Monday, May 11, 2026

rep> The Mourning Dayze - Lost Recordings (1967 us, rough garage psych, 2007 Gear Fab issue)



Mourning Dayze was born on August 9,1965 in Whitewater, Wisconsin. The band's original name was "The Coachmen," but later when they discovered there was another band with the same name, the guys decided to change It, The band traveled to and from gigs in a hearse pulling a trailer. One morning while driving back to Whitewater, after another late-night gig, the sun was coming up and it was hazy; thus; Mourning Dayze.

Mourning Dayze was extremely popular in the Midwest especially in the teen bars that were popular in Wisconsin during the late 1960's and early 1970.'$. The band was popular on many college campuses, not only for its music, but also for their light show. It’s believed that Mourning Dayze was the first rock and roll band in the state of Wisconsin to include a traveling strobe light. The band became known throughout the Midwest because of its props, including a large banner with the name. Mourning Dayze on it; an umbrella on a mike stand; a siren; an old fashioned pole lamp with a yellow light, and the familiar Taj Mahal on the kick drum, In addition to Midwestern states, Mourning Dayze played in states as far east as New York and New Jersey, as far south as Florida and as far west as Idaho, The band also played numerous gigs in Canada. 

During the first five years prominent musicians passed through the band leaving a long lasting impression, Curly Cook, an early guitarist with the Steve Miller Band introduced Mourning Dayze to the power of the blues and the power and soul of the guitar Berry Oakley played bass guitar with Mourning Dayze shortly before the formation of the Allman Brothers Band. Mike Warner joined in the fall of 1969, after his summer drumming with Curtis Mayfield and the Impressions. During the firs! five years, Mourning Dayze opened for many well-known bands, including The Music Explosion, Ohio Express, The Lemon Pipers, The Trashmen, and The New Colony SIX.

From the summer of 1972 to the spring of 2000, Mourning Dayze played a portion of every year at Alpine Valley Resort in East Troy, Wisconsin. It began performing as a house band for the winter ski season and on weekends during the summer, in the mid-70's Alpine Valley became a major stop on the national tour for rock, pop and contemporary styles of music. Mourning Dayze was in the perfect setting to meet jam, and listen backstage, to national touring acts every weekend, week after week, year in and year out. Some of the bands Mourning Dayze jammed with include Los Crusades, RE XX Billy Swan and Hank Williams Jr. in the fall and spring of each year, Mourning Oayze would hit the road with a special love for touring the western United States. After 41 years Mourning Dayze is still gigging.
Liner-Notes
Tracks
1. Fly My Paper Airplane - 2:40
2. Sad Man's Madness - 2:37
3. Man with the Thin Mind (R. Pfeifer, John Valentine) - 3:32
4. Moon That Gives No Sunlight - 2:12
5. Rain Time - 2:01
6. The Mourning Dayze - 2:28
7. Are We Going to Say Goodbye? (R. Pfeifer, Doug Henry) - 2:24
8. Fly My Paper Airplane - 3:04
All song by Rick Pfeifer unless else written.

The Mourning Dayze
*John Valentine -  
*Doug Henry - Guitar
*Steve Ellmann - Lead Vocals
*Rick Pfeifer - Guitar, Vocals

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Sunday, May 10, 2026

rep>>> Peter Bardens - Write My Name In The Dust (1971 uk, brilliant post psych early prog rock, 2006 japan remaster)



As 1971 came around Bardens reconvened to the studio to record his second solo album with a fresh line-up although he retained the services of Andy Gee and Reg Isadore. Released in July of that year it was probably more varied in style than its predecessor with Bardens assuming much of the vocal duties. After the silliness of the opening instrumental North End Road (complete with bar room piano) the album gets down to serious business with the brooding and Bob Dylan influenced Write My Name In The Dust.

Bardens organ playing is tastefully understated here allowing the soulful vocal delivery to take centre stage. The superb massed female chorus is equally soulful. Down So Long is a stop-start affair with a tediously repetitive choral line but the engaging instrumental interplay that occupies the mid section does at least justify its existence.

In terms of melody Sweet Honey Wine is one of the stronger songs here sounding not unlike The Rolling Stones in playful mode. Similarly the vocals during the manic Tear Down The Wall have more than a hint of Mick Jagger about them. Bardens’ frenzied organ work here is some of the most inspired to feature on either of these two albums. In contracts the aptly titled Simple Song is a sunny little country style ditty that could have come from the Bonzo Dog Doo-Dah Band.

The mellow instrumental My House is for me the albums best track that would have not sounded out of place on a Camel album with Vic Linton’s tasteful guitar lines pre-empting the Latimer/Bardens partnership that would come later. Feeling High however returns to the unimaginative stoner blues-rock of the previous album leaving another aptly titled affair Blueser to bring things to a less than inspired conclusion.
by Geoff Feakes
Tracks
1. North End Road - 1:25
2. Write My Name In The Dust - 6:34
3. Down So Long (Peter Bardens, Vic Linton, Reg Isadore, John Owen) - 7:00
4. Sweet Honey Wine - 4:26
5. Tear Down The Wall - 7:21
6. Simple Song - 2:20
7. My House - 6:17
8. Feeling Hugh - 5:08
9. Blueser - 2:15
All songs by Pete Bardens except where noted.

Musicians
*Peter Bardens - Keyboards, Vocals
*Victor Brox - Violin, Vocals
*Andy Gee - Guitar
*Reg Isadore - Drums
*John Owen - Bass
*Maxine Offla - Vocal
*Linda Lewis - Vocal
*Judy Powell - Vocal
*Liza Strike - Vocal
*Anita Pollinger - Vocal

Saturday, May 9, 2026

rep>>> Bang - Bullets, The First Four Albums (1971-73 us, sensational heavy rock with prog shades, 2010 four discs box set)



Getting their first significant break, by gate crashing a Small Faces show in Orlando in 1971, Philadelphia-born Bang are often cited as being the closest band America had to Black Sabbath in the early 70’s, though there is much more to Bang than being mere copyists. This can finally be witnessed here on this deluxe re-mastered CD set, which encapsulates all of the bands recorded output from their ‘Capitol Records Period’, which spanned from 1971-1974.

Also included in here is the previously unreleased, debut album ‘Death of a Country’, which was initially rejected by Capitol, as being a ‘heavy concept album’ they thought no one would understand.

Highly regarded as a cult act by many for years, it’s now time for this truly amazing rock band to be enjoyed by a new audience. As can be heard over this four CD set, the versatility and songwriting skills of Bang were second to none. Starting with the darkly psychedelic prog-tinged vibes of their aforementioned unreleased debut, they soon became major contenders in the hard rock stakes with the release of their debut self-titled album in 1971, which has since gone to be considered an important forerunner to the early Doom Metal genre.

This was followed by the monumental ‘Mother/Bow To The King‘ album in 1972 which, quite frankly, should have exploded. Changes in personnel at their record company offices and an externally forced line-up change led to frustration and bewilderment, before releasing their swansong 1973 album Music. It is on this album that we see a mature songwriting partnership moving away from the all out heaviness of their earlier work, into reflective, yet uplifting almost Powerpop mode.

Also included here are the so-called ‘lost singles‘, which were the last attempts at commercial success, prior to the band folding for many years, before reforming in the early 90’s. There is a point to be made that these three tracks are some of the best material the band ever wrote, with ‘Slow Down‘ being a return to the heavier times with a main riff to die for, whilst ‘Make Me Pretty‘ is a fantastic powerpop ballad ahead of it’s time.

Bullets consists of a deluxe box containing four individual LP replica CD’s in mini gatefold sleeves, with an extensive 40 page booklet, detailing the bands unique story, with many unseen photo’s and an exclusive free sticker.
Tracks 
Disc 1 - Death of a Country Originally Recorded 1971 (Unreleased at the time)
1. Death of a Country - 10:07
2. No Trespassing - 5:10
3. My Window - 4:46
4. Life on Ending - 4:13
5. Certainly Meaningless - 3:32
6. Future Song - 3:59
All songs by Frank Ferrara, Frank Gilcken, Tony Diorio
Disc 2 - Bang Self-Titled. Originally released 1971
1. Lions, Christians - 4:00
2. The Queen - 5:24
3. Last Will and Testament - 4:10
4. Come With Me - 4:20
5. Our Home - 3:27
6. Future Shock - 4:41
7. Questions - 3:48
8. Redman - 4:54
All songs by Frank Ferrara, Frank Gilcken, Tony Diorio
Disc 3 - Mother/Bow to the King. Originally released 1972
1. Mother - 4:25
2. Humble - 4:43
3. Keep On - 3:39
4. Idealist Realist - 4:30
5. No Sugar Tonight (Randy Bachman) - 2:39
6. Feel The Hurt - 5:18
7. Tomorrow - 3:04
8. Bow To The King - 5:39
All songs by Frank Ferrara, Frank Gilcken, Tony Diorio except where noted
Disc 4 - Music. Originally released 1973 with Bonus material
1. Windfare 3:09
2. Glad you’re Home - 3:08
3. Don’t need Nobody - 3:04
4. Page of my Life - 2:28
5. Love Sonnet - 3:14
6. Must be love - 2:54
7. Exactly Who I am - 3:39
8. Pearl and Her Ladies - 3:03
9. Little Boy Blue - 4:19
10.Brightness - 2:53
11.Another Town - 0:49
12.Slow Down - 2:39
13.Feels Nice - 2:59
14.Make me Pretty - 4:14
15.Radio Interview - 32:36
Bonus tracks 12-14 The Lost Singles
All songs by Frank Ferrara, Frank Gilcken, Tony Diorio

The Bang
*Frank Ferrara - Vocals, Bass
*Frank Gilcken - Guitars, Harmony Vocals
*Tony Diorio - Drums (Discs 1, 2)
*Jeffrey Cheen - Drums (Disc 3)
*Bruce Gary - Drums (Discs 3, 4)
*Duris Maxwell - Drums (Disc 3)
*Clydie King - Vocals (Disc 3)
*Sherlie Matthews - Vocals (Disc 3)
*Venetta Fields - Vocals (Disc 3)
*Donny Gerrard - Vocals (Disc 3)
*Pete Sears - Piano (Disc 4)

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Friday, May 8, 2026

rep>>> Sensory System - System (1974 denmark, solid blues based hard rock)



Danish early 70’s rock/bluesrock band with a parallel German career using the bandname System. Started out playing in the early 70’s, recording their first album in 1972 though it wasn’t released until 1974, In 1973 the band toured in Norway and W.Germany. In the 1974 their debut album was finally released, in Denmark as by Sensory System titled “Sensory!” and in W.Germany as selftitled “System”.

Their first album was partly recorded at Studio Maschen (just outside Hamburg) with the involvement of Achim Reichel. Sensory System played hard rock reminding me of the Alex Harvey Band and James Gang (and countless other “rock” groups, really). Massive amounts of electric guitar, creaky vocals and half-decent songs but never anything outstanding. 
Tracks
1. Red Man - 4:52
2. Never Knowing - 3:38
3. Experience, My Teacher - 5:58
4. While Nixon Plays The Piano - 5:05
5. Come On - 3:15
6. Biggan, Be Gone - 4:08
7. I'll Take You - 4:22
8. Winter's Over - 7:22
All songs by Brian Burr-Philipp, Flemming Bjergby, Rene Wulff, Jørgen Werner

System
*Brian Burr-Philipp - Lead Vocals, Harmonica, Acoustic Guitar
*Flemming Bjergby - Bass, Backing Vocals, Acoustic Guitar
*Rene Wulff - Drums, Percussion, Backing Vocals
*Jørgen Werner - Guitar, Vocals 
With
*Finn Ziegler - Violin
*Krishna Yarbrough - Guitar

Thursday, May 7, 2026

rep>>> Bacon Fat - Grease One For Me (1970 us, remarkable blues psych rock, 2004 remaster)



Bacon Fat, originally the Southside Blues Band, was a Los Angeles, California blues band noted for a dual-harmonica-driven, Chicago blues sound.

Following the breakup of the Dirty Blues Band in 1968, Rod Piazza and George “Harmonica” Smith, whom Piazza credits with putting him “straight on the chromatic harp,” formed the Southside Blues Band. The band toured with Big Mama Thornton and, in 1969, released “George Smith of the Blues” (or, “… Of The Blues”, as it appeared on the album cover) as ‘George “Harmonica” Smith & His Blues Band.’ Originally released on World Pacific, the album was reissued in 1974 by ABC/Bluesway (BLS 6029), and in Germany in 1987 on Crosscut (CCR 1015). Smith’s “Juicy Harmonica” from this album is regarded as a chromatic harmonica classic; indeed, Piazza covered “Juicy Harmonica” on “Grease One for Me.”

Recorded on February 27 and 28, 1969 in Hollywood, personnel on “… Of The Blues” are listed as Smith and “Lightnin’ Rod” (Piazza) on harmonicas; Richard Davis, trumpet ; Jim Wynn and Ed Davis, saxes; Robert Schedel, piano; Marshall Hooks and Arthur Adams, guitars; and Curtis Tillman, bass. The drummer is not listed.

Shortly after the release of “…Of The Blues”, British producer Mike Vernon persuaded the band to move to Blue Horizon and to change their name. The band renamed themselves Bacon Fat, the title of an Andre Williams recording. The lineup of the band at this time, in addition to Smith and Piazza, were Buddy Reed, guitar; Gregg Schaefer, guitar; JERRY SMITH, bass; Dick Innes, drums; and J. D. Nicholson, piano.

Vernon decided to first record an already-scheduled gig opening for, and backing up Pee Wee Crayton, November 16, 1969, at the “Bar Paradise A Go Go” (widely known as “Small’s”), a club at E53rd St and Avalon Blvd in South-Central LA. These tracks were subsequently released in 1986 by Blue Moon as “Live at Small’s Paradise” (BMLP 1.029).

The following day, November 17, 1969, was spent at the Eldorado Recording Studio in Hollywood, recording tracks for Bacon Fat’s first album, “Grease One for Me”. On the 18th, Bacon Fat, plus guitarists Pee Wee Crayton and Marshall Hooks recorded 8 tracks that were released as “No Time For Jive” under “George Smith.” Smith appears on only one track of “Grease One for Me”; Piazza does not appear at all on “No Time For Jive”. Mike Vernon, the producer of both albums, maintains that the segregation of Smith and Piazza on these releases was coincidence and, in hindsight, it was probably a mistake to lose the dual-harp format that had made Southside/Bacon Fat successful in the first place.

A tour of Europe to promote both “Grease One for Me” and “No Time For Jive”, originally planned for May, was delayed until November, 1970. While in the UK, Bacon Fat recorded the tracks for their second album. The sale of the Blue Horizon label to Polydor by CBS delayed the release of “Tough Dude” until March, 1971, allowing the excitement generated by the tour to fade. Bacon Fat broke up sometime in 1971.
Tracks
1. Up the Line (Walter Jacobs, Willie Dixon) - 4:13
2. Boom Boom (Out Goes the Lights) (Stanley Lewis) - 3:46
3. Small's on 53rd (Rod "Gingerman" Piazza) - 3:45
4. She's a Wrong Woman (Rod "Gingerman" Piazza) - 5:22
5. I Need Your Love (J.D. Nicholson) - 3:45
6. Juicy Harmonica (Jerry Smith) - 3:53
7. Nobody but You (Walter Spriggs) - 2:12
8. Telephone Blues (Jerry Smith) - 5:57
9. You're So Fine (Walter Jacobs) - 3:08
10.Too Late (Willie Dixon) - 5:58

The Bacon Fat
*Rod "Gingerman" Piazza - Harp, Vocals
*George "Harmonica" Smith - Harp, Vocals
*Buddy Reed - Guitar, Vocals
*Gregg Schaefer - Guitar
*J.D. Nicholson - Vocals, Piano
*Jerry Smith - Bass
*Dick Innes, Jr. - Drums

1971  Bacon Fat - Tough Dude (2004 reissue)
Related Acts
1967-68  Dirty Blues Band - Dirty Blues Band / Stone Dirt (2007 remaster)
1970  George Smith And Bacon Fat - The Complete Blue Horizon Sessions (2006 reamster)

Wednesday, May 6, 2026

rep>>> The Who - A Quick One (1966 uk, classic second album, 2008 japan SHM-CD double disc box remaster)



In 1966 The Who's 2nd Album, A Quick One, marked a change in The Who's recording approach, and although re-recording songs that had previously been cut with Shel Talmy and discovering stereo as everyone was at the time, the addition of the Mini Opera demonstrated the path the band would eventually be taking.

Kit's early days in production used a lot of compression and plenty of mid-range EQ so re- mastering from these original mixes one is tempted to find some top and bottom (if it exists!) and to diminish the hard mid frequencies. However, in this collection, I have tried to be true to the period, so very little EQ has been used.

One or two things, like the "Ready, Steady, Who" tracks have been softened a little in the mids to help them fit and the opposite, of course, has been applied to the mixes that Andy MacPherson and I did in '90s~'00s which we have had to use where original stereo mixes do not exist.

The Stereo mixes from that period mainly come from the German Polydor archives; however the original stereo German Quick One LP tapes sound a little better than the tapes for the LP "The Who" where the stereo 'I'm A Boy' and 'In The City' came from.

I have spent some time finding the best-sounding tapes (and there are a lot of tapes) for this compilation but one or two things like a decent sounding Circles, Substitute (US Single version), and I'm A Boy (Alternate version) have been hard to find.

However plenty of original mixes were found. These tapes, like the mono and stereo LP mixes, were played on a slightly modified Ampex ATR and the only EQ used was analogue with a Manley Massive Passive or the Prism/Maselec MEA-2. I also used a Maselec 3 x band compressor on some of the newer mixes to age them a little.

The conversion to digital at 96k / 24bit is then through DCS converters and the last stage is through the TC 6000 where a little more volume is gained with the 5 band compressor / limiter before being recorded into my Sadie 5 system where the editing and any digital processing like de- click and retouch is done.

The Sadie processing does a very nice 96 to 44.1 conversion and finally the 24 bit audio is dithered down to 16 using Daniel Weiss's POW-r plug in.

Error-free DDP files are then burnt within the Sadie computer to a DVD-r to send off for replication.
by Jon Astley,  2008
Disc 1   Mono 
1. Run Run Run - 2:31
2. Boris The Spider - 2:28
3. I Need You - 2:24
4. Whiskey Man - 2:56
5. Heat Wave (Brian Holland, Edward Holland, Jr., Lamont Dozier) - 1:55
6. Cobwebs And Strange - 2:29
7. Don't Look Away - 2:52
8. See My Way - 1:52
9. So Sad About Us - 3:01
10.A Quick One, While He's Away - 9:07
11.Substitute - 3:47
12.Circles - 2:28
13.I'm A Boy - 2:37
14.In The City (John Entwistle, Keith Moon) - 2:22
15.Batman (Don Altfeld, Fred Weider, Jan Berry) - 1:25
16.Bucket T (Dean Torrence, Don Altfeld, Roger Christian) - 2:08
17.Barbara Ann (Fred Fassert) - 1:58
18.Disguises - 3:10
19.Happy Jack - 2:11
20.I've Been Away - 2:07
21.Substitute (US Single Version) - 2:57
22.I'm A Boy (Alternate Version) - 3:17
23.Batman (Instrumental) (Don Altfeld, Fred Weider, Jan Berry) - 1:12
24.Happy Jack (Acoustic Version) - 2:52
25.Happy Jack (Alternate Mix) - 2:13
Songs 1,7,9,10,11,12,13,18,19,21,22,24,25 written by Pete Townshend
Songs 2,20 written by John Entwistle
Songs 3,6 written by Keith Moon
Songs 4,8 written by Roger Daltrey
Disc 2 Stereo
1. Run Run Run - 2:43
2. Boris The Spider - 2:27
3. I Need You - 2:22
4. Whiskey Man - 2:56
5. Heat Wave (Brian Holland, Edward Holland, Jr., Lamont Dozier) - 1:53
6. Cobwebs And Strange - 2:29
7. Don't Look Away - 2:52
8. See My Way - 1:51
9. So Sad About Us - 2:58
10.A Quick One, While He's Away - 9:09
11.I'm A Boy - 2:36
12.In The City (John Entwistle, Keith Moon) - 2:21
13.Batman (Don Altfeld, Fred Weider, Jan Berry) - 1:34
14.Bucket T (Dean Torrence, Don Altfeld, Roger Christian) - 2:07
15.Barbara Ann (Fred Fassert) - 1:57
16.Disguises - 3:19
17.I've Been Away - 2:07
18.Man With Money (Don Everly, Phil Everly) - 2:43
19.My Generation • Land Of Hope And Glory (Pete Townshend • Edward Elgar, Arthur C. Benson) - 2:04
20.I'm A Boy (Alternate Version) - 3:43
Songs 1,7,9,10,11,16,20 written by Pete Townshend
Songs 2,17 written by John Entwistle
Songs 3,6 written by Keith Moon
Songs 4,8 written by Roger Daltrey

The Who
*Roger Daltrey – Vocals, Trombone
*Pete Townshend – Guitar, Vocals, Keyboards
*John Entwistle – Bass Guitar, Keyboards, Horns, Vocals
*Keith Moon – Drums, Percussion, Vocals, Tuba

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Tuesday, May 5, 2026

rep>>> Flaming Youth - Ark 2 (1969 uk, wonderful pleasant concept baroque psych early prog, with young Phil Collins, 2004 edition)



This was one of the great albums of the sixties - brilliantly melodic, original and intelligent - but known till now only to a small band of passionate cognoscenti.

ARK 2 was the first 'concept album' - a 'space cantata' (though that makes it sound inaccessible and pretentious, which it is far from being). Written by the UK songwriting team whose success, according to The Penguin Encyclopedia of Popular Music, was 'rivalled only by Lennon & McCartney': Ken Howard and Alan Blaikley, both from Hampstead, London.

Though brilliantly reviewed in the music and rock press of the time (it was Sunday Times Rock Album of the Year in 1969), the BBC did not know what to make of it: there were no radio or TV slots for an extended rock work at the time. So it remained largely unheard except by those who sought it out.

It is noteworthy for the first appearance on disc of Phil Collins, but (Flash) Gordon Smith, Brian Chatton and Ronnie Caryl each contributed their own fantastic musicianship and vocal power.

As can be seen from the original 'sleeve notes', ARK 2, nearly forty years ago, was extraordinarily prescient, anticipating many of today's private and global dilemmas and anxieties.

"After a while, supporting John Walker of The Walker Brothers, Collins and his guitarist friend Ronnie Caryl formed Hickory who soon found themselves with a concept album, the backing of Phonogram, and a new name, Flaming Youth.

Their album Ark II, was premiered at the London Planetarium and received lots of favourable press, but musical differences and a lack of commercial success soon meant it was time to answer another Melody Maker ad, this time from a struggling young band from Surrey, called Genesis."
Tracks
1. Guide Me, Orion - 3:16
2. Earthglow - 2:52
3. Weightless - 2:37
4. The Planets - 12:47
.a. Mars - Bringer Of War
.b. Venus - Bringer Of Peace
.c. Mercury - The Winged Messenger
.d. Jupiter - Bringer Of Jollity
.e. Saturn - Bringer Of Old Age
.f. Uranus - The Magician
.g. Neptune - The Mystic
5. Changes - 5:48
6. Pulsar - 3:05
7. Space Child - 5:10
8. In The Light Of Love - 3:26
9. From Now On (Immortal Invisible) - 4:19
10.Man, Woman And Child - 3:14
11.Drifting - 3:52
All songs written by Ken Howard, Alan Blaikley
Bonus Tracks 10-11

The Flaming Youth
*Phil Collins - Drums, Percussion, Vocals
*Ronnie Caryl - Bass, 12-string Guitar, Vocals
*(Flash) Gordon Smith -  Bass, Vocals, Guitars
*Brian Chatton - Organ, Piano, Vocals

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Monday, May 4, 2026

Bunky And Jake - Bunky And Jake (1968 us, wondrous shiny baroque folk, 2007 issue)



Of interest to both Greenwich Village scene, as well as Nuggets completists, Andrea “Bunky” Skinner and Allan “Jake” Jacobs, started out in the early’60s as coffee house folkies, but recorded their ’68 debut, only after Jake’s short stints with Gordon and Bonner’s Magicians (of Invitation To Cry fame) and The Fugs.

An audition for The Magicians’ former managers Art Polhemus and Bob Wyld, brought a recording contract with Mercury, instead of the desired songwriting publishing deal, which explains the kaleidoscopic diversity of material featured on the album.

What I find the most entertaining myself, are the good-time flavoured ones, by the intelligently laid back way of The Sopwith Camel (I’ll Follow You, Daphne Plum, Big Car, Shiny Ring, The Candy Store). A couple of orchestrated “trackaracks”, (Country Girl, Hey Buckaroo, As You Go By) come as a prove that they’d do a great job, had they been chosen for the initially planned Brill Building partnership instead.

There’s also a pair of Mersey-ish Macca-like ballads (It Happens Again, Cheerio), with a light jazzy feel to them, as well as an occasional touch of country, through the pedal steel, but they sure can get quite fuzzed up and noisy as well, as heard on the sunny side of their debut single Taxicab, coming off as a kind of a twee Buffalo Springfield (think halfway between and The Byrds’ … Rock’n’roll Star), though the heaviest they get is in an almost proggy instrumental track called Moongoose.

Not really one of those “overlooked masterpieces”, but sure enough more than just a footnote in collectors’ books.
by Garwood Pickjon, March 14, 2008 
Tracks
1. I'll Follow You - 2:00
2. It Happens Again - 2:36
3. Daphne Plum - 2:42
4. Country Girl - 2:14
5. Hey Buckaroo - 2:25
6. Taxicab - 2:38
7. As You Go By - 2:37
8. Big Car, Shiny Ring - 1:57
9. Mongoose - 1:25
10.Cheerio - 2:25
11.The Candy Store - 3:50
All songs by Andrea "Bunky" Skinner, Allan "Jake" Jacobs

Musicians
*Andrea "Bunky" Skinner - Guitar, Vocals
*Allan "Jake" Jacobs - Guitar, Vocals

1969  Bunky And Jake - L.A.M.F. (Japan issue)

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rep>>> Bunky And Jake - L.A.M.F. (1969 us, magnificent folk jazzy blues psych, japan issue)



If you're looking for a group that embodies that mid-'60s hippy vibe, then you should find the eclectic Bunky & Jake right up your aural alley.   For goodness sakes, how much more counter culture can you get than a young Jewish singer/guitarist teaming with a young, attractive, streetwise African-American woman; the pair deciding to name their second album "L.A.M.F" 

Allan Jacobs (aka Jake) and Andrea Skinner (aka Bunky) met in 1962 when the pair were attending New York's School of Visual Arts.   Discovering a common interest in music (they'd both sung in New York doo-wop groups), the pair started playing on the Greenwich Village coffeehouse circuit, attracting local attention.   In 1965 Jacobs joined The Magicians who recorded a couple of singes before calling it quits.    Following a brief turn with a late-inning line up of The Fugs in 1968 he resumed his partnership with Skinner.   Later that year the pair auditioned some of their material for former Magicians managers Art Polhemus and Bob Wyld who signed on as their managers. With the addition of  bassist  Douglas Rauch and drummer Michael Rosa, in 1968 the group was signed by Mercury Records.

Co-produced by Polhemus and Wyld, 1969's "L.A. M.F." was clearly influenced by their doo-wop and folk music roots, but was far more eclectic than what you would have expected from a bunch of New York-based folkies.   Interestingly, while Jacobs and Skinner both had decent voices (the former occasionally sounding a bit like a dry version of John Sebastian), with the exception of 'I Am the Light' their voices didn't pair all that well.  The good news was their vocals were so energetic and the arrangements so goofy, that it made up for whatever other shortcomings they exhibited.  Musically the set was all over the place, giving the album a very contemporary "Ameicana" feel.  Tracks like 'Big Boy Pete' highlighted their doo-wop roots,  but the pair were equally comfortable with gospel ('I Was a Champion'), and more commercial pop and rock numbers like 'Uncle Henry's Basement' and a blazing cover of Chuck Berry's '(Slow Down Little Jaguar) County Line'.  About all I can say is the results are disjointed, but fascinating.

In 2004 the duo released a children's album Oo-Wee Little Children, on their own B'n'J Music label. Andrea Skinner died on Sunday, March 20, 2011 after a brief illness. In October 2012, Jacobs released a new collection of songs on a 16-song CD entitled A Lick and a Promise by Jake and the Rest of the Jewels.
by Scott Blackerby
Tracks
1. Uncle Henry's Basement (Allan Jacobs) - 2:09
2. If I Had A Dream (Allan Jacobs, Andrea Skinner) - 2:29
3. (Slow Down Little Jaguar) County Line (Chuck Berry) - 3:06
4. Girl From France (Allan Jacobs)  - 2:39
5. You Two (Chuck Berry) - 1:36
6. Big Boy Pete (Don "Sugarcane" Harris, Dewey Terry) - 2:24
7. "Oh" Pearl (Allan Jacobs) - 4:29
8. Bump In My Groove (Allan Jacobs) - 3:34
9. I Am The Light (Gary Davis, Allan Jacobs, Andrea Skinner) - 3:59
10.Cadillac Bleu (Andrea Skinner)  - 3:22
11.One More Cowboy (Allan Jacobs, Andrea Skinner) - 3:15
12.I Was A Champion (Allan Jacobs, Andrea Skinner) - 4:05

Musicians
*Andrea Skinner (Aka Bunky) - Vocals, Guitar
*Allan Jacobs - Vocals, Lead Guitar
*Douglas Rauch - Bass
*Michael Rosa - Drums, Percussion
*Ray Barretto - Congas
*Charlie Chin - Sax
*Ernie Hayes - Piano
*Buzzy Linhart - Vibes
*Mike Matthews - Organ
*Felix Pappalardi - Bass
*Chuck Rainey - Bass
*Perry Robinson - Clarinet

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Saturday, May 2, 2026

rep>>> Ross - The Pit And The Pendulum (1974 uk, fine classic rock with prog shades, 2019 remaster)



Ross second and last album ‘The Pit And The Pendulum’ (despite what is written on the OBI strip of this Korean edition), was a concept album based on Edgar Allan Poe’s lovely tale of torture during the Spanish inquisition. This album isn’t as scary as the Poe novel except for the back cover photo when we see the band dressed as monks. The album is progressive UK rock ala Paladin and Rare Earth with R&B elements. Bob Jacksons keyboard work is a delight, particularly on the haunting ‘Standing Alone’ and moments of nicely executed hard prog brilliance on side twos stunner ‘Discovery’ which features Jackson on lead vocals. 

Alan Ross gives us the heavy instrumental 2 minute track ‘The Edge’. This is probably one of the best tracks Ross ever recorded so it’s a shame the band never got the chance to record a third album. After the release of the album the band did an appearance on ‘Don Kirchners Rock Concert’ and went out as support act on a high profile tour with another RSO artist namely Eric Clapton. Things looked bright for the band but then mid-tours Bon Jackson left and leaving an untimely end to the band. Jackson would later show up in Badfinger while Alan Ross would show up on Stars self titled album in 1976 before releasing 2 albums in 1977 and 1978 on Ebony records under the name Alan Ross Band. 

Ross has never been given deserved kudos from critics or the prog community at large which is a shame. Edgar Alan Poes novels and even old AIP movies made out of his stories have always been an interest of mine so I still give this album a spin every now and then. It’s a very well done concept album with a solid musicianship and some really nice tunes, of course there are a few fillers like most album, but overall a pleasure to listen to. 
TPL Recs
Tracks
1. Swallow Your Dreams - 4:22
2. Gotta Get It Right Back - 4:13
3. Madness In Memories - 5:25
4. Standing Alone - 4:05
5. Discovery (Bob Jackson) - 4:38
6. Now I See - 4:10
7. So Slow - 3:58
8. The Edge - 2:04
9. Nearer And Nearer - 3:58
10.Free - 0:59
11.I've Been Waiting - 5:41
12.Oh I'm Happy Now (Alan Ross, Edgar Allan Poe) - 2:13
All songs by Alan Ross

Musicians
*Alan Ross - Guitars, Lead Vocals
*Steve Emery - Bass, Background Vocals
*Bob Jackson - Keyboards, ARP Synthesizer, Backround Vocals, Lead Vocals (Track 5)
*Tony Fernandes - Drums
*Reuben White - Percussion
*Jack Nitzsche - String Orchestration