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Monday, March 7, 2016

Parrish And Gurvitz - The Parrish And Gurvitz Band (1971-72 uk, excellent classic guitar rock, 2006 remaster)



Somewhere betweem The Moody Blues, Marmalade and Crosby Stills and Nash, for a moment Parrish and Gurvitz may have been something, if perhaps with the involvement of George Martin as producer, they had not been unreasonably hailed as the new Beatles. Still, this classic song is completely forgotten, off every list, it’s not cool, hip, Prog, Psych, Psychedelic, Garage, sixties Pop, seventies underground and has no recognised virtuosos.

Having said that the line-up of the band is impressive. Paul Gurvitz was in The Gun with his brother Adrian, remember their 1968 hit Race With The Devil. The Gurvitz brothers went on to form Three Man Army and then teamed up with Ginger Baker for Baker Gurvitz Army in the seventies. Brian Parrish played with various small sixties bands (with Gurvitz), later joining Badger. Mike Kellie was with Spooky Tooth and other seventies luminaries before joining one of my favourite bands of the new wave era, The Only Ones, Rick Wills played with countless groups including Cochise, Roxy Music, Foreigner, latter Day Small Faces and Dave Gilmour. Micky Gallagher had played with Skip Bifferty and would eventually join Ian Dury as one of the Blockheads.

With George Martin choosing, producing and arranging Parrish And Gurvitz’s material, it’s not surprising that this opening track(s) from their one and only album is so good. Unfortunately The Beatles connection hindered their progress with that overpowering legend producing mild hysteria from the press. They were never able to live up to their producer’s previous affiliations but you might ask why were they called Parrish and Gurvitz instead of Gasoline Toothbrush or Camouflaged Meadow or Sadness In The Trees – anything but Parrish and Gurvitz – they sounded like they were solicitors. I imagine it’s because this wasn’t their first band – they’d played together before in various incarnations and as the two main members had got the support to make a record and then hired the band to play it live. Unfortunately the band was much heavier than the record and the US label lost interest as the band they signed was not the band they saw live. Brian Parrish then quit on the eve of a US tour due to personal problems and shortly thereafter they were gone.
by Marty Willson-Piper
Tracks
Disc 1
1. Rainy Day Man (Brian Parrish) - 5:20
2. Living Out of a Suitcase (Paul Gurvitz) - 4:15
3. One Way Street (Brian Parrish) - 3:58
4. Birmingham (Brian Parrish) - 3:48
5. Give It All Up (Paul Gurvitz) - 3:59
6. When Evening Comes (Brian Parrish) - 5:56
7. The Preacher (Brian Parrish) - 4:30
8. On My Way (Paul Gurvitz) - 3:46
9. Can We Do It (Paul Gurvitz) - 2:37
10.Brown Eyed Woman (Brian Parrish) - 3:22
Disc 2
1. Another Time Another Day (Paul Gurvitz) - 4:40
2. It's A Shame (Brian Parrish) - 3:21
3. Libra (Brian Parrish) - 4:00
4. I've Got Time (Paul Gurvitz) - 3:53
5. Janine (Brian Parrish) - 3:44
6. Dozy Gwen (Paul Gurvitz) - 2:13
7. Why (Brian Parrish) - 4:23
8. As If I Were Blind (Paul Gurvitz) - 3:51
9. More Than Life (Brian Parrish) - 3:45
10.Loving You (Brian Parrish) - 7:17

Musicians
*Brian Parrish - Guitar, Vocals
*Paul Gurvitz - Guitar, Vocals
*Mike Kellie - Crums
*Mickey Gallagher - Keyboards
*Rick Wills - Bass

1965-67 The Knack - Time Time Time (2007 release)
1968  Gun - Gun
1969  Gun - Gunsight (Japan 2008 remaster)
1974  Three Man Army - Two (Japan SHM remaster)

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3 comments:

  1. The Parrish And Gurvitz Band 1971-72 ...Updated.....

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  2. I dunno what I'm more impressed by - the fact that Churchman Marty Willson-Piper wrote this (original to Rockasteria?), or that he's a fellow Parrish/Gurvitz devotee - there are damn few of us around, and it's always heartening to discover a new member of our sparsely-attended club.

    Besides all the (accurate) reasons Marty lists for the project's failure, the similar sunk-at-launch status of Brian Parrish's followup - 1976's LOVE ON MY MIND - is far more easily explained by glancing at its cover, an Iberian disco-flavored horror that likely prompted the store clerks ringing up the purchase into the kind of barely-suppressed laughing fit more commonly associated with the albums of Biggus Dickus.

    Don't YOU laugh, though - there's never anything funny about a perfectly good album doomed by dire packaging!

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