Poobah - Steamroller (1979 us, solid underground heavy rock, 2005 remaster with xtra tracks)

The story of guitarist/vocalist Jim Gustafson is a long one. Poobah is his most famous band and this record was originally released on a small label in 1979. The band at this time was very hard working and dedicated and not only do we get the full record but also some extra live tracks from 1979. The booklet has some great pictures and a very nice long interview with Jim to compliment the music. Poobah was at this time one, if not the best underground US hard rock acts. 

Great guitar work and cool hard rocking songs….Jump thru the Golden Ring is a killer track with a great guitar riff and Jim’s high pitched vocals at times. He plays a ripping solo on this long 7½ minute track, which you also are treated to a more psychedelic live version as one of the bonus tracks. Integrated Circuit is a short instrumental work out that leads into You don’t Love me, which features a heavy bass line and some blasting guitar! No shortage of guitar solos in Poobah! I would not say that Jim is really into writing deep lyrics, just rock and roll ones about women, like the next number, She’s that kind of Lover, which features a long guitar workout. 

The title track is next and later is included a live well extended version that is even better. This is a slow paced track with heavy riff and nasty solo! Atom Bomb is an unreleased track from the 1979 recording session that made this record and it features the drummer on the piano. I can see why they left this one off the record as it is something really different and did not really fit with the rock tracks but it is still a pretty cool laid back track to start before it takes off into a jam with Jim playing that mean ass guitar. Frustration is a short 2 minute rock track and sung by the bass player Phil Jones. Don’t Change features 12 string guitar and is a quite cool special track. 

The regular album ends with Rock and Roll, a cover of the Led Zeppelin song. The 4 live tracks are also great with the band really jamming it out and it is more psychedelic than the actual record. Cool band…

by Scott Heller

Tracks

1. Jump Thru The Golden Ring (Jim Gustafson) - 7:36

2. Integrated Circuit (Jim Gustafson, Judd Gaylord) - 1:43

3. You Don't Love Me (Jim Gustafson, Judd Gaylord, Phil Jones) - 3:53

4. She's The Kind Of Lover (Jim Gustafson, Phil Jones) - 5:31

5. Steamroller (Jim Gustafson) - 4:40

6. Atom Bomb (Jim Gustafson, Judd Gaylord) - 6:21

7. Frustration (Jim Gustafson, Phil Jones) - 2:17

8. Don't Change (Jim Gustafson, Phil Jones) - 6:29

9. Rock And Roll (Jimmy Page, John Bonham, John Paul Jones, Robert Plant) - 4:20

10.Mr. Destroyer (Jim Gustafson) - 9:33

11.You Don't Love Me (Jim Gustafson, Judd Gaylord, Phil Jones) - 4:29

12.Jump Thru The Golden Ring (Jim Gustafson) - 7:13

13.Steamroller (Jim Gustafson) - 8:44

Tracks 10-13 recorded Live at Biggy's, June 30th 1979

Poobah

*Jim Gustafson - Lead, Acoustic, 12 String Guitars, Organ, Vocals

*Phil Jones - Bass, Vocals

*Judd Gaylord - Drums, Percussion, Piano

1972  Poobah - Let Me In (2010 remaster and expanded)  

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Johnny Fuller And The Phillip Walker Band - Fullers Blues (1974 us, stunning electric blues, 2015 remaster)

Johnny Fuller was a West Coast bluesman who left behind a spate of 1950s recordings that jumped all kinds of genre fences with seemingly no trace of his Mississippi born roots. He was equally at home with low down blues, gospel, R&B, and rock & roll, all of it imbued with strong vocals and a driving guitar style. Although his Mississippi roots were never far below the surface of his best work, Johnny is usually categorized as a West Coast bluesman. 

Making the Bay Area his home throughout his career, Fuller turned in classic sides for Heritage, Aladdin, Specialty, Flair, Checker, and Hollywood; all but one of them West Coast-based concerns. His two biggest hits, "All Night Long" and the original version of "The Haunted House," improbably found him in the late '50s on rock & roll package shows, touring with the likes of Paul Anka and Frankie Avalon! By and large retiring from the music scene in the '60s (with the exception of one excellent album in 1974), Fuller worked as a garage mechanic until his passing in 1985.

by Cub Koda

Recorded in 1974, Fuller's Blues was Johnny Fuller's much-belated full-length debut, and it also turned out to be his last record. That's too bad, because it certainly illustrates what he was capable of achieving. He runs the gauntlet here, pulling out jumping R&B numbers and acoustic blues with equal aplomb. It's an exhilarating listen -- it's just too bad there weren't more like it.

by Thom Owens

Tracks

1. Tin Pan Alley (Bob Geddins) - 3:26

2. Fools Paradise (Bob Geddins, Johnny Fuller) - 3:06

3. Strange Land (Bob Geddins) - 4:35

4. 1009 Blues - 4:13

5. You Got Me Whistling - 2:49

6. But Bruce (David Ii) - 3:03

7. Bad Luck Overtook Me - 3:02

8. Hard Luck Blues - 3:15

9. Crying Won't Make Me Stay - 3:02

10.Miss You So (Larry Chatman) - 2:55

11.A Good Letting Alone - 4:01

12.Mercy, Mercy - 3:01

All songs by Johnny Fuller except where indicated

Personnel

*Johnny Fuller - Guitar, Organ, Piano, Vocals 

*Phillip Walker - Guitar

*Tony Matthews - Guitar

*Dennis Walker - Bass

*Zaven 'Big John' Jambezian - Harmonica

*Johnny Tucker - Drums

*Arthur Woods - Piano 

*David Ii - Tenor, Baritone Saxophone 

*Mike O'Connel - Trumpet 

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rep> Killing Floor - Killing Floor (1969 uk, effective hard blues rock, 2007 limited edition)

Killing Floor came together in 1968 when singer Bill Thorndycraft and guitarist Mick Clarke met up in a South London blues band. After one unsatisfactory gig with the band the two decided to form a new unit together..Bill suggested the name Killing Floor.

Bill had already met drummer Bazz Smith while touring in Germany, and ads in the "Melody Maker" music paper brought responses from bass player Stuart (Mac) McDonald and pianist Lou Martin.

The band rehearsed hard in various South London pubs and rehearsal rooms, learning a repertoire of Chicago blues standards, but adding their own rock influences. Their first live performance was at London's "Middle Earth" with Captain Beefheart, and soon the band was playing at all the blues clubs of the time, including appearances at London's Marquee club with The Nice and Yes. Favourite venues included the Blues Loft in High Wycombe where they literally brought the house down..the footstomping of the crowd bringing down the ceiling in the room below! 

The first album was released in 1969 on the Spark Label, a subsidiary of the Southern Music publishing group, and licensed in the USA by Sire Records. It got good reviews and airplay, and the band played sessions for John Peel, Johnny Walker, Alexis Korner and other national radio shows. 

The band was very much a part of the developing "blues boom" of the '60's which created many great bands. Free's Paul Kossof and Simon Kirke jammed with the band while waiting for their own tour to begin, and Robert Plant witnessed their version of "You Need Love" sometime before Zeppelin's "Whole Lotta Love" was recorded. The band played concerts with Jethro Tull, Ten Years After and many other names of the time. 

In May 1969 the band was offered the chance of backing Texas blues legend Freddie King on his next U.K. tour. The package toured for three weeks, including concerts with Howlin' Wolf and Otis Spann. A further tour with Freddie followed a few weeks later, and a third tour was only called off after Freddie failed to receive his advance payment from the tour promoter. The band also backed up Arthur "Big Boy" Crudup, the writer of some of Elvis Presley's early hits.

Towards the end of 1969 the frustrations of the music business proved too much and the band split, with various members finding new projects to follow. But after a while a four-piece Killing Floor came together again. Blues music at this time, having been the "in" thing for the last year was now moving out of fashion, and it was hard for Killing Floor to find work in the U.K. The answer was to go abroad, with frequent trips to Germany and Switzerland.

Tracks
1. Woman You Need Love (Willie Dixon) - 4:47
2. Nobody By My Side (McDonald, Thorndycraft, Clarke) - 4:51
3. Come Home Baby (McDonald, Thorndycraft, Clarke) - 4:03
4. Bedtime Blues (McDonald, Thorndycraft, Clarke) - 7:27
5. Sunday Morning (Martin) - 1:00
6. Try To Understand (McDonald, Thorndycraft, Clarke) - 2:35
7. My Mind Can Ride Easy (McDonald, Thorndycraft, Clarke) - 2:26
8. Wet (McDonald, Thorndycraft, Clarke, Martin, Smith) - 0:39
9. Keep On Walking (McDonald, Thorndycraft, Clarke) - 4:56
10. Forget It (McDonald, Thorndycraft, Clarke) - 5:30
11. Lou's Blues (Martin) - 2:37
12. People Change Your Mind (McDonald, Thorndycraft, Clarke, Smith) - 8:20

Killing Floor
*Bill Thorndycraft - Vocals, Harp
*Mick Clarke - Lead Guitar
*Lou Martin - Keyboards
*Bazz Smith - Drums
*Stuart McDonald - Bass

1971  Out Of Uranus (Japan remaster)

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rep> Lumbee - Overdose (1970 us, hard acid psych blues funky r 'n' b, Gear Fab edition)

The group Lumbee concentrated on excellent harmonies, which they practiced for weeks before adding the music. It paid off and their single release Streets of Gold went to No.1 in various parts of the states The album was called Overdose and the cover of the album as well as the title was very controversial . At the time, three greats in the music industry had succumbed to drug overdoses: Janis Joplin. Jimi Hendrix, and Jim Morrison. 

The covers of their two albums Plant and See and Lumbee had children, which now almost seems a prediction of the future now that the children from the marriage of Willie Lowery and Carol Fitzgerald Lowery are quite successful in their music endeavors. Lumpee played with such greats as the Allman Brothers The late Duane AIlman even asked to play Willie Lowery is American Hag panted guitar at what v/as probably one of his last concerts before his fatal motorcycle accident. 

While the band hit the road and played lo sold out clubs and arenas management and company bickered amongst themselves, leaving the group to carry on without the proper guidance Lumbee is music comes from a diverse creation, and its members melted those diversities into a powerful sound that to this day is unique and hill of compassion that few groups ever acquire. When they played in Willie’s hometown Pembroke, North Carolina, a thousand Native Americans and older fans flooded the arena and it is a shame to this day that videos were not in place because it was truly history being made. 

They played with Iron Butterfly The Brooklyn Bridge, and Linda Ronstadt. just to mention a few While they remained team players, their management and company failed them and eventually the band fell into the hands of that disillusionment that grips bands even to this day A true celebration is that the music is still here on the scene and can now become a part of the legendary Woodstock era that will never come again as we Knew it. 

Once while the group was in New York recording Crimson and Roses, after being disappointed about not continuing their work with Joe Wizart in Los Angeles, they went to a dub called the Cellar That night they watched Van Morrison perform with a guy named Terry Reed from Canada. In the audience with them were Jams Joplin and Big Brother and the Holding Company Jimi Hendrix. Grace Slick and the Jefferson Airplane, and The Turtles. Those are just the groups the band met personally. Had this group been able to continue on with the support it needed well the rest would have been history, as they say But, thank goodness, their sound has been revived tor you all to hear. 

Today the members of Lumbee are all still living and their whereabouts, at last check are:

Foris Fulford lives with his family in Long Island. NY after spending time in the military service, i met him in 1970 at Fort Bragg NC while playing with another band. He was the hottest drummer in the area at the time.

Ricky Vannoy now lives in Dunn, NC with his family and is the owner and operator of a coffee house. He also has a tattoo parlor. Ricky was always a good artist as well. He was the only guitar player I thought needed little or no practice to get rhythm or leads down.

Bobby Paul, last I heard, was living either Zebulon or Greensboro. NC. 

Carol Fitzgerald resides where it ail began, in Fayetteville NC. Carol came to the band while a student at Methodist College m the late 60's. Floating from band to band she was noticed for her theatrics and showmanship on stage. She contributed to the song writing and wrote many of her own. Carol and Willie were married in 1970. They divorced some years later but not before they had two talented sons that now flourish as musicians Carol and Willie are proud of the boysi achievements.

I am still, and will always be a music man I am in the studio everyday and continue my song writing and guitarist skills. Nowadays I am more into producing and arranging as well, and I am still very active in recording the music for a diversity of acts. My most memorable achievement since my Lumbee days is when I wrote the entire musical score for an outdoor drama for my native people Please enjoy the music of Lumbee!!

by Willie French Lowery

Tracks
1. Tone Deaf - 3:44
2. Veronica High - 5:21
3. People Get Ready - 7:35
4. You Gotta Be Stoned - 2:56
5. Tone Deaf Jam - 3:50
6. Streets Of Gold - 6:56
7. Whole World Is Down On Me - 3:10
Words and Music by Willie French Lowery

Lumbee
*Willie French Lowery - Guitar, Vocals
*Forris Fulford - Drums
*Carol Fitzgerald - Vocals
*Bobby Paul - Bass
*Rickey Vannoy - Rhythm Guitar

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rep> Ram - Where? In Conclusion (1972 us, heavy prog with fuzz guitars and flute interplay, korean edition)

Ram is a  group that was based in New York City in the United States and was active in the early 1970s. Band members included brothers John and Ralph DeMartino as well as Bob Steeler who later played with Hot Tuna. 

Many reports state that a mellotron was the instrument used for the spacial and elecronic effects of Ram's music. Actually, they were the result of electronic flute and in some cases, tenor alto and soprano saxophones (sometimes played 2 at a time) by John DeMartino. The band produced one album on Polydor in 1972 entitled Where? (In Conclusion). The original vinyl is a sought-after collector item.

Tracks
1. The Want In You - 4:23
2. Stoned Silence - 5:29
3. Odyssey - 3:43
4. The Mothers Day Song - 6:19
5. Aza - 20:57
.a.Spiral Paths
.b.Bound
.c.Peril And Fearer
.d.Where? (In Conclusion)

Ram
*Dennis Carbone - Piano, Vocals
*John Demartino - Saxophone, Flute, Clarinet
*Ralph Demartino - Guitar, Vocals
*Michael Rodriguez - Bass, Vocals
*Steeler - Drums

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Melton Levy And The Dey Brothers - Melton Levy And The Dey Brothers (1972 us, strong blues country rock, Mike Bloomfield production, 2001 remaster)

Melton, Levy and the Dey Brothers' sole album has a bit of a come-down-from-the-reckless-heights-of-Haight-Ashbury vibe, but is a reasonably accomplished and pleasing record. It's got the characteristic San Francisco Bay Area blend of blues, country, rock, and good counterculture cheer, with a more laid-back, soul-influenced approach than Barry Melton had taken with his first band, Country Joe & the Fish. Everyone from the quartet contributes original material, with Melton, Rick Dey, and Jay Levy taking roughly equal shares of the writing credits.

It's easy to imagine this as suitable rustic rock to play on your escape from the big city of San Francisco to a more laid-back locale with similar progressive hippie ethos, but more space and less angst. A little bit of Melton's more radical past sneaks through on "Taxpayer's Lament," with its opening bursts of reverb guitar and anguished anti-war lyrics, in a vocal that falls between John Fogerty and Burton Cummings.

by Richie Unterberger

Tracks

1. Ooh, Ooh, Ooh (Rick Dey) - 2:23

2. She Dances Through (Barry Melton) - 3:41

3. Closer (Barry Melton) - 3:32

4. Been So Fine (Jay Levy) - 3:30

5. Sweeter The Peaches (Barry Melton) - 2:40

6. S.O.S. (Barry Melton, Rick Dey) - 3:45

7. Highway 1 (Blair Hardman) - 3:06

8. Hold On To The Good Times (Barry Melton) - 2:58

9. Play Little Children (Jay Levy, Tony Dey, Barry Melton) - 3:06

10.Be With The One (Jay Levy) - 2:46

11.Newsboy (Traditional) - 2:30

12.Taxpayer's Lament (Barry Melton) - 3:33

13.Bye Bye Sequence (Rick Dey) - 0:39

Musicians

*Barry Melton - Guitar, Trombone, Vocals

*Jay Levy - Keyboards, Vocals

*Rick Dey - Bass, Vocals

*Tony Dey - Drums, Vocals

*Rick Jagger - Percussion

*King Errisson - Congas

*Michael Bloomfield - Guitar, Producer, Slide Guitar

*Bruce Brymer - Drums, Vocals

*Carol Davis - Horn

*Ginette Melton - Vocals 

Related Acts

1965-71  The First Three E.P's
1967  Country Joe And The Fish - I-Feel-Like-I'm-Fixin'-To-Die (2013 digi pack double disc set)
1967  Electric Music For The Mind And Body (2013 double disc remaster)
1968  Together  (2005 remaster)
1969  Live! Fillmore West
1969  Here We Are Again
1970  CJ Fish

1965-66  The Vejtables - Feel...The Vejtables (Sundazed release)

1972  Various Artists - Mill Valley Bunch Casting Pearls

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Light - Light (1978 ireland, excellent guitar rock)

These guys are an Irish band from the late 70's. The vocals remind of Rory Gallagher and the songs have a Thin Lizzy-ish quality with some nice dual harmony guitars.

Songwriting is in the same mold as Lizzy as well as is the pace of the album. Nice guitars on this one supplied by Jim Armstrong who was in Them and also Truth (the Chicago-based one).

Anyone who remembers THEM (with Van Morrison) between 1967 and 1968, and (without Van Morrison) between 1969 and 1971, or a Chicago-based band called TRUTH, cannot fail to recall the playing of one of the world's great rock guitarists JIM ARMSTRONG.

Following the demise of TRUTH in 1971, Armstrong retreated from the international scene to gig at a more relaxed pace in his native Belfast. There was some writing and recording work with Brian Scott and bertie MacDonald in 1973, to be followed by concert performances with an occasional band called LIGHT, which, also included George O'Hara and Albert Mills. 

The breakthrough came in March 1977 when the band came together to play regular sessions at Ireland's premiere rock venue, the POUND, at the invitation of Dermont Moffatt. The last fifteen months have seen LIGHT established as Ireland's finest rock band, possibly the best ever.

Liner Notes

Tracks

1. The Break (Albert Mills, Jim Armstrong) 4:14

2. Harland The Wolf (Jim Armstrong, Bertie MacDonald) 6:47

3. Beatification Of A Sad Pussycat (Brian Scott) 4:59

4. The Hooker (Albert Mills, Jim Armstrong) 4:35

5. Lonely One (George O'Hara, Jim Armstrong) 3:06

6. Castles In The Sand (Jim Armstrong, Bertie MacDonald) 3:57

7. Summertime (George Gershwin) 4:58

8. Ray's Song (The Dance) (George O'Hara) 3:39

Light

*Jim Armstrong - Lead Guitar

*Albert Mills - Bass, Lead Vocals

*Brian Scott - Keyboards, Flute, Backing Vocals

*George O'Hara - Guitar, Vocals, Lead Vocals (Tracks 2,5)

*Bertie MacDonald - Drums  

With

*Artie Thompson - Additional Percussion (Track 1)

Related Acts

1967  Them - Now And Them (2003 edition) 

1968-69  Them - Time Out Time In (2003 edition)  

1969-70  Truth - Of Them And Other Tales   

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Howlin' Wolf - Message To The Young (1971 us, amazing electric acid blues, 2007 japan remaster)

Oft-considered his second attempt (after the Howlin Wolf Album he famously shunned) at offering the masses a psychedelic record, the sound on the record ranges from acid-rock, to blues, to funk, and back again. The title track on Message To The Young is exactly what the title suggests; Wolf s attempt at reaching the youth of the era in a beautiful spoken word ballad which can easily be summed up in two words Be Yourself .

Tracks

1. If I Were A Bird (Morris Dollison) - 4:34

2. I Smell A Rat - 2:15

3. Miss James - 3:27

4. Message To The Young (Ralph Bass, Sonny Thompson) - 5:50

5. She's Looking Good (Roger Collins) - 2:40

6. Just As Long - 3:42

7. Romance Without Fiance - 3:22

8. Turn Me On - 4:32

All songs by Sarah Lewis, Sonny Thompson except where stated

Personnel

*Howlin' Wolf - Vocals, Harmonica

*Sonny Thompson - Piano

*John Jeremiah - Organ

*Bryce Roberson - Guitar

*Jon Stocklin - Guitar

*Bob Crowder - Bass

*Tyrone Smith - Drums

1966-67  Howlin' Wolf - The Real Folk Blues / More Real Folk Blues (2002 release)  

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Skyhooks - Living In The 70's (1974 australia, solid power pop, glam rock, 2004 remaster)

One of the hallmarks of truly great albums is that they document the moment of their creation but sound as though they could have been recorded at any time; they transcend the era of their conception but record it perfectly. Skyhooks’ Living in the 70’s is such an album.

Straight ahead rock and roll with an eyeliner of glam, Living in the 70’s sheds a small but unblinking light on what it was like to be an inner-suburban post adolescent in Melbourne circa 1974. The opening lines of the album sum it up pretty well. I feel a little empty, I feel a little strange. Like I’m in a pay-phone, without any change.

Dislocated, disassociated, dissatisfied and slightly disillusioned, the songs on Living in the 70’s touch on the emergence of youth sub-culture that was just gaining a foothold at the time. The children of the sixties were waking up, and for the first time they had the guts not to listen to their parents or authority. It’s not the cry of an anarchist punk, but more the shout of I’m getting my ear pierced and I don’t care what you say! by a rebellious teenager. Mild, oh so mild, but still beyond what their parents were capable of. This album helped forge a youthful national identity.

Produced by Ross Wilson (ex Daddy Cool) and put out on the emerging Mushroom records label, the production is clean and crisp and captures the state of the songs much as they were when Skyhooks performed them live. Wilson reportedly fought for production duties on Living in the 70’s so that the content was not deliberately watered down to suit the mature taste of the times.

Filled with sex, drugs, and rock and roll, six of the ten tracks were banned by the Federation of Australian Commercial Broadcasters, which dictated airplay on the commercial stations, but rather than hinder sales, the attraction of contraband was too hard for the kids to ignore and they sent the album to No. 1 on the Australian charts for 16 weeks.

In retrospect it seems hard to comprehend what all fuss was about, but in the political context of the times songs like Smut and You just like me ˜cos I’m good in bed were never going to be passed by the censors. The ambiguity that 1974 could give birth to the material, yet try to immediately abort it, was due more to the hangover of 20 consecutive years of conservative Government than anything else, but the country would quickly get over its headache and go in for another round of binge drinking at the party of which Living in the 70’s was the soundtrack. An Aussie classic!

by Chris (The Rising Storm)

Tracks

1. Livin' in the 70's - 3:42

2. Whatever Happened to the Revolution? - 4:09

3. Balwyn Calling - 3:42

4. Horror Movie - 3:47

5. You Just Like Me 'Cos I'm Good In Bed - 3:44

6. Carlton (Lygon Street Limbo) - 3:56

7. Toorak Cowboy - 3:47

8. Smut (Red Symons) - 5:15

9. Hey, What's the Matter? - 2:48

10.Motorcycle Bitch - 3:56

11.Broken Gin Bottle - 4:13

All songs by Greg Macainsh except where noted

The Skyhooks 

*Greg Macainsh - Bass, Vocals

*Shirley Strachan - Lead Vocals 

*Red Symons - Guitar, Vocals, Mandolin

*Bob "Bongo" Starkie - Guitar, Vocals

*Imants Alfred "Freddie" Strauks - Drums, Percussion

With 

*Peter Sullivan - Vibes, Arp Synthesizer

*Greg Sneddon - Arp Synthesizer

*Liam Bradley - Vibes, Marimba, Xylophone

*Ross Wilson - Vocals

*Pat Wilson - Vocals

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P.F. Sloan - Raised On Records (1972 us, wonderful folk rock)

Take a moment to consider a number of the songs written or co-written by Philip "P.F." Sloan: "Secret Agent Man," "Eve of Destruction," "Let Me Be," "Where Were You When I Needed You," "You Baby," "A Must to Avoid," "Another Day, Another Heartache."  Yet the songwriter, who died on November 15 at the age of 70, may be best known for the bittersweet, elegiac ode penned by his colleague and admirer, Jimmy Webb.  "I have been seeking P.F. Sloan," Webb's song begins.  "But no one knows where he has gone..."

by Joe Marchese

Raised on Records was a reflection of its times, with P.F. Sloan entering a mellower singer/songwriter phase, in tune with trends of the early 1970s. It almost seems as if Sloan has been influenced by James Taylor, and to a much lesser extent other low-key performers of the ilk like Cat Stevens - not nearly so much in his songwriting as in the laidback production. Sloan's underrated singing is good, and his writing is fair. By most singer/songwriter contrasts, this would be considered a respectable release.

by Richie Unterberger

Tracks

1. Let Me Be - 2:47

2. The Way You Want It To Be - 4:05

3. The Night The Trains Broke Down - 4:19

4. The Moon Is Stone - 4:13

5. Raised On Records - 4:09

6. Springtime - 4:34

7. Como - 3:11

8. Sins Of A Family - 3:35

9. Turn On The Light - 3:03

10.Midnight Girl - 2:52

11.Somebody's Watching You - 4:16

Music and Lyrics by P.F. Sloan 

Musicians

*P.F. Sloan - Guitar, Harmonica, Vocals

*John Barbata - Drums

*James Barton - Dobro

*John Baylor - Vocals

*Barry Beckett - Organ

*Ben Benay - Banjo, Guitars, Ukulele

*Richard Bennett - Steel Guitar 

*Hal Blaine - Drums

*Phyllis Brown - Vocals

*James Burton - Dobro

*Conte Candoli - Trumpet

*Evangeline Carmichael - Vocals

*Duane Eddy - Guitar

*Alan Estes - Congas

*Chris Ethridge - Bass

*Loren Farber - Vocals

*Mitch Gordon - Vocals

*Bobbye Hall - Percussion

*Ron Hicklin - Vocals

*Jim Horn - Flute, Tenor Saxophone

*Dick Hyde - Trombone

*Jackie Kelso - Guitar, Baritone Sax, Wind

*Larry Knechtel - Piano, Electric Piano 

*Robert Krantz - Violin

*Ida McCune - Vocals

*Mike Melvoin - Bass

*Mike Metzion - Bass

*Ollie Mitchell - Trumpet

*Michael Omartian - Accordion, Keyboards, Organ, Electric Piano 

*Joe Osborn - Bass, Drums

*Wayne Perkins - Guitar, Keyboards, Piano

*Sid Sharp - Strings

*Sally Stevens - Vocals

*Tony Terran - Trumpet

*Tata Vega - Vocals

1965  P.F. Sloan - Songs Of Our Times (2014 Japan SHM) 

1965-66  PF Sloan - Precious Time / The Best Of (vinyl edition)

1968  P.F. Sloan ‎- Measure Of Pleasure (2006 issue)

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