Monday, February 13, 2017

Hatfield And The North - The Rotters' Club (1975 uk, elegant inspired canterbury prog rock, 2011 japan SHM bonus tracks remaster)

Featuring some of the most stunning musicianship ever associated with England's Canterbury scene, Hatfield and the North's second LP features, like their eponymous debut, Dave Stewart on keyboards, Phil Miller on guitar, Richard Sinclair on bass and vocals, and Pip Pyle on drums (supplemented by a few guest instrumentalists and the ever-ethereal Northettes with their "la la" backing vocals). The participants show an admirable sense of restraint and, like their Canterbury peers, are careful to avoid the pomposity and bombast of better-known prog rockers of the era, such as Emerson, Lake & Palmer and Yes. 

The Hatfields' convoluted instrumental passages segue into the occasional Sinclair vocal vehicle, in which the exemplary bassist sings in a polite and mellow croon that utterly avoids melismatic displays, histrionics, or over-emoting; in other words, his style -- closer to, say, Bing Crosby than, say, Joe Cocker -- would likely cause many 21st century pop music listeners to scratch their heads with bemusement. And the songs' rather whimsical lyrical content, while perhaps another conscious attempt to steer clear of the pretentiousness of the typically overbearing prog rock song style, certainly reflects a '60s/'70s mindset more than a 21st century one, so today's jaded listeners should realign their expectations. Things get off to a strong start with "Share It," a catchy little number with Sinclair expressing some idealistic and hard-to-criticize Brit hippie sentiments. Elsewhere, the "songs" are few and far between, but crop up in odd spots nevertheless; the Hatfields were masters of the segue and the most accomplished demonstrations of instrumental technique wind up bleeding into ditties that might seem out of place to some. 

But Stewart, Miller, Sinclair, and Pyle all make wonderful instrumental statements. Particularly noteworthy are Miller's two short jazzy numbers, "Lounging There Trying" and "Underdub," which, with their sparkling electric piano work from Stewart, have a light and airy improvisational feel despite rather thorough scoring; Pyle's propulsive "Yes No Interlude" with its furious melding of Stewart's keyboards and the sax of guest Jimmy Hastings; and Stewart's 20-minute opus "Mumps." The latter is particularly impressive, with everything anyone would want from an extended-form Canterbury-style workout. The piece ebbs and flows through nimbly executed thematic passages and variations, featuring one of Stewart's most compelling themes and also one of the best fuzz organ solos that he (or Mike Ratledge or David Sinclair for that matter) ever recorded.

Smack dab in the middle of it all, another Sinclair-sung tune arrives, this time making punning use of letters of the alphabet. But the suite gets back on track with a dramatic instrumental coda, melding spacy effects, more great organ playing from Stewart, and spectacularly executed unison lines from Miller and Hastings in crescendo before the final fade. The Virgin Records CD reissue features several live bonus tracks (also found on the Afters compilation), including two comparatively crazed and heavy Miller instrumental pieces recorded in France and, from a date at the Rainbow Theatre in London, Sinclair's "Halfway Between Heaven and Earth," which has a bit more of the feel of his vocal work with Caravan than with the Hatfields. Too bad there's a premature fadeout during another great Stewart organ solo. One wonders where the band was headed with that. 
by Dave Lynch
1. Share It (Richard Sinclair, Pip Pyle) - 3:03
2. Lounging There Trying (Phil Miller) - 3:14
3. (Big) John Wayne Socks Psychology On The Jaw (Dave Stewart) - 0:43
4. Chaos At The Greasy Spoon (Richard Sinclair, Pip Pyle) - 0:30
5. The Yes No Interlude (Pip Pyle) - 7:01
6. Fitter Stoke Has A Bath (Pip Pyle) - 7:33
7. Didn't Matter Anyway (Richard Sinclair) - 3:31
8. Underdub (Phil Miller) - 3:53
9. Mumps (Dave Stewart) - 20:23
.a.Your Majesty Is Like A Cream Donut (Quiet)
.d.Your Majesty Is Like A Cream Donut (Loud)
10.Halfway Between Heaven And Earth (Full Version) (Richard Sinclair) - 6:18
11.Oh, Len's Nature (Phil Miller) - 2:00
12.Lything And Gracing (Phil Miller) - 3:58
Bonus Tracks 10-12

 The Hatfield And The North 
*Phil Miller - Guitars
*Dave Stewart - Hammond Organ, Fender Rhodes, Piano, Minimoog, Tone Generator
*Richard Sinclair - Bass, Lead Vocals, Guitar
 *Pip Pyle - Drums, Percussion
*Mont Campbell - French Horn
 *Lindsay Cooper - Oboe, Bassoon
 *Jimmy Hastings - Flute, Soprano, Tenor Saxophones
 *Tim Hodgkinson - Clarinet 
*Amanda Parsons - Backing Vocals
*Ann Rosenthal - Backing Vocals
 *Barbara Gaskin - Backing Vocals

Related Acts 
1970 Delivery - Fools Meeting 
1972  Matching Mole - Matching Mole (Japan remaster)
1968  Caravan (Japan SHM remaster)
1970  If I Could Do It All Over Again, I'd Do It All Over You (Japan SHM remaster)
1971  In The Land Of Grey And Pink (Japan SHM remaster)
1971 In The Land Of Grey And Pink (2011 double disc deluxe edition) 
1972  Waterloo Lily (Japan Mini LP)
1973  For Girls Who Grow Plump In The Night (japan SHM remaster)
1974  Caravan And The New Symphonia (japan SHM remaster)
1975 Cunning Stunts (Japan remaster)
The Egg 
1969  Uriel - Arzachel (2007 remaster, collectors edition)
1969-72  The Metronomical Society
1971  Egg - The Polite Force (2008 Esoteric remaster)
1969-70  Egg (2008 Esoteric remaster)
1974 Egg - The Civil Surface

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  1. Replies
    1. this is a good album - you should improve your taste

  2. Please, thank you. And if he doesn't want his, I'll take Terrace's too. No need to waste such a tasty treat!