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Friday, April 4, 2014

Moby Grape - Wow (1969 us, superb west coast psych, Sundazed digipack remaster and expanded)



Between the time that Moby Grape released their brilliant self-titled debut and when their second album Wow appeared in 1968, a little thing called Sgt. Pepper's Lonely Hearts Club Band happened, and for the next few years it was no longer enough for a band with some claim to importance to just play rock & roll, even if they approached it with the freshness and imagination Moby Grape displayed on their first LP. 

Bowing to the pervading influences of the day, Wow is a far more ambitious album than Moby Grape, trading in the latter's energetic simplicity for an expansive production complete with strings, horns, and lots of willful eccentricity, best typified by the helium-treated vocals on the hillbilly pastiche "Funky Tunk" and "Just Like Gene Autry: A Foxtrot," a woozy '60s dance band number complete with introduction from Arthur Godfrey (the band went so far as to master the tune at 78 rpm on the original vinyl edition). 

While at first glance Wow pales in comparison to the instant classic Moby Grape, repeated listening reveals this album has plenty of strengths despite the excess gingerbread; the horn-driven boogie of "Can't Be So Bad" swings hard, "Murder in My Heart for the Judge" is a tough and funky blues number, "He," "Rose Colored Eyes," and "Bitter Wind" are lovely folk-rock tunes with shimmering harmonies (even if the latter is marred by a pretentious noise collage at the close), and "Motorcycle Irene" is a witty tribute to a hard-livin' biker mama. 

Wow lacks the rev-it-up spirit of Moby Grape's masterpiece, but Peter Lewis, Jerry Miller, and Skip Spence's guitar work is just as impressive and richly layered, and the group's harmonies and songwriting chops are still in solid shape. While the unobtrusive production on Moby Grape showcased the group's many virtues, those attributes are visible on Wow despite the layers of studio excess, which sapped the momentum and charm of this band without snuffing them out altogether. 
by Mark Deming
Tracks
1. The Place And The Time (Miller, Stevenson) - 2:06
2. Murder In My Heart For The Judge (Miller, Stevenson) - 2:56
3. Bitter Wind (Mosley) - 3:04
4. Can't Be So Bad (Miller, Stevenson) - 3:39
5. Just Like Gene Autry: A Foxtrot (Spence) - 3:02
6. He (Lewis) - 3:34
7. Motorcycle Irene (Spence) - 2:22
8. Three-Four (Miller, Spence) - 5:00
9. Funky-Tunk (Spence) - 2:09
10.Rose Colored Eyes (Mosley) - 3:59
11.Miller's Blues (Miller) - 5:212
12.Naked, If I Want To (Miller) - 0:46
13.The Place And The Time (Alternate Take) (Miller, Stevenson) - 2:23
14.Stop (Demo) (Lewis) - 2:20
15.Loosely Remembered (Mosley) - 3:24
16.Miller's Blues (Alternate Take) (Miller) - 5:19
17.What's To Choose (Lewis) - 1:59
18.Seeing (Spence) - 5:11

Moby Grape
*Peter Lewis - Rhythm Guitar, Vocals
*Bob Mosley - Bass, Vocals
*Jerry Miller - Lead Guitar, Vocals
*Skip Spence - Rhythm Guitar, Piano, Vocals
*Don Stevenson - Drums, Vocals

1966-69  Live (Sundazed digipack issue)
Related Act
1972  Bob Mosley - Bob Mosley
1974-77  Bob Mosley - Never Dreamed

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6 comments:

  1. Man, does this bring back memories! I was a freshman in college, living in a hip co-op in Madison, Wisconsin. A 40-something chick turned me on to this album while she screwed my brains out. We enjoyed some good Rhine wine as well. Ah, the good old days!

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    1. This comment made my year.

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    2. @HappyChef- Huh, I thought nobody ever trusted ANYONE over 30 yrs old in 1967? I was only 11 yrs old in 1967 digging the Monkees. lol Now, I love almost everything 60's, musically and otherwise. Such a wonderful decade.

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  2. Hi!

    The seems not to be there. Any chance of a re-up please?

    Tony

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    Replies
    1. Tony, "Moby Grape - Wow", fixed...

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    2. Thank you, much appreciated. I'm rediscovering the band after around 50 years of oblivion.

      First heard them via "Rock Machine Turns You On" sampler LP. Then saw them live in 1969 (I think) in an all nighter at the world famous Mother's" in Birmingham, UK.

      This was where Floyd recorded the live half of Umma Gumma (I was there too) and for a couple of years was probably the best rock venue in the UK.

      The line-up when I saw Moby Grape also included Richie Havens, Three Dog Night and Canned Heat. What a night!

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