Sunday, September 20, 2026

rep>>> Crazy Horse - Scratchy • Complete Recordings (1962-73 us, exceptional country rock, 2005 double disc issue)



Crazy Horse’s 1971 self-titled debut, with Danny Whitten, Nils Lofgren and Jack Nitzsche, remains a roots-inflected, heavy-rock touchstone, boasting a uniformly strong set balancing mournful ballads and left-field rockers (notably, an ode to erectile dysfunction and a party stomper about scoring heroin). Just a year later, the follow-up Loose found Talbot and Molina fronted by an anonymous collection of minor leaguers, delivering limp country-rock several notches below the not exactly hearty CSN/Eagles standard. Rhino’s “limited edition” supplements the official releases with the usual oddments and arcana, but given the original lineup’s too-brief run, these barrel scrapings inspire a benevolent indulgence. The simulated innocence of the early-’60s close harmony and Brill Building knockoffs that close the set is sweet enough to induce tears.
by Scott Manzler

Neil Young may not ever allow his Reprise outtakes to be released, but that doesn't mean there's not a lot of equally cool stuff from an orbit near his that can't be enjoyed -- and Rhino Handmade has hit a mother lode with this double-CD set, which offers a lot more than even dedicated Crazy Horse fans may expect. Thanks to their convoluted membership history and a series of label changes, Crazy Horse had one of the stranger release histories of almost any '70s band -- their stuff and, to some extent, their sound are all over the map. Scratchy: 

The Complete Reprise Recordings makes a strong case, however, for the primacy of the first lineup and their work on Reprise, assembling all of their released work for the label plus the equivalent of an album's worth of outtakes and radio spots, and two tracks by Danny & the Memories, the group that preceded the formation of Crazy Horse by five years or so. The group's self-titled debut album has bounced in and out of print for the last 34 years, but here it's been remastered with the kind of attention that makes it sound like one is hearing it for the first time -- the close sound of the acoustic guitars on "I Don't Want to Talk About It" and the roaring electric instruments on "Gone Dead Train," "Dance, Dance, Dance," and "Downtown" are impressive to these ears, the harder-rocking numbers now displaying the raw power and impact that the group exuded on-stage; the remastering job has undone the inevitable flattening process that went into the vinyl release, so that Billy Talbot's bass, in particular, now gets a killer showcase, and Jack Nitzsche's piano on "Carolay" gets as much play as the massed acoustic guitars that carry the rhythm figure at the center of the song. 

What's more, the crispness of the sound has brought the singing out in vivid detail -- if the LP could have sounded this bracing and powerful, this band might well have seen the success it deserved. The second half of the first CD is filled out with the tracks off of their second album, Loose; thanks to the ensuing lineup changes that took place, they're a bit of a letdown after the 11 gems from Crazy Horse, though not bad on their own terms -- the group plays from less melodic strength and raw inventiveness, but make up for it with a lot of enthusiasm and positive vibes in their sound, especially on the acoustic numbers such as the gorgeous "One Thing I Love" or "All Alone Now." 

The real treat, however, is the second disc, which opens with a string of extraordinary outtakes, including the title track -- the outtakes sound incredible and feature exceptional playing, and "Scratchy" by itself is worth the price of admission, 12 minutes of stunning electric interaction; and it's followed by the gorgeous acoustic piece "Dear Song Singer," plus a long version of "Downtown"; the first Danny & the Memories cut, "Can't Help Loving That Girl," was, in its own time, a throwback to early-'60s doo wop style, while the second, "Don't Go," was much more contemporary circa 1965. The set is attractively designed, with separate pockets for each disc and a beautifully designed booklet with extensive annotation, all in a very practical slipcase-style package. It's a bargain for any fan of this band or any of its members, and worth tracking down.
by Bruce Eder
Tracks
Disc 1 "Crazy Horse" 1971
1. Gone Dead Train (Russ Titelman, Jack Nitzsche) - 4:10
2. Dance, Dance, Dance (Neil Young) - 2:13
3. Look At All The Things (Danny Whitten) - 3:14
4. Beggars Day (Nils Lofgren) - 4:33
5. I Don't Want To Talk About It (Danny Whitten) - 5:20
6. Downtown (Danny Whitten, Neil Young) - 3:16
7. Carolay (Jack Nitzsche, Russ Titelman) - 2:53
8. Dirty, Dirty (Danny Whitten) - 3:33
9. Nobody (Nils Lofgren) - 2:39
10.I'll Get By (Danny Whitten) - 3:08
11.Crow Jane Lady (Jack Nitzsche) - 4:27
"Loose" 1972
12.Hit And Run (John Blanton) - 2:41
13.Try (George Whitsell) - 3:18
14.One Thing I Love (Greg Leroy) - 2:37
15.Move (George Whitsell) - 3:13
16.All Alone Now (George Whitsell) - 2:46
17.All The Little Things (Greg Leroy) - 5:01
18.Fair Weather Friend (Greg Leroy) - 2:41
19.You Won't Miss Me (George Whitsell) - 2:47
20.Going Home (Greg Leroy) - 2:50
21.Don't Believe It (George Whitsell) - 3:07
22.Kind Of Woman (John Blanton) - 4:25
23.One Sided Love (George Whitsell) - 3:12
24.And She Won't Even Blow Smoke In My Direction (George Whitsell) - 1:21
Disc 2
1. Dirty, Dirty (Alternate Version) (Danny Whitten) - 3:56
2. Scratchy (Takes 1-3) (Unknown) - 12:12
3. Dear Song Singer (Unknown) - 3:10
4. Downtown (Unedited Long Version) (Danny Whitten, Neil Young) - 10:42
5. Susie's Song (Takes 1-5) (Nils Lofgren) - 6:13
6. When You Dance You Can Really Love (Neil Young) - 2:52
7. Radio Spot - 1:07
8. Danny And The Memories - Can't Help Loveing That Girl (Jerome Kern, Oscar Hammerstein II) - 2:03
9. Danny And The Memories - Don't Go (Danny Whitten) - 1:59
Tracks 1-5 from "Crazy Horse" sessions
Track 6 recorded January 1973
Track 7 Reprise  1971
Tracks 8-9 Danny And The Memories Valiant single  1962

1968  The Rockets - The Rockets

rep>>> Waterloo - First Battle (1970-72 belgium, wispy psych folk with organ heavy bombast, extra tracks edition)



There’s an old gag particularly prevalent in Britain that goes along the lines of “I bet you can’t name five famous Belgians”. In fact this small bilingual, bicultural European country has produced more celebrities than you’d think: GĂ©rard Mercator, designer of the universal map projection that bears his name; Adolphe Sax, who invented the saxophone; and Georges Simenon, creator of classic fictional detective Maigret, are just three. Perhaps thinner on the ground are famous Belgian musicians: poetic songwriter Jacques Brel is certainly the best known, and then there’s Jean “Toots” Thielemans who uniquely plays jazz on chromatic harmonica . . . and of course Plastic Bertrand.

Prior to 1980 or thereabouts, home-grown Belgian rock bands were certainly a select species, at least in terms of penetration outside their homeland and France. Waterloo was a fine, sturdy prog-rock outfit in the English mould of the late 1960s, coming together in ’69 with members from two just-folded Belgian pop-psych groups, releasing their sole album the following year and folding themselves about a year later after precious little commercial success. Their musical pedigree was beyond doubt; organist Marc Malyster was a conservatoire-trained keyboard player, whilst lead vocalist/flautist Dirk Bogaert had been an operatic boy soprano and drummer Jacky Mauer was steeped in jazz. With the workmanlike rock chops of guitarist Gus Roan who also doubled on flute, and bass guitarist Jean-Paul Janssens, they covered all the bases.

First Battle was recorded in England with all the lyrics in English; given this plus the band’s propensity for driving three-four rhythms and breathy flute accompaniments, it’s no surprise they frequently recall Mick Abrahams-period Jethro Tull. However Malyster’s organ work marks them out from the Brit combo, favouring a churchy drawbar setting on his Hammond and incorporating plenty of Bach-like touches in the style of his main rock influence, Keith Emerson. 

The album offers nine tightly-composed, tightly-performed songs, none breaching the four-minute barrier, all with tuneful pop sensibility and lyrical hooks and featuring fine harmony vocals and terse, pithy solos. Only on the ten-minute closing opus “Diary Of An Old Man” is each player is given the chance to feature more extensively, with excellent expositions by Bogaert on simultaneous flute and scat vocal and by Roan who finally gets to really stretch out on guitar. 

Pick of the other tracks are the Tullish “Why May I Not Know” which sets out the band’s stall for the following numbers; the jazzy, socially aware “Black Born Children” which thematically if not musically recalls the Nice’s “Daddy, Where Did I Come From”; and the splendid classically-harmonised riff of “Life” which also features a vocal dialogue, fruity flute obbligati and muscular bass guitar work. In all honesty there are no weak tracks anywhere on this album. The record was cut at an unidentified Soho eight-track studio under producer David McKay (who also masterminded Belgium’s other high-profile group of the day, Wallace Collection) and the sound quality, at least on the CD reissue, is exemplary, being powerful and clean with each lead instrument deftly forefronted.

Tensions within the band must have surfaced soon after the recording, because Janssens was gone by July ’70 and Malyster bailed soon after. Replacements were found but the tight, virtuosic sound of the original lineup was never emulated; the band struggled on for another year or so, cutting a couple of singles that strangely reverted to a pop-psych template. These were included as bonus cuts on the first (vinyl) reissue of First Battle by French musicians’ cooperative label Musea, now long out of print, and also appear on the excellent CD reissue by Spanish imprint Guerszen which is still available. Devotees of the Nice, Jethro Tull, Deep Purple and other early progressive rockers will find a lot to like on this collection.
by Len Liechti
Tracks
1. Meet Again - 3:02
2. Why May I Not Know - 3:06
3. Tumblin' Jack - 2:34
4. Black Born Children - 3:42
5. Life - 2:45
6. Problems - 2:58
7. Why Don't You Follow Me? - 3:30
8. Guy In The Neighbourhood - 2:54
9. Lonesome Road - 2:48
10. Diary Of An Old Man - 10:58
11. Plastic Mind - 4:25
12. Smile - 3:50
13. I Can't Live With Nobody But You - 3:41
14. The Youngest Day - 7:33
15. Bobo's Dream - 4:58
16. Bad Time - 3:19
Bonus Tracks 11-16

Waterloo
*Dirk Bogaert - Lead Vocals, Flute
*Gus Roan - Guitar
*Jacky Mauer - Drums
*Marc Malyster - Organ (Tracks 1-12)
*Jean-Paul Janssens - Bass (Tracks 1-12)
*Frank Wuyts - Organ (Tracks 13 To 16)
*Jean-Paul Musette - Bass (Tracks 13 To 16)
*John Van Rymenant - Saxophone (Tracks 13 To 16)