the album when RCA executives threatened to shelve the set for lack of commercial potential, this album simply didn't let up. Propelled by Francisco's shrieking voice and Stevens' hyperactive guitar, tracks like 'Mystery Rider', 'Fifteen' and 'Lazy Woman' (the latter one of two songs with Tunison handling lead vocals), were simply killer slices of early-1970s metal that match up well with any of the band's better known competition.

Even more impressive, these songs were tuneful and occasionally even boasted lyrics that rose above the typical 'need-my-woman-now' standard you'd expect from long haired freaks. At some risk to my rock credibility (big laugh), I'll even readily admit that the two commercial numbers 'All I Need (To Have Is You)' and 'Bells' were both actually pretty good.

For love or money, Highway Robbery hereby dedicates itself to roar, to drive, to sensitive joy and, above all, the emission of the highest levels of energy rock. Let it be known that Michael Stevens – lead guitarist, vocalist, writer of all material contained herein, child of a gypsy commune – carries out this pledge in the true manner of his forebears.

Further be it known that he is in allegiance with Don Francisco – drummer, lead singer and a New York native whose main influences have been traditional New Orleans-based bands such as Robert Parker & the Royals and Deacon John & the Ivories; and with John Livingston Tunison IV – bassman, vocalist and painter, whose first sound memories are of Muddy Waters and B.B. King. FOR LOVE OR MONEY: signed, sealed and created by the aforementioned Highway Robbery, in this age, on this day, in the name of storming, beautiful rock and roll.
by Scott Blackerby
Tracks
1. Mystery Rider - 3:01
2. Fifteen - 2:56
3. All I Need (to Have Is You) - 4:16
4. Lazy Woman - 5:39
5. Bells - 3:24
6. Ain't Gonna Take No More - 3:56
7. I'll Do It All Again - 4:12
8. Promotion Man - 5:59
All songs by Michael Stevens.

Highway Robbery
*Michael "Mike" Stevens - Guitar, Back Vocals
*John Livingston Tunison IV - Bass, Back Vocals
*Don Francisco - Vocals, Drums

Related Acts
1968  The Boston Tea Party (2010 edition)

Just Paste

rep>>> The Mystery Trend - So Glad I Found You (1966-67 us, marvelous folk psych garage rock, extra tracks edition)



If the Airplane and the Dead were the Beatles and Stones of San Francisco's mid-1960s rock heyday, then the Mystery Trend were its Zombies or Left Banke, peddling craftsmanship and high quality pop songs in an era of burgeoning indulgence. Ahead of anyone else except perhaps the Charlatans, the Trend was the first alternative rock group in the Bay Area, debuting in May 1965.

Unlike the ex-folkies and beatniks that comprised the rest of the scene, the group, led by keyboardist and songwriter Ron Nagle, were older and came from an art school background, eschewing the jams and free-form modality of other local groups for concise ensemble arrangements. "The kind of writing that was going on in San Francisco then, to me, it was dogshit" says Nagle."Everyone was into this wankingsoloingpsychedelic-droneout. It was very uncool to play three minute pop songs." Nagle and guitarist Bob Cuff were turning out gems like Carl Street and Words You Whisper by the dozen, to the general indifference of crowds at countercultural hotspots like the Matrix or Fillmore.

Consequently, the Trend was a neurotic, uptight set of individuals who lent their quirky pop a garage-band edge. Shows were few and far between for these musical outcasts who preferred cocktails to acid, and Burt Bacharach to Ravi Shankar. In late 1967, while all around were being signed up in a major label feeding frenzy, the group quietly broke up. Nagle went on to release the classic cult album "Bad Rice" before pursuing his chosen vocation as a world-renowned ceramic artist.

The combo's sole vinyl legacy was the barnstorming 1967 single Johnny Was A Good Boy, but for years rumours have persisted of an unreleased album recorded for Kingston Trio manager Frank Werber's Trident Productions. So Glad I Found You finally uncovers these legendary sessions to reveal what could have been, and it's a remarkable batch of material. The bright Spoonful-esque jangle of Ten Empty Cups and One Day For Two reflects an innate pop sensibility that is in stark contrast to fuzz-toned neuroses- laid-bare like Mercy Killing and What If I. There's eclectic covers like Smiley Lewis' Shame Shame Shame and the Who's Substitute, majestic mood music with the bossa nova Mambo For Marion, and a forgotten masterpiece in the epic So Glad I Found You.

And in addition to collecting together the Mystery Trend's entire studio recordings, all resplendent in crystal-clear stereo from the original master tapes, So Glad I Found You adds a brace of illuminating demo cuts, including the cryptic Wake Up Cryin' and erstwhile guitarist Larry West's bewitching Lose Some Dreams, to fully tell the story of this unique group. In tried-and-tested Nuggets fashion, there's the usual bevy of pictures and memorabilia, to illustrate a lengthy sleeve note that draws upon the recollections of several band members. With this long-awaited compilation, a significant chapter, not just in the San Francisco 1960s chronology but in pop music history in general, has finally been closed.
by Alec Palao
Tracks
1. Carl Street (Ron Nagle) - 2:50
2. So Glad I Found You (Bob Cuff, Ron Nagle) - 2:20
3. Words You Whisper (Bob Cuff) - 2:23
4. Johnny Was a Good Boy (Bob Cuff, Ron Nagle) - 2:44
5. One Day for Two (Bob Cuff, Larry Bennett, Ron Nagle) - 2:08
6. Carrots on a String (Bob Cuff, Ron Nagle) - 1:57
7. Ten Empty Cups (Bob Cuff, Ron Nagle) - 2:21
8. Mercy Killing (Ron Nagle) - 3:02
9. Mambo for Marion (Bob Cuff, Ron Nagle) - 2:03
10.Substitute (Pete Townshend) - 3:00
11.There It Happened Again (Bob Cuff, Ron Nagle) - 2:28
12.Shame, Shame, Shame (Miss Roxie) (Ken Hopkins, Reuben Fisher) - 2:26
13.House on the Hill (Bob Cuff, Ron Nagle) - 2:22
14.From the Collection of Dorothy Tate (Ron Nagle) - 2:14
15.Carrots on a String (audition version) (Bob Cuff, Ron Nagle) - 2:05
16.What If I (Ron Nagle) - 2:46
17.Wake Up Cryin' (Ron Nagle) - 3:00
18.Lose Some Dreams (Larry Walorny) - 3:03
19.Empty Shoes (Bob Cuff, John Luby, Ron Nagle) - 4:08
20.Let Me See with My Eyes (Bob Cuff) - 5:51
21.Carl Street (audition version) (Ron Nagle) - 2:36

The Mystery Trend
*Larry Bennett - Bass
*John Luby - Drums, Vocals
*John Gregory - Guitar
*Ron Nagle - Vocals, Clavinet, Piano, Organ
*Bob Cuff - Vocals, Guitar
*Larry West - Guitar (Tracks 17-19)

Just Paste