Friday, October 6, 2017

Eclection - Eclection (1968 uk, gorgeous folk rock with sunny psych tignes, 2011 remaster and expanded)

 The rare, sole, and self-titled album by Eclection was one of the finer overlooked folk-rock recordings of the 1960s, and perhaps the best relatively unknown British folk-rock LP of its time. The band had a great deal going for them: four strong singers, rich multi-part harmonies, strong original material by two composers, deftly textured mixes of electric and acoustic guitars, and tasteful orchestration that gracefully enhanced the soaring bittersweet melodies and male-female vocal blends. They were also one of the few British acts signed to Elektra Records, the hippest American independent label of the era.

None of this translated into high sales or wide renown. Eclection, so full of promise on this 1968 album, had split up by the end of 1969, never having issued another full-length release. The simple label of "British folk-rock band" applies to Eclection as much as any description could. Upon closer scrutiny, that term fails to capture the complexities of this enigmatic group. For this British band had but one actual British member, the rest of the group hailing from Norway, Australia, and Canada; for that matter, when one of the Australians left, she was replaced by an American.

The group are closely connected to the Fairport Convention family tree via the presence of two future members of the band, yet neither of them wrote material or took prominent lead vocal roles on the Eclection album. Despite the Fairport connection, the folk background of some of the members, and the obvious vocal and instrumental folk-rock elements, they didn't think of themselves as folk-rock.

Too, this British album, recorded in London by mostly non-British musicians, sounded more like a product of California than anything else, despite the absence of any Americans on the recording. Tying it all together was the unlikely figure of producer Ossie Byrne, most known for overseeing the first international hits of the Bee Gees. Byrne, of course, was not British either, hailing from Australia.

Eclection was an apt name for a group originating from such disparate regions. Georg Hultgreen, who wrote eight of the eleven songs on the album and handled twelve-string electric and acoustic guitars, was born in Norway. The son of Russian prince Paulo Tjegodiev Sakonski and Finnish sculptress Johanna Kajanus, he moved to Paris just before entering his teens. Shortly afterward he moved with his family to Quebec, where he learned English, and worked as a stained glass window designer before ending up in England. Michael Rosen, who wrote the remaining three songs on the LP and played trumpet in addition to six-string acoustic and electric guitars, came from Canada.

Singer Kerrilee Male, an Australian, had in the mid-1960s sung in Dave's Place Group; that outfit was featured on the Australian folk music television show Dave's Place, featuring ex-Kingston Trio guitarist Dave Guard, who had somehow ended up living in Sydney. Fellow Australian Trevor Lucas had the most on-record experience of any member of Eclection, having released a couple of rare folk albums, as well as contributing to the EP The Folk Attick Presents, singing backup vocals on British folk legend A.L. Lloyd's Leviathan, and appearing on the soundtrack to Far from the Madding Crowd.

Completing the unlikely quintet was their sole British member, drummer Gerry Conway, who was just leaving his teens. Conway had been playing in the group of musical giant Alexis Korner, whose band was famous for helping train numerous future British rock stars, including members of the Rolling Stones, Cream, and Led Zeppelin. If it seems like an unlikely transition from a blues-oriented ensemble such as Korner's to the pop-folk-rock of Eclection, it should be remembered that Korner's band had also given apprenticeships to Danny Thompson and Terry Cox, the rhythm section of one of the most successful British folk-rock groups, Pentangle.

After about a year of gigging with post-Kerrilee Male lineups, Eclection broke up in late 1969 (though Henderson did head a revamped version of the band in the 1970s). Lucas and Conway formed the rhythm section of Fotheringay, featuring Trevor's girlfriend (and, later, wife) Sandy Denny, who had just established herself as the finest British folk-rock singer as part of Fairport Convention. Fotheringay made a fine folk-rock album in 1970 before Denny left for a solo career.

Lucas and Denny would play together again in Fairport Convention in the mid-1970s, though Denny died tragically young in 1978, while Lucas passed away in 1989. Conway's long career took in stints in Jethro Tull and Pentangle, as well as recordings with John Cale, Sandy Denny, Joan Armatrading, the Everly Brothers, Cat Stevens, Richard Thompson, Al Stewart, and many others. He's now, in 2001, the drummer in Fairport Convention, an institution that's still going strong more than thirty years after their formation.

As for the others, Hultgreen, under the name Georg Kajanus, joined Sailor, who had a couple of Top Ten British singles in the mid-1970s. An accomplished artist as well as a musician, he is now, believes Conway, living in Paris. Rosen later played with obscure early-1970s progressive rockers Mogul Thrash, which also included future Family/King Crimson/Asia member John Wetton. Gerry last saw Michael in the early 1980s in Canada while touring with Richard Thompson, "and as far as I know, he was working in his uncle's steel mill." Conway's lost all contact with Kerrilee Male, whom he believes went back to Australia after quitting Eclection. "As it started as it finished, I suppose," he chuckles. "Everybody disappeared back to the four corners of the earth."
by Richie Unterberger
1. In Her Mind - 3:57
2. Nevertheless (M. Rosen) - 2:51
3. Violet Dew - 3:51
4. Will Tomorrow Be The Same - 3:13
5. Still I Can See - 4:18
6. In The Early Days - 3:39
7. Another Time Another Place - 4:26
8. Morning of Yesterday - 4:11
9. Betty Brown - 3:06
10.St. Georg And The Dragon (Up The Night) (M. Rosen) - 4:58
11.Confusion (M. Rosen) - 5:04
12.Mark Time (B-Side) - 2:51
13.Please (A-Side) - 2:51
14.Please (Mark II) (A-Side) - 2:56
15.Nevertheless (A-Side) - 2:50
16.In The Early Days (B-Side) - 3:37
17.St. Georg And The Dragon (B-Side)  (M. Rosen) - 4:58
18.Nevertheless (BBC Sessions) - 3:00
19.Will Tomorrow Be The Same (BBC Sessions) - 3:08
20.Violet Dew (BBC Sessions) - 3:22
21.Please (BBC Sessions) - 2:53
22.Morning Of Yesterday (BBC Sessions) - 4:10
All songs by Georg Hultgreen (Kajanus) except where indicated
Bonus Tracks 12-22

*Georg Hultgreen (Kajanus) - Vocals, Guitars
*Trevor Lucas - Bass , Vocals
*Gerry Conway - Drums, Vocals
*Kerrilee Male - Vocals
*Michael Rosen - Vocals, Guitars, Trumpet

Free Text
the Free Text


  1. The members of Eclection literally hailed from the four corners of the earth. Australian bassist Trevor Lucas and British drummer Gerry Conway would associate with Fairport Convention in the future. Norweigan guitarist Georg Hultgreen(Hultgren/Kajanus) composed most of the songs, along with Canadian lead singer, guitarist and songwriter Michael Rosen. Kerrilee Male, from Australia, rounded out the lineup as the group's second lead singer. The group was very often compared to Fairport Convention for their sound AND west-coast California bands such as the Mamas & the Papas for the vocal harmonies. Fairport, however had more of a rock sound, and Eclection possessed four talented singers (all but Conway sang), all of whom were far more dramatic and emotional in their delivery.

    The music, while often melancholy in tone, is striking nonetheless. The band often mixed electric and acoustic instruments together, while at the same time several songs also feature orchestration by Phil Dennys. This gives the material an almost classical feel, and definitely highlights the material rather than burying the basic folk-rock sound.

    Group left behind only one large disc, "Eclection", recorded yet Kerilee Male, produced by Ossie Byrne, collaborator of The Bee Gees and released in June 1968 by Elektra. Album, which was accompanied by two singles ''Nevertheless''/ ''Mark Time'' and '' Another Time Another Place''/ ''Betty Brown'',been a captivating work of folk-rock originates from the tradition of different nations (eg, ''Nevertheless'', ''In Her Mind'', ''Violet Dew'', ''Morning Of Yesterday'', ''Confusion'', ''Will Tomorrow Be The Same'') Sorry,disappeared on the market. The songs are aided by strings was in the background, which to some may seem a bit old-fashioned, but this music is just such, no other charm ... In the song "In The Early Days" sung named Trevor Lucas, later to become a musician Fairport Convention and Fotheringay, privately husband Sandy Denny. Beautifully helps him a trumpet.

    Formation, Henderson already in place Male, returned to the studio to record two more singles: ''Please'' (on page B old song: ''Saint George And The Dragon'') and ''Please Mark II'' (on page B old song: ''In The Early Days''). But they did not gain popularity. Discouraged musicians undertook the decision to terminate Eclection. Rosen came later to Mogul Thrash, Hultgren as George Kajanus success of Sailor and Palmer became involved with the Family. Lucas and Conway continued activities exercised in Fotheringay and Fairport Convention.

    @Thx Marios :)

  2. I appreciate the rip. However, these tracks seem to have some compression artifacts. I'm aware they're all flacs, but I can't help but notice audible artifacts that sound as if they were at one point encoded to something like 112kbps mp3s. It's most noticeable in quieter moments.

    1. Hi Square, I have this album too and those artefacts are down to the mastering I believe? I know what you mean. I think it's either original master tape wear.. or it's been remastered from a second generation source... or from vinyl and polished up?... It's not great is it, but that's all that's currently available.

  3. Hi The Good Mr Square,
    even the rip isn't mine, I have no reason to doubt that they're lossless, beside that I don't beleive in any of these audiocheckers and trust my ears only, note that this is a 1968 recording.
    Thank you.
    PS the original ripper did add two audio checkers (along with .log file)
    but deliberately I haven't included them in the file.
    You can grab them here:

  4. Now, if they'd only thought to include "Mark Time"...

  5. Kerrilee Male was living in Ainslie Village as of 1992. This is a hostel for homeless and disadvantaged people in Canberra, Australia. She may still be alive as of December 2015, in that I was able to find on TROVE (Australian Newspaper archives) a positive product review of a powder sold at a site called The Krishna Store. The powder is for Hindu deity worship ceremonies, I believe, as it is described as such, and within this review, by someone named Kerrilee Male, is religious language, "Hare Krishna" and so on. I have not yet updated Gerry, but he may be interested to know that she fell on hard times. She had no family left to celebrate Christmas with, as the caption beneath the 1992 photograph of her and another resident of the hostel suggests. The two are sitting at a table with food prepared for the hostel by the Canberra Hyatt House. The photo is from the Canberra Times, 12/26/92. Sad.--Mark Welsh,