Plain and Fancy

1971 Amazing Blondel - Fantasia Lindum

Sunday, May 11, 2025

Amazing Blondel - Bad Dreams (1976 uk, pleasant soft rock, 2009 remaster)

Bad Dreams came out 1976 ιn record stores. The album achieved critical acclaim and the band continued recording and playing for two years after Bad Dreams. Certain tracks became standards in the live set from Bad Dreams including "Give me a chance" and "Call it a night".

Tracks

1. Give Me A Chance - 3:10

2. Big Boy - 3:42

3. One Bad Dream - 4:05

4. Until I See You Again - 2:55

5. It's Got To Be A Girl - 3:37

6. I'll Go The Way I Came - 3:19

7. Wait For The Day - 3:12

8. Liberty Belle - 5:03

9. The Man That I Am - 2:40

10. Call It A Night - 3:04

All songs by Eddie Baird except track #8 by Terry Wincott

Amazing Blondel

*Edward Baird - Guitars, Vocals

*Terence Wincott - Guitar, Keyboards, Flute, Vocal

With

*Mickey Feat - Bass

*John Gilston - Drums

*Dave Skinner - Piano

1973 Amazing Blondel - Blondel
1974 Amazing Blondel - England

1974 Amazing Blondel - Mulgrave Street (2009 japan remaster)

1975 Eddie Baird - Hard Graft ( 2015 edition)

Saturday, May 10, 2025

Ambrosia - Ambrosia (1975 us, a masterful act with progressive refinement, shifting to blue-eyed soul and yacht rock)

Although they would become better known for smooth AOR ballads like "How Much I Feel," Ambrosia first made their name with this album of progressive rock with a pop music twist. Its songs skillfully blend strong melodic hooks and smooth vocal harmonies with music of an almost symphonic density. Good examples of this crossbreeding are "Drink of Water," which sounds like the Beach Boys tackling a Pink Floyd space rock epic, and "Nice, Nice, Very Nice," which utilizes a combination of stately close-harmony vocals and dynamic instrumental breaks to put forth a clever lyric derived from a Kurt Vonnegut novel.

The complexity of the music is further highlighted by its crystal-clear sonic landscape, mixed by Alan Parsons, which highlights unique touches like the use of a Russian balalaika ensemble and 300-year-old Javanese gongs on "Time Waits for No One." Despite this prog rock ambitiousness, the group is smart enough to avoid letting their instrumental chops take precedence over their music's melodic content: They keep their songs succinct and punchy (nothing extends over six-and-a-half minutes) and they infuse tunes like "Lover Arrive" and the radio favorite "Holdin' on to Yesterday" with a delicate sense of pop songcraft that makes the group's cinematic sound easy for listeners to assimilate. The end result is an album that is intricate enough to please prog rock addicts but catchy enough to win over a few pop fans in the process. Though Ambrosia would go on to score bigger hits later in their career, this is definitely their most cohesive and inspired album.

by Donald A. Guarisco

Tracks

1. Nice, Nice, Very Nice (Burleigh Drummond, Christopher North, David Pack, Joe Puerta, Kurt Vonnegut Jr.) - 5:55

2. Time Waits For No One (Burleigh Drummond, Christopher North, David Pack, Joe Puerta) - 4:53

3. Holdin' On To Yesterday (David Pack, Joe Puerta) - 4:19

4. World Leave Me Alone (David Pack) - 3:18

5. Make Us All Aware (Burleigh Drummond, Christopher North, David Pack, Joe Puerta) - 4:29

6. Lover Arrive (David Pack) - 3:11

7. Mama Frog (Burleigh Drummond, Christopher North, David Pack, Joe Puerta) - 6:05

8. Drink Of Water (Burleigh Drummond, Christopher North, David Pack, Joe Puerta) - 6:29

Ambrosia

*Burleigh Drummond - Drums, Percussion, Vocals

*Christopher North - Keyboards, Vocals

*David Pack - Guitar, Keyboards, Vocals

*Joe Puerta - Bass, Guitar, Vocals

With

*Andy Toth - Violin

*Chuck Girard - Violin

*Fletch Wiley - Violin

*Daniel Kobialka - Violin

*Ian Underwood - Saxophone

*James Newton Howard - Synthesizer Programming

*Jim West - Violin

*Keith Johnson - Violin

*Michael Granger - Synthesizer Programming

*Ruth Underwood - Marimba

*Splash Price - Violin

1971 Nektar - Journey To The Centre Of The Eye (2013 SHM double disc remaster)

Thursday, May 8, 2025

Nektar - Live In New York (1974-77 uk, stunning hard driving prog rock, 2004 SACD and 2013 japan SHM double disc remasters)

The fact that this was Nektar's first tour of the USA, and that this show was broadcast over the radio thanks to New York's WNEW (then THE radio station for rock music), helped make this show all the more memorable, but how about the music? Well, many of their early classics were played, and even some tunes from the just released Down to Earth album, and the soon to be released Recycled.

The first CD contains a scorching rendition of part one of "Remember the Future", perhaps the best ever live version available of this song, with Roye Allbrighton's guitar work really shining throughout, as well as Taff Freeman's keyboard playing. There's the bouncy and fun "Astral Man" from the Down to Earth album, as well as the proggy tunes "Marvellous Moses" and "It's All Over", both in their early incarnations before they made their album debuts the following year on Recycled. Fans of the hard rock sounds heard on ...Sounds Like This will enjoy the bombastic riffs of "Good Day" (aah, that classic guitar & organ combo) , powerfully performed here, and including an especially passionate vocal delivery from Allbrighton. This disc closes with two more numbers from the Down to Earth album, "That's Life" and "Show Me the Way", the former an aggressive rocker that is fueled by Allbrighton's insistant guitar riffs and the driving rhythm section of bassist Mo Moore and drummer Ron Howden, the latter a more melodic piece that uncovers many layers and styles of the band.

CD 2 kicks off with the heavy rock of "A Day in the Life of the Preacher", a song from the ...Sounds Like This album that hints at a slight nod to contemporaries like Deep Purple and Uriah Heep with its muscular guitar work, raging Hammond organ, and wailing vocals. A Tab in the Ocean's brilliant "Desolation Valley" follows, echoing all sorts of powerful and majestic nuances, only to segue into part two of "Remember the Future", with Freeman ripping into a nimble solo that starts on the Moog, and then moves to Hammond, while Allbrighton lays down some funky rhythm guitar licks. Closing out this disc is the mind-numbing "Crying in the Dark/King of Twilight", which kick off the encores that also include "Woman Trouble" and a 50's medley that also has Down to Earth's "Fidgety Queen" thrown in for good measure. It's an exhaustive and exhilarating experience, and with the exception of missing out on Mick Brockett's light show, you feel as if you were there in attendance back in 1974.

Quite simply, this is one of the best live albums you can get your hands on, and if you have a SACD Surround Sound player, I'm sure the experience can be even more fulfilling. A mandatory, must-have release for Nektar fans and lovers of hard-driving prog rock.

by Pete Pardo, November 6th 2004

Tracks

Disc 1

1. Introduction / Astral Man - 4:01

2. Remember The Future (Part One) Start - 9:56

3. Remember The Future (Part One) Conclusion - 7:44

4. Marvelous Moses - 8:36

5. It's All Over - 5:26

6. Good Day - 6:47

7. That's Life - 6:30

8. Show Me The Way - 6:28

All songs by Roye Albrighton, Ron Howden, Alan Freeman, Derek Moore

Disc 2

1. A Day in the Life of a Preacher - 15:42

2. Desolation Valley - 9:57

3. Remember The Future (Part Two) - 8:14

4. I Can See You - 7:43

5. King of Twilight - 10:01

6. What Ya Gonna Do? (Woman Trouble) - 4:06

7. Medley: Johnny B. Goode / Sweet Little Rock & Roller / Blue Suede Shoes / Whole Lotta Shakin' Goin' On (Chuck Berry / Carl Perkins / Dave Williams) - 6:54

8. Fidgety Queen - 5:49

All songs written by Roye Albrighton, Ron Howden, Alan Freeman, Derek Moore except where noted

Recorded live at The Academy of Music, New York City on September 28, 1974

Tracks

Disc 1

1. Introduction - 1:02

2. Astral Man - 2:57

3. Remember the Future, Part One - 16:14

4. Marvellous Moses - 8:35

5. It's All Over Now / Good Day - 12:13

6. That's Life - 6:28

7. Show Me the Way - 6:27

All compositions by Roye Albrighton, Ron Howden, Alan Freeman, Derek Moore

Disc 2

1. A Day in the Life of a Preacher - 15:42

2. Desolation Valley - 9:57

3. Remember The Future (Part Two) - 8:14

4. I Can See You - 7:43

5. King of Twilight - 10:01

6. What Ya Gonna Do? (Woman Trouble) - 4:06

7. Medley: Johnny B. Goode / Sweet Little Rock & Roller / Blue Suede Shoes / Whole Lotta Shakin' Goin' On (Chuck Berry / Carl Perkins / Dave Williams) - 6:54

8. Fidgety Queen - 5:49

All songs written by Roye Albrighton, Ron Howden, Alan Freeman, Derek Moore except where noted

Recorded live at The Academy of Music, New York City on September 28, 1974.

Nektar

*Roye Albrighton - Lead Vocals, Guitars

*Alan Freeman - Keyboards, Backing Vocals

*Ron Howden - Drums, Percussion

*Derek Moore - Bass, Backing Vocals

1972 Nektar - A Tab in the Ocean (2013 japan SHM two disc set)

1973 Nektar - ...Sounds Like This (2005 double disc remaster)

1974 Nektar - Sunday Night At London Roundhouse (2002 double disc)

1974 Nektar - Down To Earth (2013 japan SHM remaster)

1972 Joe Walsh - Barnstorm (2011 japan SHM remaster)

Joe Walsh - The Smoker You Drink The Player You Get (1973 us, the quirky, open-minded nature of this album shows a genuine progressive instinct at work, 2009 HDCD)

Because Joe Walsh has never been a critic’s darling, we sometimes forget he holds a lofty place in the eyes of fellow musicians. Rock royalty like Jimmy Page, Pete Townshend, and Eric Clapton have all heaped praise on what they call Walsh’s intelligent, fluid, and melodic guitar style. And there’s no better example of his instrumental eloquence than The Smoker You Drink, the Player You Get. From his slide-guitar mastery and early adoption of the Heil Talk Box effect on “Rocky Mountain Way” to the lilting twelve-string figures and soaring solos of “Wolf,” Walsh proves he possesses the chops for fiery flash as well as seductive subtlety. The album’s only notable flaws: Occasional corny and awkward lyrics on tracks like “Dreams” and “Happy Ways.” Yet in spite of Walsh’s legendary on- and off-stage craziness, he retains a discipline in the studio and allows his colleagues plenty of room to shine here. This well-balanced record satisfies from beginning to end.

While advertised by ABC-Dunhill as a Walsh solo effort, The Smoker You Drink, the Player You Get remains very much the work of Walsh and his talented band, Barnstorm. His previous outings with the James Gang garnered good notices, but Walsh meshes better with drummer and long-time friend Joe Vitale, bassist Kenny Passarelli, and keyboardist Rocke Grace. On this, the ensemble’s second LP, producer Bill Szymczyk and the band recorded at three locations: Caribou Ranch Studios in Nederland, Colorado, the Record Plant in Los Angeles, and Criteria Studios in Miami.

After several months, they netted a sonically outstanding effort. Szymczyk and Walsh provide a stellar example of how to apply just enough spit and polish at the mixing console without sacrificing the live impact of a four-piece rock band. The soundstage seems appropriately big on expansive cuts (“Meadows”) while mellower numbers (“Days Gone By”) harbor a rich midrange that glows with fire-side warmth. Vitale’s drum kicks and Passarelli’s bass runs rattle the walls just like they would in a small club, but the judicious isolation and careful microphone placement ensure Grace’s keyboards and Walsh’s guitar fills never get lost in the mix. The original pressing of The Smoker You Drink, the Player You Get was mastered by Sterling Sound’s Lee Hulko.

by Vance Hiner, 2016

Tracks

1. Rocky Mountain Way (Kenny Passarelli, Joe Vitale, Joe Walsh, Rocke Grace) - 5:03

2. Bookends (Joe Vitale) - 2:49

3. Wolf - 3:08

4. Midnight Moodies (Rocke Grace) - 3:39

5. Happy Ways (Buddy Zoloth, Kenny Passarelli) - 2:40

6. Meadows - 4:05

7. Dreams - 5:38

8. Days Gone By (Joe Vitale) - 5:22

9. Daydream (Prayer) - 2:02

All songs by Joe Walsh except where stated

Musicians

*Joe Walsh - Lead Vocals, Guitar, Keyboards, Synthesizer

*Kenny Passarelli - Bass, Vocals

*Joe Vitale - Drums, Flute, Vocals, Keyboards, Synthesizer

*Rocke Grace - Keyboards, Vocals

With

*Joe Lala - Percussion

*Clydie King, Venetta Fields - Vocals

1974 Joe Walsh - So What (2015 SACD)

1971 James Gang - Live in Concert (2010 SHM)

1974 Joe Walsh - So What (2015 SACD)

Wednesday, May 7, 2025

Joe Walsh - Barnstorm (1972 us, adventurous with fat guitars keyboards, beautiful choruses, country tinges, and pastoral pop hooks, 2011 japan SHM remaster)

Joe Walsh is one of those artists that will always be remembered for classic rock radio hits Funk #49, Rocky Mountain Way, and Life’s Been Good. Then of course was his memorable stint in the Eagles, which yielded the highly successful Hotel California album. He was one of the prime architects of the classic rock sound and his radio smashes are stilled played every day at the top of each hour. Prior to the Eagles and Rocky Mountain Way, Joe Walsh made great music with the James Gang (Rides Again is one of the great classic rock LPs) and this, his first solo album from 1972, Barnstorm (the group is often referred to as the Barnstormers).

The Barnstorm group was put together shortly after Walsh left the James Gang. The songs were recorded in Nederland, CO with the help of bassist Kenny Passarelli and drummer Joe Vitale, the latter had played with Walsh in 60s garage band the Measles. The trio recorded an album that rocks hard at times but also has a strong roots/country flavor. It’s a unique disc in Walsh’s varied discography, as he would never record anything like Barnstorm again. Turn To Stone, the hardest rocker on the album, holds up pretty well and is similar to something the James Gang might have recorded in 1970. Walsh would revisit this excellent track on 75’s So What but I feel the version heard here sounds best. Most of the album is earthy roots rock that retains powerful classic rock-like hooks, just listen to the album’s closing cut Comin’ Down. Here you have just Walsh’s vocals, guitar and harmonica but moving stuff nonetheless. My favorite cuts on the album are Home, I’ll Tell The World About You, the psychedelic country rocker Midnight Visitor and the classic Americana of Birdcall Morning. The latter is truly amazing, highlighted by sparkling acoustic guitars and some rustic slide work - it should have been a radio anthem.

Barnstorm contains imaginative music, wonderful guitar solos, unique songwriting, great ensemble playing and sharp humor “ really Joe Walsh at his best. Some songs have synth and hit a more experimental vibe but they work well in the context of this album. Barnstorm is a masterpiece, a must hear for fans of country influenced hard rock. Every track is worth multiple spins and listeners will immediately identify with the amount of thought and care put into each song and guitar solo. It goes without saying that this record is a lost classic.

by Jason Nardelli, April 19th, 2010

Tracks

1. Here We Go - 4:58

2. Midnight Visitor - 3:13

3. One and One - 1:15

4. Giant Bohemoth (Joe Vitale, Joe Walsh) - 4:19

5. Mother Says (Kenny Passarelli, Joe Vitale, Joe Walsh) - 6:14

6. Birdcall Morning - 3:42

7. Home - 2:53

8. I'll Tell the World (Alan Gordon, Allan Jacob) - 3:54

9. Turn To Stone (Terry Trebandt, Joe Walsh) - 5:16

10.Comin' Down - 1:54

All songs by Joe Walsh except where noted

Personnel

*Joe Walsh - Lead Vocals, Guitar, Keyboards, Synthesizer

*Kenny Passarelli - Bass, Vocals, Guitar

*Joe Vitale - Drums, Percussion, Vocals, Keyboards, Flute

With

*Paul Harris - Piano, Background Vocals

*Al Perkins - Pedal Steel Guitar

*Chuck Rainey - Bass

*Bill Szymczyk - Background Vocals

1971 James Gang - Live in Concert (2010 SHM)

1971 April Wine - April Wine (2008 edition)

Tuesday, May 6, 2025

April Wine - First Glance (1978 canada, solid aor classic rock, 2008 remaster)

In 1977, armed with an additional brand new guitarist named Brian Greenway, April Wine signed a worldwide deal with Capitol-EMI.

Myles Goodwyn, who produced First Glance, decided that this would be a true "rock" record, with no soft rock or easy listening music on it.

The album's third single, Roller, was considered too heavy to be released as a single, but in an extremely unusual move, the programmers at a radio station in Flint, Michigan, took it upon themselves to play the song anyway. Roller immediately became a top request number, and the song eventually became a Top 30 hit in the U.S.

First Glance became April Wine's first gold record outside Canada, and this album is credited with bringing "Canada's best kept secret" out into the open.

Although no official cause of death has been announced Stephen Keith Lang reportedly suffered from Parkinson's diseaseand died on February 4, 2017, at the age of 67. Myles Francis Goodwyn died at age 75 on December 3, 2023, in Halifax. No cause of death was officially announced.

Tracks

1. Get Ready for Love - 3:14

2. Hot on the Wheels of Love (Myles Goodwyn, Steve Lang) - 4:25

3. Rock n' Roll is a Vicious Game 3:10

4. Right Down to It (Brian Greenway) - 3:03

5. Roller - 4:19

6. Comin' Right Down on Top of Me - 4:10

7. I'm Alive - 2:55

8. Let Yourself Go - 2:56

9. Silver Dollar - 5:14

All songs by Myles Goodwyn except where noted

April Wine

*Myles Goodwyn - Lead, Background Vocals, Guitar, Keyboards

*Steve Lang - Bass, Background Vocals

*Brian Greenway - Lead, Background Vocals, Guitar, Slide Guitar, Harmonica

*Jerry Mercer - Drums, Percussion

*Gary Moffet - Guitar, Slide Guitar

1972 The Wackers - Shredder (2005 remaster)

Sunday, May 4, 2025

April Wine - April Wine (1971 canada, raw classic rock, 2008 edition)

A staple of Canadian classic rock, April Wine was one of the most popular and commercially successful Canadian rock bands of the 1970s and early 1980s. They had 5 platinum or multi-platinum albums in Canada, 21 Top 40 singles, and received 10 Juno Award nominations, including 7 for group of the year between 1975 and 1983. Their radio-friendly arena rock sound was characterized by strong melodies, catchy, muscular guitar riffs, and sentimental pop ballads. They have been inducted into the Canadian Music Industry Hall of Fame, the Canadian Music Hall of Fame and Canada’s Walk of Fame.

April Wine was formed in Halifax in 1969 and moved to Montreal in early 1970. Original members were Myles Goodwyn (vocals, lead guitar), brothers David Henman (guitar, vocals) and Ritchie Henman (drums), and their cousin Jimmy Henman (bass, vocals). They chose the name April Wine because they liked the way it sounded. The band went through numerous configurations over the years, and Goodwyn — who was also the main songwriter — was the only consistent member.

April Wine had a minor Canadian hit off of their self-titled 1971 debut album with “Fast Train.” Jim Henman left the band and was replaced by bassist and vocalist Jim Clench.

by Steve McLean, August 29, 2013

Tracks

1. Oceana (David Henman) - 4:54

2. Can't Find The Town (Jim Henman) - 3:45

3. Fast Train (Myles Goodwyn) - 3:21

4. Listen Mister (Myles Goodwyn) - 5:35

5. Page Five (David Henman) - 6:03

6. Song For Mary (Jim Henman) - 4:08

7. Wench (David Henman, Jim Henman, Myles Goodwyn, Richie Henman) - 4:04

8. Time (Jim Henman) - 3:46

April Wine

*David Henman - Vocals, Guitar, Sitar

*Jim Henman - Vocals, Bass, Acoustic Guitar

*Myles Goodwyn - Vocals, Guitar

*Richie Henman - Percussion, Keyboards

With

*Franki Hart - Vocals (Track 4)

1969 Man - Revelation (2009 remaster and expanded)

Saturday, May 3, 2025

Man - Back Into The Future (1973 uk, astonishing jam prog rock, 2008 three disc box set remaster)

Man's 1973 album, Back Into The Future was the follow-up to the highly successful Be Good To Yourself At Least Once A Day and, unsurprisingly, featured a change in line-up with Clive John having left after becoming fed up of life on the road. That left Micky Jones, Phil Ryan, Terry Williams and Will Youatt to write and start recording the new album. However, before recording had been completed Tweke Lewis, a 19-year-old guitar prodigy fresh out of the ranks of Wild Turkey had joined the ranks. After a hectic two-week writing session at Clearwell Castle hampered by a BBC film crew recording a documentary, the band started recording at Rockfield Studios in late May 1973, finishing off at Chipping Norton Studios in July were new boy Lewis added some overdubs. Between the two recording sessions the band hit the road again for the Up For The Day tour, supported by none other than old accomplice Deke Leonard. One of the concerts, at the Roundhouse in London, was recorded and at the last moment the record company decided to supplement the new studio recordings with highlights from the live performance. But more of that later.

The studio side of Back Into The Future displays a somewhat funkier and more playful band than on previous releases. Opener A Night In Dad's Bag featuring a percussive 7/8 beat, was overlaid with a multitude of sound effects, mostly supplied by Ryan's keyboards. Phil Ryan also dominates the opening to Just For You which turns into a veritable funk fest with wah wah guitars and a toe-tapping beat. The title track features a more traditional Man sound with Micky's driving guitar and soaring vocal harmonies. Probably the most instantly likeable Man song in the band's repertoire, it's only drawback is the rather weak ending with rather misplaced synth sounds overlaid until the fade out. Don't Go Away is the album's ballad and a powerful track it turns out to be as well. The piano and acoustic guitar intro blend perfectly morphing into electric guitar and keyboards that play in harmony rather than fighting against each other. Jones playing is perfect and the tight harmonies are perfect for the song, despite wavering slightly!

Ain't Their Fight, the only studio track to feature Lewis, in retrospect sums up the internal conflicts that were plaguing the band at the time with the guitar driven approach of Jones combating with the more jazzier approach of Ryan's keyboards. It stands as a fascinating battle between the two adversaries with Jones emerging slightly ahead, particularly on the close-out where the stereo panned twin guitars dominating the keyboards which are pushed slightly further back in the mix as well. Final track, the bizarrely titled Never Say Nups to Nepalese, is a tour de force instrumental that rounds the studio album off in style. A superb group effort and an essential for any Man fan.

Whilst researching the master tapes for bonus tracks for this reissue, the original 16-track masters for the Roundhouse concert were uncovered and it was decided that they would make a great addition to the re-release. Even though three of the tracks are included on the CD of the original album, they are also included on the bonus discs in their original set positions, so the whole concert can be enjoyed as it was played on the night! The concert opens with the Gwalia Male Voice Choir singing Sopspan Fach, the anthem of Llanelli. The choir had first appeared with Man when they supported Frank Zappa at the Oval the previous year and provided a unique, if somewhat surprising for the audience, introduction to the concert. A Night In Dad's Bag is somewhat tighter and less funky that the studio version while the opening to C'Mon gives Hawkwind a run for their money in the space rock stakes. Lewis, in only his third gig with the band performs admirably and the choir are reintroduced in the middle section which really beefs things up and provides a great version of this classic song. Just For You benefits from an extended jam and some particularly tight drumming by Williams while Jam Up Jelly Tight \ Oh No Not Again (Spunk Rock '73) is exactly what the title says it is, a superior jam based around the classic, and often epic, piece from a few years previous.

The second bonus CD concludes the concert with three more extended numbers, an energetic Bananas with some tasty flourishes from both Ryan and Jones, Life On The Road which is somewhat different from the live version that appeared on the Christmas At The Patti album some months earlier and the encore Ain't Their Fight. This latter track comes into its own live, with the two guitars and the keyboards duelling it out and providing a rousing end to the show. Two further bonus tracks are also included, a putative single recorded in August 1973 that was never released, although it is believed that some acetates were pressed. I'm Dreaming, which was later rewritten and performed as 'Breaking Up Once Again', would have made an unusual choice as a single, particularly as an edited version of Back Into The Future would have been a much more commercial proposition. Having said that, the riff is quite catchy despite the vocals sounding a bit rough around the edges. The whole thing has more of a demo feel than a completed and polished track. On the other hand The Symbol Who Came To Dinner is a great 'lost' song and would have made a great addition to the album if it had been written and recorded a few months earlier.

This reissue of Back Into The Future is a loving testament to the Welsh wizards who seem to have spent most of their career underappreciated. The presentation of the box set is immaculate and is an essential purchase for anyone who has ever heard and enjoyed this album, it even makes a great place to start a Man collection as the uninitiated will get a flavour of what the band are all about both in the studio and on stage. A fine album, a great band and a brilliant reissue.

by Mark Hughes

Tracks

Disc 1 ~ Original Album

1. A Night In Dad's Bag - 4:03

2. Just for You - 5:18

3. Back into the Future - 4:06

4. Don't Go Away - 4:00

5. Ain't Their Fight - 7:42

6. Never Say Nups To Nepalese - 7:31

7. Sopspan Fach (Traditional) - 3:34

8. C'mon (Michael Jones, Phil Ryan, Terry Williams, Clive John) - 19:03

9. Jam Up Jelly Tight \ Oh No Not Again (Spunk Rock '73) - 21:02

All compositions by Michael Jones, Phil Ryan, Terry Williams except where stated

Disc 2 ~ Live At The Roundhouse - The Complete Concert

1. Sopspan Fach (Traditional) - 4:36

2. A Night In Dad's Bag - 5:06

3. C'Mon (Michael Jones, Phil Ryan, Terry Williams, Clive John) - 19:58

4. Just For You - 6:23

5. Jam Up Jelly Tight / Oh No Not Again (Spunk Rock '73) - 21:39

All compositions by Michael Jones, Phil Ryan, Terry Williams except where noted

Disc 3 ~ Live At The Roundhouse - The Complete Concert (continued)

1. Bananas (Michael Jones, Phil Ryan, Terry Williams, Clive John) - 16:19

2. Life On The Road (Michael Jones, Phil Ryan, Terry Williams, Clive John) - 12:14

3. Ain't Their Fight - 10:23

4. The Single (I'm Dreaming) - 4:06

5. The Symbol Who Came To Dinner - 3:00

All compositions by Michael Jones, Phil Ryan, Terry Williams except where indicated

Man

*Micky Jones - Guitar, Vocals

*Phil Ryan - Keyboards

*Terry Williams - Drums, Vocals

*Tweke Lewis - Guitar (Disc 1, Tracks 5-9)

*Will Youatt - Bass

1969 Man - 2 Ozs Of Plastic With A Hole In The Middle (2009 remaster)

1971 Man - Man (2007 remaster)

1971 Man - Do You Like It Here Now Are You Settling In (2007 bonus tracks remaster)

1972 Man - Live At The Padget Rooms, Penarth (2007 double disc remaster and expanded)

1972 Man - Be Good To Yourself At Least Once A Day (2007 remaster with extra tracks)
1974 Man - Slow Motion (2008 remaster and expanded)
1974 Man - Rhinos Winos And Lunatics (2007 double disc remaster)

1975 Man With John Cipollina - Maximum Darkness (2008 remaster with bonus tracks)

1976 Man - Welsh Connection (2013 double disc remaster)