Founded in 1967 at the University of Wisconsin-Stout by singer/guitarist Paul Rabbitt and bass player Bob ‘Hippie’ Collins, the group was originally known as the Tennis Shoe Tongue Band. … (The band) quickly became student body favorites for its blues-based hard rock sound and ferocious live shows. …
“Tongue toured extensively with another Wisconsin band, Soup, and opened shows for many headliners on the Midwest concert circuit. Tongue toured with the Cleveland-based rock band James Gang, featuring Joe Walsh, and played with Chuck Berry, Cheap Trick, Michigan’s own Ted Nugent and Alice Cooper. … After gigging around the Midwest for a decade, the Tongue called it quits in 1976.
by Steve Seymour
Tracks
1. Homely Man Blues (Paul Rabbitt) - 3:44
2. Get Your Shit Together (Paul Rabbitt) - 2:28
3. The Earth Song (Paul Rabbitt, Bob Collins) - 7:00
4. The Prophet (Paul Rabbitt) - 3:45
5. Sidewalk Celebration (Paul Rabbitt) - 3:13
6. Slap Her Down Again Paw (Alice Cornett, Eddie Asherman, Polly Arnold) - 0:26
7. Every Time (Mick Larson, Paul Rabbitt) - 3:02
8. Get Down (Dick Webber, Paul Rabbitt, Bob Collins, Mick Larson) - 3:00
9. Morning Dew (Bonnie Dobson) - 7:29
10.Jazz On The Rag (Paul Rabbitt) - 2:39
11.Keep On Truckin' (Donovan Leitch) - 3:20
12.Hashish (Paul Rabbitt) - 0:04
13.Stained Glass Window (Paul Rabbitt) - 4:43
14.Hey Hey Moma (Paul Rabbitt, Mick Larson, Bob Collins) - 2:13
Bonus Tracks 13-14
A really strong set with great rock & soul groove in the best style of some of the other Bay Area crossover groups from the time! The line up here is augmented by some positively soaring backing chorus vocals credited to the Blackberries – a nice counterpoint to the grittier lead vocals of Charlie Allen. The tunes range from an emotive rock & soul vibe to more of a chugging rock groove. Overall it's got some heavy guitar with good wah-wah moments, rock-oriented vocals with a soulful sound! Tracks "When The Sun Shines", "See The Monkey Run", "Short Dogs & Englishmen", "Recall", "Death Row #172", and "The Time Has Come (To Make Your Piece)" and more.
Tracks
1. Rock And Roller's Lament (Charlie Allen) - 3:15
2. Recall (Charlie Allen, Frank Petricca) - 4:24
3. One More River To Cross (Daniel Moore) - 2:42
4. Death Row #172 (Charlie Allen, Frank Cook, John Hill) - 5:33
5. Short Dogs And Englishmen (Charlie Allen) - 6:30
6. See The Monkey Run (Steve Beckmeier) - 2:34
7. The Time Has Come (To Make Your Peace) (Ron Woods) - 3:14
8. Thank God For You Baby (Charlie Allen, John Hill) - 6:54
9. When The Sun Shines (Ken Utterback) - 4:10
Pacific Gas And Electric
*Ken Utterback - Lead Guitar
*Frank Petricca - Bass
*Jerry Aiello - Organ
*Ron Woods - Drums
*Joe Lala - Conga, Timbales
*Alfred Gallegos -Tenor Sax
*Virgil Gonsalves - Baritone Sax
*Stanley Abernathy - Trumpet
*Charlie Allen - Vocals
*The Blackberries - Background Vocals
The Cap Ferrat Sessions – exists thanks to Alvin Lee’s wife, who discovered a box of recordings in their house in Spain. Chris Kimsey recorded and engineered these tracks originally (they formed part of the Rock N Roll Music To The World sessions) which is why Chrysalis Records turned to him to mix them for the first time. Cap Ferrat is in the South of France, situated between Nice and Monaco.
Kimsey has set the record straight in terms of the quality of these newly-found tracks: “Alvin and the band were incredibly creative and abundant during this period. These re-discovered recordings were not rough demos, not rehearsals, but completed masters that did not make the album due to the time limitations of vinyl at the time. So these gems were left off. Mixing this in 2017 I began to study the parts, the playing, the response of each musician. It was amazing! It is what all great recordings are made of.”
by Paul Sinclair
The Cap Ferrat Sessions, which contains five tracks laid down in 1972 – but were later forgotten.
Drummer Ric Lee says: “We recorded in the south of France using the Rolling Stones Mobile Studio, in a villa in Cap Ferrat.
“Each of the instruments were recorded in a different room – the drums were in the ballroom. Between our engineer, Chris Kimsey, and me, we managed to get one of the best drum sounds on any Ten Years After recording.
“The tracks were originally planned for the Rock & Roll Music To The World album, but due to vinyl restrictions of the time, they weren’t included.”
Kimsey was 21 years old when he first worked on the Cap Ferrat tracks – but 45 years later, and with a career that includes collaborations with the Stones, Bad Company and Peter Frampton among his credits, he went back to work on them.
“Alvin and the band were incredibly creative and abundant during that period,” Kimsey says. “These rediscovered recordings were not rough demos or rehearsals, but completed masters that did not make the album.
“Mixing this in 2017 I began to study the parts, the playing, the response of each musician. It was amazing – it’s what all great recordings are made of.”
by Martin Kielty
Tracks
1. Look At Yourself - 4:20
2. Running Around - 5:34
3. Holy Shit - 3:01
4. There's A Feeling - 3:32
5. I Hear You Calling My Name - 11:11
All songs by Alvin Lee
Ten Years After
*Alvin Lee - Guitar, Vocals
*Leo Lyons - Bass
*Ric Lee - Drums
*Chick Churchill - Organ
Rare Earth's “Willie Remembers” (again co-produced by Baird and the band) hit the charts on 25 November 1972, peaking at a disappointing #90 while charting for 20 weeks. Michael Urso (bass and vocals) replaced original member John Persh. For the first time, the band put out an album of almost entirely original material. Unfortunately, the album did not sell, despite having many good moments. The album had two singles “Good Time Sally” and “We’re Gonna Have A Real Good Time” but neither sold well, topping out at #67 and #93 respectively.
The band’s fortunes were fading. Fortunately for collectors both single edits are included on “Anthology” and serve notice that although the band’s singles were no longer top 10 or even top 20 smashes, they were certainly worthy efforts. But the times had changed. Music headed in a more progressive direction, and the band’s brand of psychedelic rhythm and blues turned breezy, good time music waned in favor. Motown thought it was ‘too white’ and refused to promote it.
by Kevin Rathert
Tracks
1. Good Time Sally (Tom Baird) - 2:53
2. Every Now And Then We Get To Go On Down To Miami (Dino Fekaris, Nick Zesses) - 3:11
3. Think Of The Children (Ray Monette, Mark Olson, Pete Rivera) - 5:36
4. Gotta Get Myself Back Home - 3:02
5. Come With Your Lady - 5:47
6. Would You Like To Come Along - 2:48
7. We're Gonna Have A Good Time - 3:25
8. I Couldn't Believe What Happened Last Night - 12:29
All sons by Gil Bridges, Eddie Guzman, Ray Monette, Mark Olson, Pete Rivera except where noted
There was something very special about being able to live a life split between two worlds, one quiet and countrified, and the other - on the road or in the heart of London's nightlife!
I think you can hear that contrast in the music itself: a mixture of focused energy and laid-back calm. It was a reflection of the way we lived and worked. We all came from a heavily industrialised Welsh seaport that was closely surrounded by mountains and wild romantic countryside; it was the contrast that inspired us.
And it still inspires me. I am about to release a new Blonde On Blonde album. The music's already 'in the can' and includes songs from Blonde On Blonde's live performances that were not previously released. It also includes some very recent material. The new album is called "Coldharbour" (another name for my hometown Newport). It was hearing "Rebirth" again that brought me determination to complete the project.
In the meantime, I hope you enjoy the sounds of 1970 so faithfully captured here on this reissued CD. When I listened to it again, it was like taking a ride in a time capsule in my own head. The sound and the memories are crystal clear.
by David Thomas
Tracks
1. Gene Machine (Gareth Johnson) - 2:12
2. I Don't Care (Dave Thomas, Gareth Johnson) - 2:40
3. Love Song (Dave Thomas) - 6:45
4. Bar Room Blues (Dave Thomas) - 5:30
5. Sad Song For An Easy Lady (Dave Thomas) - 4:14
6. Ain't It Sad Too (Gareth Johnson) - 4:25
7. The Bargain (Dave Thomas) - 4:16
8. The Rut (Graham Davies) - 5:29
9. Happy Families (Gareth Johnson) - 3:50
10.No. 2 Psychological Decontamination Unit (Gareth Johnson) - 3:03
11.Chorale (Forever) (Gareth Johnson) - 4:53
12.Sad Song for An Easy Lady (Single Version) (Dave Thomas) - 3:34
Blonde On Blonde
*Graham Davies - Acoustic Guitar, Guitar, Bass Guitar, Banjo, Vocals
*Gareth Johnson - Lead Guitar
*Les Hicks - Percussion
*Dave Thomas - Vocals, Acoustic Guitar, Bass Guitar, Harmonica
Blonde on Blonde's second album, Rebirth, was a more focused body of music than their debut; it also constituted the recording debut of the group's second lineup: David Thomas (vocals, guitar, bass), Gareth Johnson (sitar, lead guitar, lute, electronic effects), Richard Hopkins (bass, keyboards), and Les Hicks (drums, percussion).
Whether they're doing the spacy, airy, psychedelic pop of "Castles in the Sky" or the folky "Time Is Passing," the group attack their instruments as though they're performing live, and the effect is riveting throughout, even when the melodic content flags slightly. Thomas' voice is powerful if a little over-dramatic at times, but when the band keeps things moving, there's enough richness of content to carry the album and then some; the band was probably really interesting in concert, too, based on the evidence here. And for once with a band like this, trying to encompass psychedelia, folk-rock, hard rock, and progressive rock between two covers, they don't over-reach on their magnum opus "Colour Questions," the record's 12-minute centerpiece.
The group's prog rock impulses are also expressed on the album's original closer, "You'll Never Know Me/Release," which is a tour de force for Richard Hopkins' keyboard playing; unlike most of the competition, Blonde on Blonde seems not to have gravitated to the Moog synthesizer or the Mellotron, and the difference is refreshing, Hopkins' grand piano and organ speaking volumes in their own resonant language.
by Bruce Eder
Tracks
1. Castles In The Sky (Eve King, Paul Smith) - 3:29
2. Broken Hours (David Thomas) - 3:40
3. Heart Without A Home (Gareth Johnson) - 5:27
4. Time Is Passing (Les Hicks, David Thomas) - 2:40
5. Circles (Gareth Johnson) - 7:23
6. November (David Thomas) - 3:09
7. Colour Questions (David Thomas) - 12:07
8. You'll Never Know Me (Gareth Johnson)/Release (Richard John) - 7:46
9. Circles (Single Version) (Gareth Johnson) - 3:30
10.Castles In The Sky (Alternate Version) (Eve King, Paul Smith) - 3:24
11.Time Is Passing (Alternate Version) (Les Hicks, David Thomas) - 3:45
Blonde On Blonde
*Gareth Johnson - Lead Guitar, Sitar, Lute, Electronic Effects
*David Thomas - Vocals, Guitar, Bass
*Richard Hopkins (Aka Richard John) - Bass, Keyboards
*Les Hicks - Drums, Percussion
Guitarist Les Dudek has played with some of rock and pop's biggest names (Stevie Nicks, Steve Miller, Dave Mason, Cher, Boz Scaggs, and the Allman Brothers Band, among others), in addition to issuing solo albums on his own. Born on August 2, 1952, in Rhode Island, Dudek began playing guitar at the age of 11 (first inspired by such pop hitmakers as Elvis Presley and the Beatles), and only three years later, would sneak into bars to play with bands. It was during his teenaged years that Dudek discovered such blues masters as Freddie, Albert, and B.B. King, as well as such then-modern day blues rockers as Paul Butterfield and Steve Miller. By the early '70s, Dudek was residing in Florida, playing in the obscure group Power, whose keyboard player was friends with the Allman Brothers' Dickey Betts. Soon a friendship was struck up between Betts and Dudek, as Betts contemplated forming a side band in addition to his Allman duties. The duo cut some demos, but the group was disbanded when work on the Allman's classic Brothers and Sisters album got underway. But Dudek was present for the recording sessions, laying down some guitar lines alongside Betts on "Ramblin' Man" and helping co-write one of the Allman's best-known songs, "Jessica" (for which Dudek also played on).
After his brief detour with the Allman Brothers, Dudek signed on with Boz Scaggs, playing with him for five years and appearing on the 1976 release Silk Degrees. Dudek became friends with one of his main guitar influences during this time, Steve Miller, leading to a co-headlining tour between Scaggs and Miller, which saw Dudek appearing with both artists each night. (Miller would subsequently record a few of Dudek's original compositions, including "Sacrifice" for his Book of Dreams release, while Dudek also played on Miller's Fly Like an Eagle album.) A planned acoustic tour with just Dudek and Miller was shelved at the last minute, as Dudek returned for a tour with Scaggs. With all this activity, Dudek still found time to sign a solo deal with Columbia Records, issuing four albums between 1976 and 1981 -- 1976's self-titled debut, 1977's Say No More, 1978's Ghost Town Parade, and 1981's Gypsy Ride -- as well as launching the DFK Band (which saw Dudek joined by keyboardist Mike Finnigan and guitarist Jim Krueger), who issued a lone, self-titled release in 1979.
Dudek also played with Cher briefly in the early '80s, as the famous singer attempted to launch a rock-based outfit, Cher & Black Rose, which failed to get off the ground due to record label turmoil. Cher launched her successful movie acting career shortly thereafter and even helped Dudek land a bit part in 1985's Mask as a boyfriend (Cher and Dudek demoed a song for the movie which has remained unissued). Dudek then guested on Stevie Nicks' 1985 release, Rock a Little, and was the guitarist on the album's ensuing tour. The '90s saw Dudek return to his blues roots, as he appeared on Steve Miller's back-to-basics release, 1993's Wide River, and issued his fifth solo release overall, 1994's Deeper Shade of Blues.
by Greg Prato
Tracks
Disc 1 Les Dudek 1976
1. City Magic - 5:30
2. Sad Clown - 5:19
3. Don't Stop Now - 3:54
4. Each Morning - 7:27
5. It Can Do - 6:29
6. Take The Time - 4:07
7. Cruisin' Groove - 4:08
8. What A Sacrifice - 7:01
All songs written by Les Dudek except "What A Sacrifice" by J. Cooke, Les Dudek.
Disc 2 Say No More 1977
1. Jailabamboozle - 3:06
2. Lady You're Nasty - 4:40
3. One To Beam Up - 2:05
4. Avatar - 5:00
5. Old Judge Jones - 4:56
6. Baby Sweet Baby - 5:35
7. What's It Gonna Be - 3:27
8. Zorro Rides Again - 5:50
9. I Remember - 2:07
All songs written and arranged by Les Dudek Musicians 1976 Les Dudek
*Les Dudek - Vocals, Guitars
*Jeff Porcaro - Drums
*Gerald Johnson - Bass
*David Paich - Piano, Organ
*Maxine Green, Pepper Swenson, Jeri Stevens, Carolyn Willis, Myrna Matthews, Rebecca Louis - Background Vocals
*Chuck Rainey - Bass
*Mailto Correa - Congas
*Jim Hugart - Bass
*Tom Scott - Lyracon
*David Hungate - Bass
*Boz Scaggs - Backing Vocals
1977 Say No More
*Les Dudek - Guitars, Vocals
*Alan Feingold, David Paich, Ted Stratoin - Keyboards
*Jeff Porcaro - Drums
*Gerald Johnson - Bass
*Kevin Calhoon, Reymondo, Pat Murphy - Percussion
*Sherlie Matthews, Rebecca Louis, Clydie King - Background Vocals
*Joachiem Young - Organ
*David Sancios - Organ
*Chuck Rainey - Bass
Piblokto is an Inuit word describing a “dissociative fugue state, usually occurring in Inuit women, in which the afflicted person screams, tears off her clothes, and runs out into the snow; afterward, she has no memory of the episode.” Piblokto! is also the name of a band fronted by Pete Brown between 1969 and 1971.
Pete Brown is one of those rare mavericks who really should be a household name, but for whatever reason the gods of rock, the furies, luck, life or what you may call it, didn’t always give Brown and his talents the rewards he so justly deserves.
Brown is a poet, a lyricist, a musician, a composer, a songwriter, a singer—the man Eric Clapton described as the “fourth member” of supergroup Cream. It was through Cream that Brown first came to recognition as the lyricist for Jack Bruce on such hits as “Sunshine Of Your Love,” “White Room,” “I Feel Free,” and “Politician.” Brown’s success with Cream led him to form his own band, Pete Brown and His Battered Ornaments, which included Chris Spedding among its ranks. With the Battered Ornaments, Brown released the influential album A Meal You Can Shake Hands With In The Dark.
In 1969, the Rolling Stones booked Brown and co. as support for their free Hyde Park concert. The prospect of world recognition never seemed so certain—but life is never so straightforward or so easy.
The day before appearing on stage with the Stones, Brown was ruthlessly kicked out of his own band. Even worse, his vocals were excised from the Battered Ornaments’ album Mantlepiece and replaced by Spedding’s.
Some may have given up, but not Brown, who formed a new band Pete Brown and Piblokto! releasing two albums Things May Come and Things May Go but the Art School Dance Goes on Forever and Thousands On A Raft in 1970.
Piblokto!‘s music was a pioneering fusion of poetry, folk, rock, jazz, prog, and for these two albums alone, Brown and his fellow musicians (Jim Mullen, guitar; Dave Thompson, keyboards; Steve Glover, bass; Rob Tait, drums) should have been overnight sensations—but again, it didn’t quite work out that way.
The band split and Brown went on to collaborate with Graham Bond on the album Two Heads Are Better Than One, before forming two new groups Brown and Friends then the Flying Tigers. In some respects his moment had passed, and with the arrival of punk, Brown returned to writing, this time producing television dramas and screenplays.
In the early seventies, Pete Brown and Piblokto! made two appearances on the French TV show Pop 2, where they performed rip-snorting renditions of “Aeroplane Head Woman,” “Golden Country Kingdom,” and “Got a Letter From a Computer.”
by Paul Gallagher
Tracks
1. Things May Come and Things May Go, But the Art School Dance Goes on Forever (Pete Brown) - 5:06
2. High Flying Electric Bird (Pete Brown, Jim Mullen) - 4:18
3. Someone Like You (Pete Brown) - 5:49
4. Walk for Charity, Run for Money (Pete Brown, Jim Mullen, Roger Bunn) - 5:31
5. Then I Must Go and Can I Keep (Pete Brown, Chris Spedding) - 3:53
6. My Love Is Gone Far Away (Pete Brown, Chris Spedding) - 2:50
7. Golden Country Kingdom (Pete Brown, Jim Mullen) - 3:11
8. Firesong (Pete Brown) - 6:01
9. Country Morning (Pete Brown, Roger Bunn) - 6:48
10.Flying Hero Sandwich (Pete Brown) - 3:18
11.My Last Band (Pete Brown) - 3:03
Quoting Damon Runyon on both the back cover and inside the gatefold, Brief Replies warns "Do not sweet-talk me sweet-talker, for I am no stranger...." Music that was too literate for the time, the second album from Ten Wheel Drive emerged as Jimi Hendrix and Janis Joplin were making their exits in 1970. "Pulse" was intended to be the opening track, and it would have been a great one, but despite being listed that way on the back cover, it is actually the third band on the vinyl's first side, and is evidence that sequencing is so key. "Morning Much Better" opens the album without the sledgehammer blues of this Genya Ravan/Michael Zager funk-rock dirge. It is explosive without the Top 40 appeal of Blood, Sweat & Tears. Going further down the road of complete artistry, "Come Live with Me" pulls away from the big-band sound, leaving the authors -- Genya Ravan on a wailing harp and voice along with co-writerAram Schefrin's guitar.
The thing about Ten Wheel Drive is their defiance toward what was considered conventional at the time. Each song on all three of their long-players, those on the 1969 debut Construction, and the polished gems from 1971's effort with Alice in Wonderland cartoons on the cover, Peculiar Friends (are better than no friends at all) break down barriers and stretch the formats of the day. They reached their pinnacle with a cover of the Jerry Ragovoy/George David Weiss masterpiece, "Stay with Me." Janis Joplin's last producer, the late Paul Rothchild -- who created many a Doors album, had Bette Midler sing in the film The Rose what Genya Ravan gave birth to here. But it is Ravan's harp and dynamic and soulful performance which puts the tune over the top. The compact, radio-friendly tour de force is a departure from the lengthier jams like "How Long Before I'm Gone." Though they change moods enough within a tune like this before veering off into the scribblings which made Chicago Transit Authority such a labor, it was still too progressive for rock audiences who were driven by the Top 40 single. That Clive Davis could edit Ragovoy's "Piece of My Heart" on behalf of Big Brother & the Holding Company was one of the reasons Big Brother's album (and single) charted so high.
When Ravan left TWD for her solo outings, including one on Columbia with Davis as president, that too failed to generate the excitement a talent like Genya Ravan deserved then, as she does now. "Last of the Line" shows her chameleon-like skills, and those of the band as well. She started as one of the pioneers of the girl group sound in the '60s reinvented herself in this experimental pop/jazz unit, and went on to put out solid rock & roll solo albums in the '80s. Had the songwriting duo of Michael Zager and Aram Schefrin continued working with Ravan, she would have a body of work that would be impressive, and they would no doubt be household names. There is every indication of that here, especially on "Last of the Line," perhaps the most commercial of Zager and Schefrin's tunes. A classy hook about a ramblin' gal..."the last branch of the tree/which will die with me/I'm the last of the line." The instrumental "Interlude: A View of Soft" concludes this special album with Ravan's voice used as an instrument, as accurate as David Liebman's flute and sax. Powerful music that should have been stretched out over 25 or so albums.
by Joe Viglione
Tracks
1. Morning Much Better (Genya Ravan, Michael Zager) - 2:36
2. Brief Replies (Aram Schefrin, Michael Zager) - 5:35
3. Pulse (Genya Ravan, Michael Zager) - 4:21
4. Come Live With Me (Aram Schefrin, Genya Ravan) - 5:22
5. Stay With Me (George David Weiss, Jerry Ragovoy) - 4:20
6. How Long Before I'm Gone (Aram Schefrin, Michael Zager) - 6:45
7. Last Of The Line (Aram Schefrin, Michael Zager) - 5:21
8. Interlude: A View Of Soft (Aram Schefrin, Michael Zager) - 3:53
This exemplary recording by songwriters Aram Schefrin, Mike Zager, and singer Genya Ravan was highly experimental in ways that Chicago, Big Brother & the Holding Company, Traffic, and other of their contemporaries wanted to be. Imagine Ronnie Spector leaving the Ronettes to join Blood, Sweat & Tears, and realize the sweet Goldie Zelkowitz from Goldie & the Gingerbreads did just that by reinventing herself here as the great Genya Ravan. The Ravan co-write, "Tightrope," is five-minutes-and-ten-seconds of psychedelic blues-jazz-funk. This is the sound Janis Joplin would refine for her Kozmic Blues experience, and while Janis Joplin and Kozmic Blues performed at Woodstock, Ten Wheel Drive were getting such a buzz they turned Woodstock down.
History would, indeed, have been different had they played "I Am a Want Ad" at that event, but with Sid Bernstein as co-manager, and songs like "Lapidary," the band had a lot going for it. "Lapidary" is a complete about face, Traffic's "John Barleycorn" with a female vocalist. "Eye of the Needle," on the other hand, was an eight-minute-plus show stopper of horns and guitars that come in like some country's national anthem. With Ravan's amazing wail at the end, it becomes powerful stuff. Songwriter Louie Hoff got to arrange his "Candy Man Blues," which puts Ravan in a nightclub setting, the piano and flutes changing the mood dramatically. This is such an adventurous and remarkable record by such a talented crew, it is a shame they didn't record 20 or more platters.
A Polydor executive made a statement that if they couldn't break Slade, they weren't a real company. Polydor did, in fact, fail to launch that British supergroup in America, and one wonders if these recordings were made for another label, if oldies stations wouldn't be playing Ten Wheel Drive today. "Ain't Gonna Happen" is extraordinary, showcasing a band on the prowl and a singer who pounces every chance she gets with a voice that does all sorts of wild things. If "Polar Bear Rug" and "House in Central Park" were a bit too evolved for Top 40, their A&R man should have brought them a single. Ten Wheel Drive could, like Etta James, play to those who crave this wonderful fusion of jazz and blues with a rock edge. A Ten Wheel Drive reunion, bringing this music back on-stage, is something that would make the world a better place.
by Joe Viglione
Tracks
1. Tightrope (Genya Ravan, Leon Rix) - 5:10
2. Lapidary (Aram Schefrin, Mike Zager) - 4:32
3. Eye Of The Needle (Aram Schefrin, Mike Zager) - 8:11
4. Candy Man Blues (Elizabeth Hoff, Louie Hoff) - 4:36
5. Ain't Gonna Happen (Aram Schefrin, Mike Zager) - 5:37
6. Polar Bear Rug (Aram Schefrin, Mike Zager) - 4:34
7. House In Central Park (Aram Schefrin, Mike Zager) - 4:32
8. I Am A Want Ad (Aram Schefrin, Mike Zager) - 4:27
