Wednesday, April 10, 2024

Ronnie Hawkins - The Hawk (1971 us, remarkable roots 'n' roll country folk blues rock feat Duane Allman, 2011 edition)



For 1971's "The Hawk", Hawkins travelled to Florida to Atlantic’s South Criteria Studios in Miami, Florida for sessions with the Dixie Flyers.  He retained Allman’s services as well as those of Donald “Duck” Dunn (bass), Charlie Freeman (guitar), Jim Dickinson (piano/guitar), Mike Utley (organ), Sammy Creason (drums) and the Memphis Horns under Tom Dowd’s watchful eye.  

Despite the change in locale, the same spirit pervades this album, which is similarly filled with pure rock-and-roll rave-ups and well-selected covers by writers like Tim Hardin (“The Lady Came From Baltimore,” “Black Sheep Boy”), Roy Orbison (“Ooby Dooby”), Charlie Rich (“Lonely Weekends”) and even Paul Simon (“Leaves That Are Green”).
by Joe Marchese, August 17, 2011

Ronnie Hawkins, Arkansas native and Canadian transplant died May 29th, 2022, after a long illness. 
Tracks
1. Don't Tell Me Your Troubles (Don Gibson) - 2:14
2. Sick And Tired (Chris Kenner, Dave Bartholomew) - 2:47
3. Lonely Weekends (Charlie Rich) - 2:24
4. Drinkin' Wine Spo-Dee-O-Dee (Granville "Stick" McGhee) - 3:10
5. Red Rooster (Willie Dixon) - 2:31
6. Ooby Dooby (Dick Penner, Wayde Moore) - 2:08
7. The Lady Came From Baltimore (Tim Hardin) - 2:38
8. Leaves That Are Green (Paul Simon) - 2:05
9. Patricia (Ronnie Hawkins) - 3:06
10.Odessa (Jacqueline Magill, Ronnie Hawkins) - 3:20
11.Treasure Of Love (Joe Shapiro, Lou Stillman) - 2:28
12.Black Sheep Boy (Tim Hardin) - 3:03

Personnel
*Ronnie Hawkins - Vocals
The Dixie Flyers
*Jim Dickinson - Piano, Acoustic Guitar
*Mike Utley - Organ
*Charlie Freeman - Electric, Acoustic Guitars
*Sammy Creason - Drums
With
*Duane Allman - Electric Guitar (Tracks 2-6, 12), Dobro (Tracks 1,9,10)
*Donald "Duck" Dunn - Bass
*THe Memphis Horns - Horns (Tracks 2,5)

Sunday, April 7, 2024

Group 1850 - Mother No Head Their 45s (1966-71 holland, stunning garage psych, 2012 remaster)



Though they were a product of the beat group age, Group 1850 were the Netherlands’ first progressive band — in every sense of that word. Constantly changing, constantly evolving, Group 1850 were musical extremists on a do-or-die mission to explode all expectations. Sparks flew, ideas flared, feedback swirled through misty nights, the dead walked, skeletons danced, flies buzzed, mountains fell, words rained fire from angry purple skies. Group 1850 raised all kinds of Hell. My god, were they good.

Although the group made two deservedly revered albums, Agemo’s Trip to Mother Earth (1968) and Paradise Now (1969), some of their best work can be found on their singles, where their borderline insane hyper-creativity was focused into highly-concentrated, radically potent three-minute songs like Misty Night, Mother No-Head, Zero, We Love Live (Like We Love You), Don’t Let It Be (We Have to Do It Now), and the magnificent Have You Ever Heard. 

The A- and B-sides of all their singles can be found on this 2-LP set in their original mono mixes, mastered from the original tapes. A number of previously unreleased demos are also included. Pressed on 180gm vinyl, Mother No-Head: Their 45s comes packaged in a breathtaking gatefold cover with rare archival photos and liner notes by Ugly Things’ 
by Mike Stax 
Tracks
1. Misty Night - 3:29
2. Look Around - 2:34
3. I Want More (Finger Tips) (Peter Sjardin) - 2:03
4. I Know (La Pensée) - 3:11
5. Mother No-Head - 3:25
6. Ever Ever Green - 3:17
7. Zero - 3:28
8. Frozen Mind - 3:29
9. We Love Live (Like We Love You) - 4:28
10.Little Fly - 4:17
11.Don’t Let It Be (We Have To Do It Now) (Daniel Van Bergen, Dave Duba, Peter Sjardin) - 3:13
12.Sun Is Coming (So We’re Calling You) (Daniel Van Bergen, Dave Duba, Peter Sjardin) - 3:00
13.Fire - 2:30
14.Have You Ever Heard (Daniel Van Bergen, Dave Duba, Peter Sjardin) - 3:34
15.Mother No-Head (Hans van Hemert, Peter Sjardin) - 3:29
16.Mother No-Head - 3:36
17.1.000 Years Before (Dave Duba, Peter Sjardin) - 2:37
18.Dream Of The Future (Dave Duba, Peter Sjardin) - 2:33
19.Sun Is Coming (Daniel Van Bergen, Dave Duba, Peter Sjardin) - 3:06
20.Don’t Let It Be (Daniel Van Bergen, Dave Duba, Peter Sjardin) - 3:08
21.Falling Mountains (Daniel Van Bergen, Dave Duba, Peter Sjardin) - 3:34
22.Liar (Daniel Van Bergen, Dave Duba, Peter Sjardin) - 2:31
23.Dream Of The Future (Dave Duba, Peter Sjardin) - 2:51
24.1.000 Years Before (Dave Duba, Peter Sjardin) - 2:39
Songs written by Daniel Van Bergen, Peter Sjardin except where indicated

Group 1850 
(1966-1969)
*Peter Sjardin - Vocals, Organ, Flute
*Dien Van Bergen - Guitar, Piano (Tracks 1-10, 15-16) 
*Ruud Van Buuren - Bass (Tracks 5-10, 15-16) 
*Rob De Rijke - Bass, Flute (Tracks 1 - 4) 
*Beer Klaasse - Drums (Tracks 1-10, 15-16)
With
*Hans Van Hemert - Vocals (Track 5)

(1969-1971)
*Peter Sjardin - Vocals, Organ, Flute 
*Dien Van Bergen - Guitar (Tracks 11-14, 17 - 24) 
*Dave Duba - Guitar (Tracks 11 - 14, 17 - 24)
*Dolf Geldof - Bass (Tracks 11-14, 17-24)
*Martin Van Duynhoven - Drums (Tracks 11 - 14, 17 - 24)


Saturday, April 6, 2024

Various Artists - Incredible Sound Show Stories Volume 16 Second Glance Through the Looking Glass (1967-70 uk, superb mod freakbeat psych rock)


From Mod-Psych to Freak-beat, from Psychedelic Pop to early Glam. In 1969, Wolverhampton’s Revolver released pop hit that never was – ‘Imaginations’, an extremely catchy melody with lysergic undertones.

Brian James’ first outputs were with Taiconderoga, who are also here. Taiconderoga’s ‘Whichi’ fits in perfectly. Majority One probably the most known name here, all artsist are from Britain, except the Swedish Peter Holm (who married Joan Collins for couple of years in the mid 80’s). 

To conclude, this compilation is a great snapshot of the times. With some truly exciting gems, recommended  for music fans seeking out more long lost gems.

Artist - Title - Composer 
1. Taiconderoga - Speakin' My Mind (Dave Blackman) - 4:14
2. Matchbox - Run Much Faster (Ian Stephenson) - 3:18
3. Boots - You Better Run  (Dave Bown, Don Wright, John Wilson, Terry Bown) - 2:23
4. Empty Vessels - Low Toby (James Parsons, Karl Jenkins) - 2:17
5. Revolver - Imaginations (Bob Spiteri, Ray Spiteri) - 3:19
6. Peter Holm - You Will Be Mine (Peter Holm) - 2:10
7. Adam And Dee - Question Of Childhood (Alan Hawkshaw) - 3:56
8. John Deen And The Trakk - Kavind (John Deen) - 3:44
9. Tapestry - Who Wants Happiness (David Moses) - 2:28
10.Boots - A To D (Dave Bown, Don Wright, John Wilson, Terry Bown) - 4:11
11.Black Velvet - Clown (Brian Clarke, Peter Nelson) - 2:51
12.John Deen And The Trakk Man (John Deen) - 3:27
13.Majority One - Friday Man (Peter Mizen, Robert Long) - 3:01
14.Christopher - The Race (Christopher Neil) - 2:21
15.Snappers - Smiley's Tram (Steve Douglas "MacIntyre", Geoff Rich, Roger Montgomery) - 3:33
16.Taiconderoga - Whitchi Tai To (Tom Pepper) - 3:10


Friday, April 5, 2024

Spiral Starecase - More Today Than Yesterday (1968-69 us, beautiful sunny blue eyed soul, with nice vocals and horns parts, 2003 remaster)



With the unmistakable high-pitched vocals of Pat Upton soaring out of the speakers, "More Today Than Yesterday" by the Spiral Starecase scored with the public in a big way to become a true AM radio pop standard. Pat Upton, who wrote "More", chronicles the history of the group and all quotes are from him.

Pat Upton was born in Alabama in 1940. "I have sang all my life and grew up singing gospel music. I was introduced to the electric guitar when I was about 19. Duane Eddy and the Ventures were my favorites when I started playing. Shortly thereafter, I joined the Air Force and really learned to play guitar there. I spent four years in the service and was based in Sacramento, from 1962-66. My first band was a four piece instrumental group we put together for the Air Force talent contest. The group was called the Fydallions and that is where I started singing lead. After I got out of the service, we went on the road. We would play the Las Vegas circuit; five hour lounge jobs."

Along with Upton on vocals and guitar, the group that eventually became the Spiral Starecase consisted of Harvey Kaplan (keyboards), Vinny Parello (drums), Dick Lopes (sax) and Bobby Raymond (bass). Harvey, Vinny and Bobby joined in 1966. Harvey came from New York City. Vinny came from Utah. Dick Lopes was a founding member of the Fydallions and asked me to join. It was while working Vegas that I wrote 'More'.

"We played around Los Angeles a few times as the Fedalions. Our first recording contract was with Crusader Records, a small one man label operated by Fred Darian who had recently had a hit with 'The In Crowd' by Dobie Gray. We cut some stuff that Darian produced but it was never released. Later, we did a demo for Columbia, but again nothing happened. Back in those days you could make a tape on a reel to reel or you could ask to go into studio for a few hours and if the label thought you had anything they would work with you."

"We started working at a club in El Monte, California. It was there we met our manager, Michael Griesman. Columbia producer and A&R man Gary Usher [Beach Boys, Byrds] came to the club in El Monte and liked what he heard. He signed us to Columbia in 1967. Columbia told us they did not like our hair, dress or name, so we changed. Dick Lopes saw an old movie called 'The Spiral Starecase' and we used that name and revised the spelling a bit. Our first record 'Baby What I Mean'/'Makin' My Mind Up' was produced and arranged by Gary Usher." Both songs were not written by the band. Although 'Makin My Mind Up' is the catchiest pop song of the two, Columbia pushed 'Baby What I Mean' as the 'a' side, but nothing happened. "Usher left Columbia about that time and Sonny Knight replaced him as the producer. The last time I saw Gary was in Vegas and I had just written 'More'. I played it for him and it only had two verses. He said it needed another verse, so I wrote another."

After the initial record failed, "Columbia said it was having trouble getting material and suggested that someone in the band write. 'More' was the first song I wrote. Originally I wrote it with Bobby Goldsboro in mind. Columbia said just write songs." The Spiral Starecase recorded the song, produced by Sonny Knight and arranged by Al Capps. Upon release, it was a smash hit, reaching #12 on Billboard in 1969. "A DJ in Souix Falls, South Dakota broke the record. Sonny Knight had also been in radio and he helped promote the record."

To promote the record, the group toured and did TV. "Our first concert was with Three Dog Night. We also played with Sly and the Family Stone, the Beach Boys and Creedence. Clearwater Revival. We did our three songs and got off. We did American Bandstand a few times. In fact, the other consideration for the single was a song I wrote with Keith Colley called 'Broken Hearted Man', which was the flip side of 'More'. Columbia did not know which to release first so they put both on same 45 to see which one flew. After we played Bandstand, Dick Clark listened to the album and said 'Broken' was the second single." Although 'Broken' was never a single, it was covered by covered by numerous other artists in the late 1960s.

"We did not do an album until after 'More' took off. The album ['More Today Than Yesterday'] used session players except for the vocals and Harvey played some organ and Dick some sax." The second single from the album was a song called "No On For Me To Turn To", which was a sizable chart hit (BB #52 '69). "That song became the theme for a kid's TV show for abut 6 months to a year." The last Spiral Starecase single, "She's Ready", kept the name alive by also reaching the charts (BB #72, '70). Sadly, Columbia did not focus on the incredibly hit worthy Upton original on the flip side - "Judas To The Love We Knew" - which equals or surpasses 'More' in hooks and vocal performance.

"The band broke up in 1971. I was not getting paid by the record company or the publisher and we had problems with management, so I left the band. About 1971, I did one more recording for Columbia with Jerry Fuller [Gary Puckett producer] as Pat Upton which was released, but never did anything. Later, I Worked for awhile with Kaplan in East Los Angeles as the Spiral Staircase with a band that included Jay Graydon on guitar and Greg Mathieson [both later became big name session players]. I also played around Palm Springs for awhile with a band." The Palm Springs gig became a turning point for Upton.

"While Working in Palm Springs I met Greg McDonald and was introduced to Elvis' manager Colonel Parker. Greg was a gopher for the Colonel trying to learn the business. At that time singer Rick Nelson wanted the Colonel to manage him. The Colonel did not want to for whatever reason. The Colonel introduced Greg to Rick and Greg became Rick's manager. I met Rick at a club on Sunset. Rick asked me to sing back-up on an album he was recording for Capitol [Playing to Win]. Jack Nitzche produced the album. The album came out in January 1981. Rick asked me to tour to promote and I wound up playing for three and one- half to four years. Rick was a nice guy. I played rhythm guitar and sang background. That was the last thing I did. In 1983 I moved back to Alabama and started P.J.'s Alley nightclub." This is the club Rick Nelson played right before he died in the plane crash. Upton still does an occasional oldie's tour.

Besides Upton, the only member that really continued on with music was Harvey Kaplan. "He still works with a band as the Spiral Staircase, playing lounges." Interestingly, Kaplan's daughter, Brenda, recording as Brenda K. Starr, had a huge hit in 1988 with the song "I Still Believe" (BB #13, 1988), which resurfaced in the top 10 just this year when superstar Mariah Carey remade the tune.

Happily, Upton makes "more [money] today than yesterday" from the song. As a final word of advice, Upton expounds: "learn everything you can about the business and your instrument."
by Ben McLane, 1998

Pat Upton died in his hometown of Geraldine, Alabama on July 27, 2016, at age 75.
Tracks
1.Makin' My Mind Up (Jack Dalton, Gary Montgomery) - 2:52 
2.Baby What I Mean (Frank Hamilton, Ernie Sheldon) - 2:25
3.Inside, Outside, Upside Down (Walt Meskell, Mike Post) - 2:35
4.I'll Run (Billy Page) - 2:11
5.Love's The Only Answer (Bernie Hoffer, Stanley Jay Gelber) - 2:44
6.More Today Than Yesterday (Pat Upton) - 3:12
7.Broken-Hearted Man (Pat Upton) - 3:06
8.Good Morning New Day (Arlene King, Ellen Starr) - 2:12
9.The Thought Of Loving You (David White) - 3:02
10.Proud Mary (John Cameron Fogerty) -  2:41
11.Our Day Will Come (Mort Garson, Bob Hilliard) - 2:41 
12.For Once In My Life (Ronald Miller, Orlando Murden) - 3:01
13.This Guy's In Love With You (Hal David, Burt Bacharach) - 3:31 
14.Since I Don't Have You (Joe Rock, Lennie Martin, Jimmy Beaumont, Janet Vogel, Joseph Verscharen, Walter Lester, John H. "Jackie" Taylor) - 2:40
15.No One For Me To Turn To (Pat Upton) - 2:35
16.Sweet Little Thing (Pat Upton) - 2:29
17.Judas To The Love We Knew (Pat Upton) - 2:32
18.Get Ready (William Robinson) - 3:37
19.I'll Always Love You (William Stevenson, Ivy Jo Hunter) - 2:43
20.She's Ready (Billy Sherrill, Glenn Sutton) - 2:43
21.Walk On By (Burt Bacharach, Hal David) - 3:05
22.My Cherie Amour (Henry Cosby, Sylvia Moy, Stevie Wonder) - 3:05
23.Raindrops Keep Falling On My Head (Burt Bacharach, Hal David) - 3:05
24.Hold The Sun Back (Pat Upton) - 2:50
25.A Lifetime Of Love (Pat Upton) - 3:09

The Spiral Starecase
*Pat Upton - Guitar, Lead Vocals
*Bobby Raymond - Bass
*Vincent Parello - Drums
*Harvey Kaye - Organ
*Dick Lopes - Saxophone, Percussion

Wednesday, April 3, 2024

Butchamana And The Big Bang Brothers Band - Indian Dream (1981 us, remarkable acid folk psych country native rock, 2023 remaster)



Hopi native Bruce Hamana recorded his psychedelic loner-folk classic Hamana almost entirely by himself. For his follow up he enlisted John Wagner–fresh off the heels of recording albums for Indigenous psych groups like Winterhawk and XIT–to produce a full band studio album of solo-laden rural psychedelic rock. Originally released in 1981 in an impossibly small pressing by Mother Earth Records.

Bruce along with Henry Whirlwind Soldier (Sioux), Marty Deland (Sioux), Roy Deneh-Deal (Navajo), Tinker Nez (Apache/Navajo) and Kathryn Silversmith (Navajo). This wonderful LP was recorded at Wagner Studios in Albuquerque, New Mexico and it is a highly collectible Indian Psych.
Tracks
1. Border Land - 4:15
2. He Needs A Little More Than I - 4:35
3. Crazy World - 4:53
4. We All Need Reminding - 3:16
5. Going To Hell (They Say) - 3:15
6. Indian Dream - 4:27
7. Can Can Bar - 4:01
8. We'll Get By - 3:37
9. Gonna Make You Mine - 3:18
10.Sweet Confusion - 7:40
All songs written by Bruce Hamana

The Big Bang Brothers Band
*Bruce Hamana - Vocals, Guitar, Harmonica
*Pius Henry Whirlwind Soldier - Guitar 
*Roy Deneh-Deal - Bass
*Tinky Nez - Drums
*Marty Delano - Keyboards, Synthesizer
*Kathryn Silversmith - Backing Vocals
    
    

Skybird - Summer Of '73 (1974 uk, acid folk rock)



Summer of 73', an album by Skybird, who were Gifford Rolfe and Andrew Mullins, was recorded in August 1974. With all the songs written by Gifford, and arrangements by Andrew, it was the first album to be recorded and released in stereo following Mike's purchase of a Tascam 4 track machine and a new mixer. Andrew and Gifford were well known in the area, playing as a duo primarily in folk clubs. They are jointly credited with Mike for production, and were responsible for the artwork.

It seems that Mike was not happy about the original cut for the record, as he notes that it was recut on the 2nd November 'at the Beatles' Apple studio on Savile Row'.
Tracks
1. Queen Magdalena - 3:25
2. Snowcloud - 3:37
3. A Thousand Miles Away - 2:57
4. Remembering - 4:09
5. I Can't Take No More - 2:48
6. Lately I Dream - 3:21
7. Legend - 4:21
8. Someone Ought To Tell Her - 2:53
9. Who Killed Whom ? - 5:01
10.So Long Ago -  2:50
11.Summer Of '73 - 6:06
All compositions by Gifford Rolfe

Skybird
*Andrew Mullins - Dobro, Electric Guitar, Bass, Piano, Organ, Percussion, Vocals, Synthesizer 
*Gifford Rolfe - Vocals, Guitar, Twelve-String Guitar
*Terry Kenyon - Harmonica  (Track 3)

Related Acts

Monday, April 1, 2024

Bamboo - Bamboo (1969 us, elegant mosaic of folk country jazz blues psych rock)



Bamboo is in large part the work of guitarist David Ray, formerly one third of legendary folk-blues shouters Koerner, Ray and Glover. Blues enthusiasts coming into this later project should be warned, however, that this is a far cry from the rural acoustics of Ray’s previous group. Instead, Ray and pals traverse a weird, labyrinthine conglomeration of jazz, blues, country, and psychedelic rock that makes for a disorientating yet eminently enjoyable listen.

Singing and songwriting is split here between Ray and his two principal accomplices, Will Donicht and Daniel Hall, though it is clearly Ray who leads the proceedings. For some reason Hall only makes it as an unofficial member, for despite writing and singing two of the funkiest numbers his photograph is absent from the cover. The band is rounded out by a number of west coast session players, including a welcome appearance by esteemed First National Band steel player Red Rhodes.

The songs here are all great, though some ultimately prove less memorable than others. I’d say that Ray’s Tree House takes the title for worst offender, marred by its tacky vibes and uninspired lyrics. His Virgin Albatross, however, is a serious slice of late-sixties country rock, while the band delves deep into Band-style Americana with Donicht’s The Odyssey of Thadeus Baxter. One of my favorite elements to this record – and one that it oddly enough shares with fellow Koerner, Ray and Glover alumni John Koerner’s landmark Running, Jumping, Standing Still – is its extensive use of honky tonk tack piano. Though the playing isn’t quite as remarkable as Willie Murphy’s ragtime runs on Running, it still lends the music a subtle, saloon-band edge.

Daniel Hall’s two contributions are at once the bluesiest, worst-spelled, and most explicitly electric. The catchy shuffle of Blak Bari Chari Blooz has some great Hammond organ work, while Sok Mi Toot Tru Luv features the record’s deepest grooves. Repeated listens prove rewarding here, so anyone that finds themselves off-put by this collection’s many eccentricities should try spinning it again a little later on down the line – there’s a good chance something will stick before long. This one tends to be underrated by most critics, making it among the easier Elektra Records rarities to hunt down.
by Nik Rayne, September 14th, 2011  
Tracks
1. Girl Of The Seasons - 3:35
2. Treehouse - 2:28
3. Blak Bari Chari Blooz (Daniel Lee Hall) - 3:49
4. The Virgin Albatross - 2:36
5. That's My Life (Dave Ray, Will Donicht) - 3:05
6. August Man - 2:35
7. The Odyssey Of Thaddeus Baxter (Will Donicht) - 3:20
8. 30 Seconds To Nashville - 0:34
9. Anything But Love (Will Donicht) - 1:53
10.Sok Mi Toot Tru Luv (Daniel Lee Hall) - 4:50
11.Lonely Homes - 2:51
12.Keep What Makes You Feel Nice - 3:52
Music and Lyrics by Dave Ray except where noted

Personnel
*Dave Ray - Vocals, Electric, Acoustic, Slide, Leslie Guitars, Harmonica
*Will Donicht - Vocals, Electric Bass, Electric, Acoustic Guitars, Piano
*Daniel Lee Hall - Vocals, Piano, Organ, Tack Piano, Keyboards, Guitar 
*Brenden Harkin - Maracas 
*Peter Hodgson - Electric Bass
*Ken Jenkins - Accoustic Bass
*Sanford Konikoff - Drums 
*Red Rhodes - Steel Guitar

 

Sunday, March 31, 2024

rep> Joe E. Covington - Fat Fandango (1973 us, fine melt of roots 'n' roll, psych, glam rock)



If you recognize the name Joe E. Covington at all, chances are that it’s a result of his late inning association with The Jefferson Airplane – he replaced Spencer Dryden in 1971, or for his work with The Airplane spin off Hot Tuna.  Though he only played on one Airplane album (19721’s “Bark”), that connection was enough to line up financing for his 1973 album debut – “Joe E. Covington’s Fat Fandango” on The Airplane’s RCA Victor affiliated Grunt label.  

Ironically Covington’s solo debut actually stretched back to 1967 when he released a one-shot single for the small Original Sound label – an early cover of The Who’s ‘Boris the Spider’ b/w ‘I’ll Do Better Next Time’ (Original Sound catalog OS-74). He’d also been a member of the Pittsburgh-based The Fenwicks and after quitting The Airplane  joined Peter Kaukonen’s Black Kangaroo.

While his attempts to sing in tune were only marginally successful, given the LP’s low-key charm, that problematic characteristic kind of faded into the background … c’mon, The Clash couldn’t sing to save their lives.  Calling the album eclectic was an understatement.  Apparently intent on showcasing his diversity, the album bounced all over the musical spectrum, including semi-competent stabs as soul (‘Your Heart Is My Heart’ and ‘Miss Universe’), 1950s rock (‘Moonbeam’), conventional rock (‘Hideout (A Crook’s Best Friend’), and even pseudo-psych (the trippy ‘Mama Neptune’ and the extended closer ‘Vapor Lady’). 

Luckily a strong and enthusiastic backing band in the form of keyboardist ‘Senator’ Patrick Craig, guitarist Stevie Midnight, and bassist Jack Prendergast kept things moving in the right direction.  The two previously mentioned soul-ish numbers were particularly good!  Slap them on some type of soul compilation and I’ll guarantee most folks would never be able to guess who the performer was.  The other standout track was the most commercial number – ‘Hideout (A Crook’s Best Friend)’ which went from straight ahead rock to a surprisingly engaging funk workout.  
Tracks
1. Your Heart Is My Heart (Joe E. Covington, Jack Prendergast, Senator Patrick Craig, Mack) - 3:41
2. Country Girl - 3:27
3. Moonbeam - 3:47
4. Mama Neptune - 7:16
5. Miss Unaverse - 5:25
6. Hideout (A Crook's Best Friend) - 4:12
7. Vapor Lady - 8:08
All songs written by Joe E. Convington except track #1.

Musicians
*Joe E. Covington - Vocals, Drums
*Senator Patrick Craig - Keyboards
*Stevie Midnite - Guitar
*Jack Prendergast - Bass

Related Acts
1968-69  Racket Squad - Racket Squad / Corners Of Your Mind
1972  Peter Kaukonen - Black Kangaroo (2007 bonus tracks edition)

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Saturday, March 30, 2024

Mick Grabham - Mick The Lad (1972 uk, fine guitar bluesy classic rock)



You’ve heard the name before. You’ve heard his guitar. Grabham is best known for his five years or so as the guitarist for Procol Harum, replacing Dave Ball during the recording of Grand Hotel, and continuing with them through the American tour that followed Something Magic. But prior to that he was a member of the excellent and interesting band Cochise, along with pedal steel guitarist BJ Cole (they released three albums from 1970-72) and going even further back into the 60s, he was a member of the British pop band Plastic Penny, with two albums to their credit (‘68 and ‘69). He also managed to record an excellent solo album post-Cochise.

In 1972 he recorded 'Mick The Lad' for UA Records with Pete Wingfield. Later that year he was invited to join Procol Harum and played on four Procol albums including their 1975 UK Top 20 single 'Pandora's Box'. Mick has since played as a guest and session musician with many major names. 
Tracks
1. Sweet Blossom Woman - 3:10
2. Scraunchy - 2:33
3. You'll Think Of Me - 3:11
4. I Won't Be There - 2:18
5. Waitin' Round On You - 3:02
6. There's Been A Few Since Then - 4:03
7. Let It All Down - 3:51
8. The Two Fifteen - 2:46
9. Saga - 7:02
10.On Fire For You Baby (David Elliott) - 3:50
11.Diamonds (Jerry Lordan) - 3:03
12.Hit And Miss (John Barry) - 2:58
13.The Wanderer (Ernie Maresca) - 3:00
All titles by Mick Grabham except where noted
Bonus Tracks 10-13

Musicians
*Mick Grabham - Bass, Guitar, Vocals
*B.J. Wilson - Drums
*Caleb Quaye - Guitar, Piano
*Dee Murray - Bass, Vocals
*Dick Parry - Saxophone
*John Gordon - Bass
*Mike Storey - Piano
*Nigel Olsson - Drums, Vocals
*Pete Wingfield - Piano
*Jim "Hamish" Hall - Piano
*Ian "Biro" Byron - Drums
*John Gilbert - Vocals

Related Acts
1968  Plastic Penny - Two Sides Of Penny 
1969  Plastic Penny - Currency

Friday, March 29, 2024

The Rascals - Freedom Suite (1968 us, marvelous psych soul jazz vibes)


1968 was not a good year for peace and liberty. The Tet Offensive was a major setback for the forces fighting to keep South Vietnam out of the clutches of Communist tyranny; that same Communist tyranny imposed a ruthless clampdown on the Prague Spring; student radicals sparked a general strike that shut down the economy of France; Martin Luther King and Robert Kennedy were assassinated; race riots raged throughout America’s cities; and George Wallace got 10 million votes for president (13% of the total) on a blatant segregationist platform. In the middle of all that, the Rascals put out a single that topped the charts for five weeks in the summer – not only for its musical virtues, which include a powerful, pushing beat, an exquisite horn line that whips the bridge into a frenzy, an organ line that appears at exactly the right time to complement the melody, and another great combination of Felix’s passionate lead and the Brigatis’ soulful backing vocals – but also because it distilled all the commotion into one simple phrase: ‘People Got to Be Free.’ As a statement of human dignity, it’s hard to top ‘It’s a natural situation for a man to be free,’ and the energy of this song, particularly Felix’s vocal (dig ‘we got to solve it individually, uh huh!’), shows that the enduring struggle for civil rights can move the spirit as much as good lovin’. I admit it: ‘People Got to Be Free’ is my all-time favorite song, so you’re not going to get an objective review from this website. The fierce joy embodied in this song – inspired by an abstract principle that actually makes lives better – moves me to tears sometimes, and never fails to give me goose bumps.

At the end of that tumultuous year, the Rascals put together an album to complement their hit single, and it follows through on the themes of the hit. With the true spirit of inclusiveness, they never point fingers or name names – in fact, they rarely even call out a problem without simultaneously calling out its solution. And because the group was working at the peak of their musical powers, it’s all gloriously uplifting.

The brilliant opener melds an orchestra playing the traditional melody of ‘America the Beautiful’ with overdriven organ and some spiffy martial drumming from Dino as Felix wails about the dichotomy between America’s ideals and the life some live: ‘People crying in the land of the free.’ But in typical Rascals fashion, he points out the positive alternatives: ‘A holy man once told me that you reap exactly what you sow / So I think I’ll plant some love and peace and wait for it to grow.’ What’s especially clever is the way the song plays off some of the catchphrases of the time, both conservative and liberal: ‘It don’t take law and order to make me understand / If the minds of men refuse to see our equality / Then it takes some demonstratin’ and a lot of faith in Thee’ and ‘We all don’t want a revolution / But to make all mankind see / There’s a better way of being here in peace and harmony’. Call me a hopeless romantic, but none of this seems dated at all – the whole world is obviously still working out how to live together, and sticking to the principles of America’s founding documents seems like a good way to reach that point. (OK, the part where they sing ‘If we lose the war on poverty’ is a little dated, but in a good way, because we won the war on poverty. If you don’t believe me, compare malnutrition and infant mortality rates from 1968 to today.)

Other tracks take on similar ideas: ‘Look Around’ has a wonderfully slinky beat and falsetto harmonies, but the lyrics are more topical: they address the 1968 election (‘Bigotry hate and fear / Got ten million votes this year’) and growing concerns about violence and social anomie (‘Violence on the TV screen / Guns and ammo magazine ‘ Hello’s a word for telephones / Bigger locks and smaller homes’). Nonetheless, the song still rings true because a lot of those concerns are still with us, and the Rascals’ solutions still seems sensible: ‘Love’s not a dirty word / That’s just the way it’s heard.’ ‘A Ray of Hope’ is an Impressions tribute, down to Felix’s high singing and the minimalist guitar licks, but especially in its declaration that ‘Most people got soul / If they wanna try’ and ‘I can’t imagine any greater need / Than to treat each other like we’d like to be’. When things get roiled up with some furious tom fills and Felix expostulating ‘Gotta get together, one by one’ it’s a gospel explosion of hope and joy and frustration all together, and it’s a beautiful moment.

Gene contributes ‘Me and My Friends’ with a pounding piano line and frenzied latin percussion, and while the lyric is a bit hippy-dippy in its only-the-young-know-the-truth attitude, its focus on togetherness (‘The time has come to take a stand for unity’) lends it a redeeming charm. There’s a long guitar/organ jam at the end that intriguingly doesn’t feature any lead playing, just warm overdriven feedback, not screechy but intense. It shows Felix as a keyboard innovator. ‘Heaven’ closes the album with a traditional soul-ballad 12/8 feel, but the melody and piano licks incorporate a country feel.  After all the tumult addressed in the previous songs, it’s a gentle ending with a refreshing climactic image: ‘Just open up the windows that are in your heart / And let the light shine, and your life will start.’

Naturally, the group sprinkles in some non-political songs, but they’re all grounded in the belief that respect and tolerance (and a little bit of love) are what we really need. ‘Of Course’ is built on a sinister electric piano lick (like ‘What’d I Say’ crossed with ‘I’m a King Bee’) and a heartbroken lyric. The tinkling celeste break is unfortunate, but the sax solo returns the song to its essence. Gene reprises his earlier ‘No Love to Give’ with ‘Love Was So Easy to Give’, but this time around both the lyrics and melody are improved, with a gentle waltz tune accompanied by a Little Italy accordion and a gently arcing tune and a wistful look at growing up. The chilling orchestration (right out of Bookends) is a fitting touch.

 Eddie only gets two vocals, but they’re both delightful. ‘Any Dance’ll Do’ grooves hard and lays out the Rascals philosophy as it applies to the dance floor: ‘You dance how you wanna, you fell what you wanna, you’re free as you wanna be!’ A thrilling trumpet line (check out the double-tonguing up the scale in the fade) is just one of the highlights of ‘Island of Love’ which also has Eddie’s silky delivery of some faintly ridiculous lyrics (‘you’re a touched-off rocket set to leave the ground’) and a fabulous performance from Dino, slightly swinging, then exploding all over the chorus.

The Rascals propounding a musical philosophy that love can change the world seems a little preposterous on the surface. But listening to these songs moves me to a better place, where the troubles of our day seem to melt into the beat. And maybe that’s the point – commiting yourself to love won’t change other people, but it will change you. This music makes me happy, and if it makes you happy too, then there’s two more people on the right side of the bed. Freedom Suite didn’t really change any minds (Richard Nixon was re-elected in a landslide a few years later) but it’s enough that this glorious music combined with a soaring, positively-oriented worldview, can still thrill the listener, moving both feet and heart. God Bless the Rascals!
by Steven Knowlton
Tracks
1. America The Beautiful (Katherine Lee Bates, Samuel A. Ward) - 2:52
2. Me, My Friends (Gene Cornish) - 2:44
3. Any Dance'll Do (Felix Cavaliere, Eddie Brigati) - 2:22
4. Look Around (Felix Cavaliere, Eddie Brigati) - 3:04
5. A Ray Of Hope (Felix Cavaliere, Eddie Brigati) - 3:46
6. Island Of Love (Felix Cavaliere, Eddie Brigati) - 2:24
7. Of Course (Felix Cavaliere, Eddie Brigati) - 2.43
8. Love Was So Easy To Give (Gene Cornish) - 2:45
9. People Got To Be Free (Felix Cavaliere, Eddie Brigati) - 3:01
10.Bai'm Blue (Felix Cavaliere) - 2:50
11.Heaven (Felix Cavaliere) - 3:26
12.Adrian's Birthday (Felix Cavaliere, Gene Cornish, Dino Danelli) - 4:50
13.Boom (Dino Danelli) - 13:49
14.Cute (Felix Cavaliere, Eddie Brigati, Gene Cornish, Dino Danelli) - 15:17

The Rascals
*Felix Cavaliere - Organ, Piano, Lead Vocals, Backing Vocals
*Eddie Brigati - Percussion, Lead Vocals, Backing Vocals
*Gene Cornish - Guitar, Lead Vocals, Backing Vocals
*Dino Danelli - Drums
With
*Chuck Rainey - Bass
*Gerald Jemmott - Bass 
*King Curtis - Saxophone
*David Newman - Tenor Saxophone
*Richard Davis - Bass
*Charles Morrow - Horn Arrangements

1969  The Rascals - See (Japan remaster)
1971  The Rascals - Peaceful World (Japan remaster)
1972  The Rascals - Island Of Real (Sundazed issue)
1965-72  The Rascals - Anthology (double disc)
1967  The Young Rascals - Groovin'  (2007 remastered and expanded)