Had it been completed and released, the Lost Album might have seriously altered the Velvets' fortunes for the better. Although Loaded included some of Reed's biggest hits in "Sweet Jane" and "Rock and Roll," it was just too late: Reed quit shortly before its release. But V.U. captures the band at the height of its powers,
refining the edginess of the early records with a polished, accessible sound that doesn't compromise its spirit of adventure.For the first time on record, the Velvets sound like a real band, not a concept in overdrive.
"I Can't Stand It" and "Foggy Notion" are proof of this. Both songs are power-drill rockers based on the same urgent pulse as "Sister Ray," the former rolling along with a snotty glide that easily whips Reed's later rerecording on his debut solo album. There are also unexpected flashes of humor – "I live with thirteen dead cats/A purple dog that wears spats/They're livin' out in the hall/And I can't stand it anymore." The real surprise, though, is the way Reed and Sterling Morrison match up as a guitar team. Their creatively rhythmic strumming has a forceful snowball effect, and while Reed tends to take the more spectacular solos, Morrison plays effective fills with sharp, Keith Richards-style intuition.
The two songs featuring Cale slot nicely into V.U.'s cohesive tone. "Temptation inside Your Heart" combines playful R&B goofiness with a bright, busy beat and a great strangled guitar solo. The chamber-music pop of "Stephanie Says" is not too distant from that of "Sunday Morning"; still, there is a special resonance in Cale's tiptoe viola and the painful resignation in Reed's voice and lyric ("Stephanie says/That she wants to know/Why she's given half her life/To people she hates now"). The casual horror in so many of Reed's early songs sometimes made it hard to indulge his more reflective moods. But performances like "Stephanie Says" and Reed's charming duet with Maureen Tucker, the childlike "I'm Sticking with You, " show how tender he could really be and how sensitively the Velvets could translate that feeling.
Most of the other tracks on V.U. glow with that same vigorous spirit, if not the relentless drive. "One of These Days" is a lively parody of a cowboy drinking song, complete with sagebrush harmonies and a boozy slide-guitar break. "Ocean," a gorgeous evocation of dark ennui, dramatically showcases the Velvets' grasp of Reed's occasional romantic turns.With his thoughtful vocal and Maureen Tucker's imitation on her cymbals of rolling surf, the song anticipates Reed's later epic ballads.
A debt of thanks for resurrecting these tracks and for giving the band's first three LPs the proper reissue they've long deserved. As for V.U., the Great Lost Velvet Underground Album is no longer lost. It is simply great.
by David Fricke
1. I Can't Stand It - 3:21 (Recorded May 20, 1969)
2. Stephanie Says - 2:49 (February 13, 1968)
3. She's My Best Friend - 2:47 (May 14, 1969)
4. Lisa Says - 2:53 (October 1, 1969)
5. Ocean - 5:10 (June 19, 1969)
6. Foggy Notion (Reed, Morrison, Yule, Tucker, Weiss) - 6:41 (May 6, 1969)
7. Temptation Inside Your Heart - 2:30 (February 14, 1968)
8. One Of These Days - 3:50 (September 23, 1969)
9. Andy's Chest - 2:49 (May 13, 1969)
10.I'm Sticking With You - 2:26 (May 13, 1969)
All tracks written by Lou Reed except where indicated
The Velvet Underground
*John Cale – Viola, Bass Guitar, Celesta, Backing Vocals
*Sterling Morrison – Guitar, Backing Vocals
*Lou Reed – Vocals, Guitar
*Maureen Tucker – Percussion, Lead Vocal
*Doug Yule – Bass Guitar, Keyboards, Backing Vocals, Lead Guitar, Lead Vocals
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