As the throbbing buzz of Ken Williams' tremolo-laden fuzztone guitar creeps from one side of the stereo spectrum to the other, the Electric Prunes kick off their debut album with their first (and biggest) hit single, and if Electric Prunes: I Had Too Much to Dream (Last Night) never hits the high point of its title track again, the next 11 songs confirm that these guys were in the first echelon of American garage bands of the '60s. In the grand tradition of most garage rock albums, the best tracks on this disc are the singles, which along with the title track include "Get Me to the World on Time" and the surprisingly effective B-sides "Luvin'" and "Are You Loving Me More (But Enjoying It Less)," but the other tunes are more than just filler. On nearly every song, Williams and fellow guitarists Weasel Spagnola and Jim Lowe spin a web of gloriously strange sounds, making the most of a battery of stomp boxes, and bassist Mark Tulin and drummer Preston Ritter provide a solid, percolating backdrop for their faux-psychedelic soundscapes.
Producer David Hassinger would in time become a bad guy in the Electric Prunes' story, but on these sessions he gives them a great studio sound, specious but full of details, and at its best this album does as well by its three-guitar team as Moby Grape's epochal debut. And if songs like the weepy soft rock number "Onie," the phony Brit-folk of "The King Is in the Counting House" and the goofball nostalgia of "Toonerville Trolly" suggest Hassinger didn't always know what sort of material to fit with the band (who were only allowed to record two of their own songs), the Prunes rise to the occasion no matter what's thrown at them (and Jim Lowe's vocal suggests he knew just how ridiculous "Toonerville Trolly" would sound). While the Sonics and the Litter made more consistent albums, few if any bands from the '60s garage came up with a sound as distinctive as the Electric Prunes, and they got it on tape with striking success on I Had Too Much to Dream (Last Night). [The album was also released with two bonus tracks: "Ain't It Hard" and "Little Oliver."]
According to Electric Prunes members Jim Lowe and Mark Tulin, producer Dave Hassinger enjoyed enough success as a result of the group's early hit singles and their subsequent debut album that he was too busy to spend much time with them as they were recording the follow up, and that was arguably a good thing for the band. While Underground didn't feature any hit singles along the lines of "I Had to Much to Dream (Last Night)," it's a significantly more consistent work than the debut, and this time out the group was allowed to write five of the disc's twelve songs, allowing their musical voice to be heard with greater clarity. As on their first LP, the Electric Prunes' strongest asset was the guitar interplay of Jim Lowe, Ken Williams and James "Weasel" Spagnola, and while they became a bit more restrained in their use of fuzztone, wah-wah and tremolo effects, there's a unity in their attack on Underground that's impressive, and the waves of sound on "Antique Doll," "Big City" and " "Children of Rain" reveal a new level creative maturity (though they could make with a wicked, rattling fuzz on "Dr. Do-Good").
If Underground ultimately isn't as memorable as the Electric Prunes' first album, it's a matter of material -- while the outside material that dominated the debut was sometimes ill-fitting, it also gave them some stone classic tunes like "I Had Too Much to Dream" and "Get Me to the World on Time," and the band themselves didn't have quite that level of songwriting chops, while the hired hands didn't deliver the same sort of material for Underground. Still, the album shows that the Electric Prunes had the talent to grow into something more mature and imaginative than their reputation suggested, and it's all the more unfortunate that the group's identity would be stripped from them for the next album released under their name, Mass in F Minor.
by Mark Deming
Their third LP, Mass in F Minor, was a quasi-religious concept album of psychedelic versions of prayers; a definitively excessive period piece, its best song ("Kyrie Eleison") was lifted for the Easy Rider soundtrack. None of the original Prunes were still in the lineup when the band dissolved, unnoticed, at the end of the '60s.
by Richie Unterberger
The second album on which composer David Axelrod and producer Dave Hassinger usurped the name of the Electric Prunes (the band which recorded "I Had Too Much Too Dream Last Night" had long since split -- their names and likenesses are nowhere to be found on this LP) is much less notorious than its predecessor, Mass in F Minor. This is a shame, because it's actually the better album by far. Mass in F Minor is a halting, muddy attempt at combining rock and classical instrumentation, an idea that's better explored on Release of an Oath (which is, according to the liner notes, based on a centuries-old prayer called the Kol Nidre).
Songs like the liturgical "Holy Are You" and the mostly instrumental "General Confessional" combine swirling string and woodwind parts with heavy guitar and organ in a more organic and cohesive fashion than before. Musically complex and intriguing without being nearly as pretentious as a capsule description might indicate, Release of an Oath is a remarkable piece of early American progressive rock. Be aware, however, that it's quite brief even by '60s standards: the whole thing is over in 24 and a half minutes.
by Stewart Mason
Just Good Old Rock and Roll by the Electric Prunes has an ominous "the new improved" before their name on the cover of this effort, and despite original producer Dave Hassinger's contributions none of the original band members from the first two discs or the live album from 1967 are here.
by Joe Viglione
Tracks
1967 The Electric Prunes
1. I Had Too Much To Dream (Last Night) (Annette Tucker, Nancy Mantz) - 2:58
2. Bangles (John Richard Walsh) - 2:29
3. Onie (Annette Tucker, Nancy Mantz) - 2:42
4. Are You Lovin' Me More (But Enjoyining It Less) (Annette Tucker, Nancy Mantz) - 2:25
5. Train For Tomorrow (James "Weasel" Spagnola, Ken Williams, Mark Tulin, Preston Ritter, James Lowe) - 3:01
6. Sold To The Highest Bidder (Annette Tucker, Nancy Mantz) - 2:24
7. Get Me To The World On Time (Jill Jones, Nancy Mantz) - 2:32
8. About A Quarter To Nine (Al Dubin, Harry Warren) - 2:13
9. The King Is In The Counting House (Annette Tucker, Nancy Mantz) - 2:01
10.Luvin' (Mark Tulin, James Lowe) - 2:04
11.Try Me On For Size (Annette Tucker, Jill Jones) - 2:21
12.The Toonerville Trolley (Annette Tucker, Nancy Mantz) - 2:37
1967 Underground
1. The Great Banana Hoax (James Lowe, Mark Tulin) - 4:09
2. Children Of Rain (Goodie Williams, Ken Williams) - 2:37
3. Wind-Up Toys (James Lowe, Mark Tulin) - 2:26
4. Antique Doll (Annette Tucker, Nancy Mantz) - 3:13
5. It's Not Fair (James Lowe, Mark Tulin) - 2:04
6. I Happen To Love You (Gerry Goffin, Carole King) - 3:19
7. Dr. Do-Good (Annette Tucker, Nancy Mantz) - 2:26
8. I (Annette Tucker, Nancy Mantz) - 5:14
9. Hideaway (James Lowe, Mark Tulin) - 2:42
10.Big City (Johnny Walsh, Dan Walsh) - 2:46
11.Capt. Glory (James Lowe) - 2:14
12.Long Day's Flight (Michael "Quint" Weakley, Don Yorty) - 3:15
1968 Mass In F Minor
1. Kyrie Eleison (David Axelrod) - 3:22
2. Gloria (David Axelrod) - 5:45
3. Credo (David Axelrod) - 5:01
4. Sanctus (David Axelrod) - 2:57
5. Benedictus (David Axelrod) - 4:52
6. Agnus Dei (David Axelrod) - 4:29
1968 Release Of An Oath
1. Kol Nidre (David Axelrod) - 4:17
2. Holy Are You (David Axelrod) - 4:09
3. General Confessional (David Axelrod) - 4:19
4. Individual Confessional (David Axelrod) - 2:17
5. Our Father, Our King (David Axelrod) - 3:13
6. The Adoration (David Axelrod) - 3:51
7. Closing Hymn (David Axelrod) - 3:07
1. Sell (M. Herron, John Herron) - 3:14
2. 14 Year Old Funk (Bill Daffern, Ron Morgan) - 3:34
3. Love Grows (Bill Daffern, John Fleck, Ron Morgan, Brett Wade) - 4:09
4. So Many People To Tell (Brett Wade) - 4:01
5. Finders Keepers, Losers Weepers (Jimmy Holiday, Jimmy Lewis, Cliff Chambers) - 3:33
6. Giant Sunhorse (Bill Daffern, Ron Morgan, Larry Tamblyn, Brett Wade) - 4:09
7. Violent Rose (John Herron, Dick Whetstone) - 2:44
8. Thorjon (Mark Kincaid, Brett Wade, Dick Whetstone) - 3:00
9. Silver Passion Mine (Brett Wade) - 2:54
10.Tracks (M. Herron, John Herron) - 2:45
11.Sing To Me (Brett Wade) - 3:25
The Electric Prunes
*James Lowe - Vocals, Autoharp, Rhythm Guitar, Tambourine
*Ken Williams - Lead Guitar
*James "Weasel" Spagnola - Rhythm Guitar, Vocals
*Mark Tulin - Bass Guitar, Piano, Organ
*Preston Ritter - Drums, Percussion
*Michael "Quint" Weakley - Drums (1967 Underground, 1968 Mass In F Minor)
*Mike Gannon - Rhythm Guitar (1968 Mass In F Minor)
*Richie Podolor - Guitar (1968 Mass In F Minor)
1968 Release Of An Oath
*Howard Roberts And Lou Morrell - Guitar
*Don Randi - Keyboards
*Carol Kaye - Bass
*Earl Palmer - Drums
1969 Just Good Old Rock And Roll
*Ron Morgan - Guitar
*Mark Kincaid - Guitar, Backing Vocals
*John Herron - Organ
*Brett Wade - Bass, Backing Vocals, Flute
*Dick Whetstone - Drums, Lead Vocals
1967 The Electric Prunes - Stockholm 67
Related Act
1970 Pride - Pride
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