Velvet Night - Velvet Night (1970 us, terrific misty shady psych rock, 2008 edition)

Don’t expect Velvet Night to comfort you to sleep.  This ain’t your father’s flower power.  This is deep, dark stuff, recorded at the very end of psychedelia, when things got serious, and yesterday’s flower children suddenly realized that the world wasn’t gonna change.  Velvet Night is dark.  Spooky even.  Eerie, doom-laden, brooding tracks that take their cue from the darker Steppenwolf stuff (Monster).

Recorded in 1969, these White Plains NY kids created a horror show of late psych, which they fully admitted to on “Freak Show,” a slow bluesy creeper with spirally spiderweb organ and the fantastic and sexy sorceress vocals of Lynn Boccumini.  The title track could be the theme to a biker gang horror film, like Werewolves on Wheels say, with an instantly catchy big guitar riff set to a spooky rhythm.

“Edge Of The Woods” is another creepy psych crawler, with frantic stutterstep fuzz riff, sweeping Hammond and wailing banshee backing vocals, like some dark Wagnerian opera on brown acid.  There’s also a ten-minute Cream medley, where they mash-up crude Vanilla Fudge-like versions of “I Feel Free,” “Sunshine Of Your Love” and “White Room” with one of the weirdest ambient tribal percussion takes on “I’m So Glad” I’ve ever heard.

If Ginger Baker were ever trying to raise ancient spirits from the dead, this is probably how he would’ve played it.  No doubt about it – the smoky purple reverse image cover tells you all you need to know.  This is music from the other side of the mirror.  Tales from the dark side.  This is one Wonderland Alice won’t be coming back from.

Unknown Soldier

Tracks
1. Season Of The Witch (Donovan Leitch) - 7:02
2. Velvet Night (Jimmy Curtiss, Steve Kanyon) - 2:58
3. Freak Show (Jimmy Curtiss, Hillman, Phillips) - 3:45
4. Tribute - 9:16
.a.I Feel Free (Jack Bruce, Pete Brown)
.b.Sunshine Of Your Love (Jack Bruce, Pete Brown)
.c.White Room (Jack Bruce)
.d.I’m So Glad (Skip James)
5. The Weight (Robbie Robertson) - 5:06
6. Edge Of The Woods (Jimmy Curtiss, Steve Kanyon) - 3:24
7. Don’t Let Them Stand In Your Way (Vinnie Nisi) - 2:57
8. If I Were A Carpenter (Tim Hardin) - 5:05
9. I'm Sure He'll Come Most Anytime (Jimmy Curtiss, B. Strickland) - 2:37

The Velvet Night
*Lynn Boccumini - Vocals
*Doug Catuogno - Percussion
*Frank Chiaro - Bass
*Tony Faranda - Guitar
*Peter Fuino - Sax,Flute,Vocals
*Vinnie Nisi - Keyboards,Vocals

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Raw Material - Raw Material (1970 uk, excellent prog psych rock, 2003 remaster and vortex extra tracks issue)

The A-side of their eponymous debut album, from the London based quintet, includes three strong, long tracks: "Time And Illusion", which had a long instrumental break and vibraphone on leading role; "I'd Be Delighted", which featured strong vocals, good flute and sax work and "Fighting Cock", which builds in strength after a mellow beginning. The finale, "Destruction", is a poetry recitation with unidentified orchestral backing.

Tracks
1. Time And Illusion (Victor Smith) - 7:30
2. I'd Be Delighted (Ed Welch) - 5:06
3. Fighting Cock (Ed Welch) - 3:48
4. Pear On An Apple Tree (Ed Welch, Phil Sawyer) - 2:58
5. Future Recollections (Colin Catt, Phil Gunn) - 3:54
6. Traveller Man (Klodzinski, Page, Dave Green) - 6:13
7. Destruction Of America (Colin Catt, Herbie Flowers, Phil Gunn) - 2:20
8. Time And Illusion (Single Version) (Victor Smith) - 3:10
9. Hi There Halleluja - 2:45
10.Bobo's Party - 3:12
11.Days Of Fighting Cock - 3:07
Bonus Tracks 8-11

The Raw Material
*Colin Catt - Vocals, Keyboards
*Mike Fletcher - Sax, Flute, Vocals
*Dave Green - Guitar
*Phil Gunn - Bass, Guitar
*Paul Young - Percussion

1971  Raw Material - Time is...

Related Act
1971  Deep Feeling - Deep Feeling (japan edition)

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Raw Material - Time is... (1971 uk, great heavy prog rock)

A progressive rock band whose original albums are now very rare and sought-after. Mike Fletcher had earlier been in Steam and Cliff Harewood later came on board from Welcome, but neither of these bands had made it onto vinyl. Some members were later in Shoot; Dave Green had been a member of Deep Feeling.

"Time Is…" with good progressive pieces based on heavy guitar and sax as well as the latter accompanied by keyboard chords. "Ice Queen" includes frozen wind sounds and a slightly discordant flute solo. The most sophisticated composition is "Empty Houses", which has some inspired melodies and strong vocals. "Insolent Lady" has a slow, mellow beginning with acoustic guitar and flute. 

This gives way to a piano break which, in turn, evolves into progressive rock with guitar and sax, although this becomes a bit repetitious near the end. "Miracle Worker" is mainly based on Dave Brubeck's "Take Five" rhythm. "Religion" is mainly built around sax and guitar passages. Finally, "Sun God" has some mellow, melodic moments featuring acoustic guitar, flute and electric guitar reminiscent of early Pink Floyd; a short heavy rock break and an instrumental part with some guitar leads in a more psychedelic vein.

The Tapestry of Delights 

Tracks
1. Ice Queen (Cliff Homewood, Colin Catt, Dave Green, K. Catt, Michael Fletcher, Phil Gunn) - 6:42
2. Empty Houses (Dave Green) - 7:32
3. Insolent Lady (Dave Green) - 8:53
.a.Bye The Way
.b.Small Thief
.c.Insolent Lady
4. Miracle Worker (Colin Catt, Dave Green, Phil Gunn) - 4:47
5. Religion (Colin Catt, Michael Fletcher, Paul Young, Phil Gunn) - 4:27
6. Sun God (Colin Catt, Michael Fletcher, Paul Young, Phil Gunn) - 11:14
.a.Awakening
.b.Realization
.c. Worship

The Raw Material
*Colin Catt - Vocals, Keyboards
*Mike Fletcher - Sax, Flute, Vocals
*Dave Green - Guitar
*Phil Gunn - Bass, Guitar
*Paul Young - Percussion

Related Act
1971  Deep Feeling - Deep Feeling (japan edition)

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The Griffin - The World's Filled With Love (1968 us, fabulous colorful beat psychedelia, vinyl edition)

Griffin was an obscure flower power pop psych band  with their 1968 ABC label album, optimistically titled “The World’s Filled With Love.” And anyone with a sweet tooth for the first two Strawberry Alarm Clock long players, or the mystical but still pop-centrific later Monkees albums, or anyone who still believes the world is filled with bunnies and pink cotton candy clouds, will find Griffin ’s naïve but surprisingly trippy outlook on life pretty reassuring.  

Griffin summoning up their inner Kahlil Gibrans when they sing “Know thyself is just a phrase, till some have passed through the haze. I’ve figured out the maze, in my other life.” As Ravi Shankar’s dad, I’m guessing, since they surround it with the same kind of floaty, mystical sitar and tabla head zones that George did on his passages to India , all bellydancing rhythms, snakey sitar lines and om-like chanting background vocals. I’ll take a thousand of these ambitious, “Within You Without You” electric sitar headswirlers over another bad bar band boogie track, and that’s in this life and any of my past lives. 

Elsewhere, the excellent “Magic Carpet Ride” is not a cover of the Steppenwolf karaoke bar perennial, but a tremendous popsike original, with upbeat tempo, moody minor keys and groovy hip lounge bar vocals – definitely a close musical cousin to anything off the first Strawberry Alarm Clock albums. Not quite soft pop, since the frenetic fast-paced rhythm could power any Nuggets band’s next garage single, and not quite garage either, since the lush and trippy vocal harmonies sound positively Beatlesque – this one straddles the genres like some tougher flower power anthem, and features a super groovy electric piano solo that beats the Doors’ “Riders on the Storm” by three full years. They’re still straddling genres on the killer “I’m Movin’ On”, a great organ-led pop punker with the kind of wild freakout break that lifted the Count Five’s “Psychotic Reaction” to legendary garage punk status. But again, the melody’s more pop-savvy than your average Nuggets nugget, so this comes off sounding more like a harder, trippier Monkees – think “Circle Sky” from the soundtrack to Head . 

So if Griffin ’s album straddles the grey area between soft pop and garage punk, it’s only natural. Because the world is filled with love and anger, youthful innocence and teenage aggression. And since every song on “The World’s Filled With Love” is connected to the next by some faint calliope organ music, maybe the world really is filled with pink cotton candy clouds too. 

Worthpoint

Tracks
1. The World's Filled With Love (Vince Morton) - 0:25  
2. Baby, Won't You Come With Me? (Bruce Bentley) - 2:03
3. Give All Your Loving To That Man (Bruce Bentley) - 2:32
4. Small Talk (Vince Morton) - 2:50
5. I'm Takin' The Freeway (Bruce Bentley) - 2:30
6. I'm Movin' On (Bruce Bentley) -  2:50
7. Magic Carpet Ride (Vince Morton) - 3:45
8. The World's Filled With Love (Vince Morton) -  0:25
9. I Could Never Leave You (Bruse Bentley, Jerry Brown, Vince Morton) - 1:50
10.In My Other Life (Jerry Brown) - 3:25                
11.Who Wants A Girl Like You? (Vince Morton) - 2:15
12.Lovely Blossom (Vince Morton, Jerry Brown) - 3:27
13.Murder In The Cathedral (Vince Morton) - 2:32
14.The World's Filled With Love (Vince Morton) - 2:55

The Griffin
*Vince Morton - Keyboards
*Jerry Brown - Percussion And Drums
*Bruce Bentley - Guitars

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Cosmic Dealer - Child Of Tomorrow (1971-73 holland, fantastic psych jam classic rock, 2012 release)

This is the second previously unreleased album by the Dutch psychedelic hard rock band Cosmic Dealer. Their first album “Crystallization” from 1971 is an outstanding and rare masterpiece for all psych collectors and for sure one of the best Euro-Underground rock albums of the 70s. In 1971 the band was shortly disband but found together in 1973 with a few line-up changes but kept the same musical intention: heavy psychedelic, progressive and guitar driven hard rock, with catchy song writing, a few US-Westcoast flashes but also extended instrumental jam excursions.

This album contains 6 songs which were recorded in 1973, plus 3 demos from 1971 and as bonus you´ll find 7"EP with 4 live cuts (25 mins) and was recorded in 1971, including the title track from their debut Crystallization. The album is is carefully re-mastered to catch the real spirit of the beautiful and intense music and contains a poster and a with lots of photos and linernotes. Definitely a must-have piece for all 60s psych freaks!
World In Sound 

Tracks
1. Child Of Tomorrow (Ed Boender) - 3:41
2. Sinners Confession (Kees de Blois, Jan Reynders) - 4:52
3. You're So Good (Ed Boender) - 2:59
4. Lifetime (Jan Reynders, Ed Boender, P. Banks) - 9:12
5. Society (Martin Hansen, Ed Boender) - 4:29
6. Julia (Jan Reynders) - 5:01
7. Don't You Know (Frans Poots, Leen Leendertse) - 4:15  
8. Winterwind (Angelo Noce Santoro, Frans Poots) - 3:36
9. For You (Angelo Noce Santoro) - 4:10
10.Crystallization (Cosmic Dealer) - 6:23
11.Don't You know (Frans Poots, Leen Leendertse) - 6:11
12.The Scene (Frans Poots, Bas Van Der Pol) - 4:59
13.Cosmic Jam (Cosmic Dealer) - 7:59

The Cosmic Dealer
*Frans Poots - Flute, Percussion, Saxophone, Vocals
*Jan Reynders - Guitar, Vocals
*Angelo Noce Santoro - Bass Guitar, Vocals
*Ad Vos - Drums, Percussion
*Kees de Blois - Guitar, Vocals
*Ed Boender - Guitar, Vocals
*Leen Leendertse - Guitar, Vocals

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Carmen - Fandangos In Space / Dancing On A Cold Wind (1973-74 uk / us, amazing hard prog glam psych rock, 2006 remaster and expanded)

Ludicrously ahead of their time, even in the experimental early '70s, Carmen were unlike anything else on the scene, least of all the American scene. The Allen siblings, David and Angela, were raised on flamenco, forming Carmen in 1970 as a way to meld their roots with their love of rock. Unable to find a label in the U.S., the group decamped to London in 1973, hooking up with Tony Visconti, who recorded the band's debut album Fandangos in Space that summer. Songs like "Poor Tarantos" and "Sailor Song" beautifully showcase David's exquisite flamenco guitar, while "Bulerias" and "Retirando" capture the Spanish flavor along with the rock leanings of the group. The title track, in contrast, highlights their more operatic bend, a styling that Queen would more successfully exploit. 

"Fandangos" also boasts a decidedly funky rhythm, and its the album's shifting, intricate, and unique rhythms that further removed them from the pack. "Bullfight" and "Looking Outside (My Window)"'s distinctive rhythm patterns would both be borrowed later in the decade by experimental punk bands like Wire, Fashion and Gang of Four. Carmen's sophomore album, Dancing on a Cold Wind, recorded again with Visconti the following spring, was even more adventurous. The rhythms were more disjointed, the styling more operatic, the sound more majestic.

At points, the album meanders into prog rock, as Angela's spacey keyboard effects swoop across the grooves; elsewhere, British influences strongly surface. Visconti's production understandably emphasizes the glammy feel of this set, the last one rocked, this one glitters in the vastness of the sparse arrangements. Fandangos is the more commercial of the two albums, so much so that many of the songs could receive airplay today. Dancing, in contrast, is the more intriguing for noodlers and lovers of the unique. Angel Air has now reissued both albums together across two CDs, tossing in a pair of bonus tracks to boot. Carmen returns with a passion.

by Jo-Ann Greene

Tracks

Disc 1 Fandangos In Space

1. Bulerias - 5:23

2. Bullfight - 4:17

3. Stepping Stone  (Roberto Amaral) - 2:52

4. Sailor Song - 5:12

5. Lonely House - 4:06

6. Poor Tarantos (Trad. arr. by David Allen) - 1:44

7. Looking Outside (My Window) (David Allen, Roberto Amaral) - 5:07

8. Tales of Spain - 8:58

9. Retirando (John Glascock, Paul Fenton, Andrea Allen, Roberto Amaral, David Allen) - 0:43

10.Fandagos in Space (Roberto Amaral) - 6:36

11.Reprise Finale - 0:56

All compositions by David Allen except as noted

Disc 2 Dancing On A Cold Wind
1. Viva Mi Sevilla - 6:03
2. I've Been Crying (David Allen) - 5:08
3. Drifting Along (Roberto Amaral) - 7:18
4. She Flew Across the Room (David Allen) - 1:31
5. Purple Flowers (Roberto Amaral, John Glascock) - 5:18
6. Table Two for One - 2:15
7. She's Changed - 2:57
8. Gypsy Girl (Caravan) - 1:38
9. The City - 3:12
10.Time (She's no Lady) - 1:24
11.People Dressed in Black - 4:05
12.Dancing on a Cold Wind - 2:11
13.The Horseman - 3:45
14.She's Changed - 2:12
15.Quiriquitu - 2:52
16.Out on the Street - 6:13
All songs by David Allen, Angela Allen, Roberto Amaral, John Glascock, Paul Fenton except where stated

Carmen
*David Allen - Lead Vocals, Electric Guitar, Flamenco Guitar
*Roberto Amaral - Vibraphone, Flamenco Dance, Backing Vocals, Castanets, Lead Vocals
*Angela Allen - Synthesizer, Mellotron, Lead Vocals, Flamenco Dance, Backing Vocals
*John Glascock - Bass Guitar, Bass Pedals, Backing Vocals
*Paul Fenton - Drums, Percussion
*David Katz – Violin (Only Disc 2)
Additional Musicians Disc 2 Dancing On A Cold Wind
*Mary Hopkin - Background Vocals
*Chris Karan - Percussion
*Tony Visconti - Woodwind And String Arrangements
*Danny Thompson - Double Bass

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Grinderswitch - Honest To Goodness (1974 us, great southern boogie rock with excellent guitar parts)

The're Southern, they boogie, they're more liquid then metalic, they're on Capricorn (where else?). 

In 1973 four young musician's, Joe Dan Petty, Larry Howard, Dru Lombar, and Rick Burnett, moved to a farm outside of Warner Robbins, Ga. For 10 months the band wrote and rehearsed material for what was to become their first album on the rising Capricorn label. The album "Honest to Goodness", 

With the release of their first album came non stop touring with The Allman Bros Band, The Marshall tucker Band, The Charlie Daniels Band,Wet Willie and Lynyrd Skynrd. For the next 3 years the band stayed on the road and released the critically acclaimed "Macon Tracks" and "Pullin Together".

Tracks
1. Kiss The Blues Goodbye (Dru Lombar) - 5:02
2. Can't Keep A Good Man Down (Dru Lombar, Larry Howard, Joe Dan Petty, Rick Burnett) - 4:00
3. How The West Was Won (Larry Howard) - 5:28
4. Eighty Miles To Memphis (Joe Dan Petty) - 3:06
5. Catch A Train (Dru Lombar) - 4:48
6. Roll On Gambler (Larry Howard) - 5:22
7. Homebound (Dru Lombar) - 6:51
8. Peach County Jamboree (Dru Lombar) - 3:54
9. You're So Fine (Live Version) (Lance Finnie, Willie Schofield, Bob West) - 3:29

Grinderswich
*Dru Lombar - Lead, Slide Guitars, Lead Vocals
*Larry Howard - Electric, Acoustic Guitars
*Joe Dan Petty - Bass, Backing Vocals
*Rick Burnett - Drums, Congas, Percussion
Guest Musicians
*Paul Hornsby - Piano, Organ, Producer
*Richard Betts - Guitar
*Jaimoe (Jai Johanny Johanson) - Congas

1977  Grinderswitch - Redwing (2010 edition)

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Eyes Of Blue - In Fields Of Ardath (1969 uk, excellent prog psych rock, 2012 remaster and expanded)

Their second album is more progressive. The best tracks are Merry Go Round (from the 'Toy Grabbers' Soundtrack), which is a keyboard-dominated progressive piece with some good guitar breaks and much classical influence; Graham Bond's Spanish Blues, with some jazzy organ; Door, with its spooky vocals, which along with the dreamy title cut indicated the band's interest in the supernatural and the occult (especially reincarnation).

There was a native sensuality in their playing. Eyes Of Blue was musically curious - In Fields of Ardath is now regarded as a classic album of the era and is much sought after by collectors.

Phil Ryan later played in Man, whilst Weathers went onto play with Pete Brown and Piblokto! and Gentle Giant. Ritchie Francis later made a solo album in 1971. The band later recorded as Big Sleep and aided Ancient Grease on their sole album.

Tracks
1. Merry Go Round - 9:07
2. The Light We See (Gary Pickford Hopkins) - 2:13
3. Souvenis (Django Reinhardt, Stéphane Grappelli) - 2:42
4. Ardath (John "Pugwash" Weathers) - 2:36
5. Spanish Blues (Graham Bond) - 4:00
6. Door (Phil Ryan, R. Bennett) - 6:47
7. Little Bird - 2:32
8. After The War (John "Pugwash" Weathers) - 3:31
9. Extra Hour (Phil Ryan) - 2:39
10.Chances - 2:51
11.Apache '69 (J. Lordan) - 4:27
12.QIII (B-Side single) (L. Glas) - 2:31
13.Largo (A-side of Spanish single, released as Big Sleep) (George Frideric Handel) - 3:33
All songs by Ritchie Francis except where indicated

The Eyes Of Blue
*Phil Ryan - Organ, Piano
*Ritchie Francis - Bass, Piano, Vocals
*John "Pugwash" Weathers - Drums, Vocals
*Raymond "Taff' Williams - Guitar
*Gary Pickford Hopkins - Vocals, Guitars

1966-68  Eyes Of Blue - Crossroads Of Time (2012 extra tracks remaster)  

Related Acts
1970  Ancient Grease - Women And Children First (2003 digipak edition)
1971  Big Sleep - Bluebell Wood (2007 remastered edition)
1971  John St. Field - Control
1972  Man - Be Good To Yourself At Least Once A Day (2007 remaster with extra tracks)
1974-75  Neutrons - Black Hole Star / Tales From The Blue Cocoons (2003 issue)

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Eyes Of Blue - Crossroads Of Time (1966-68 uk, great psych prog rock, 2012 extra tracks remaster)

Starting out as a soul-based band from Neath, the Eyes Of Blue gradually turned to the American West Coast sound. All of their recordings are quite collectable.

In collaboration with Quincy Jones they contributed to the 'Toy Grabbers' film score and they later appeared in the film 'Connecting Rooms'. Their albums are diverse with pop, R'n'B, jazz, classical, psychedelic and Eastern influences. The best tracks on the first one are two R'n'B Graham Bond songs (he also wrote the sleevenotes) Love Is The Law and Crossroads Of Time. It also included good versions of Love's 7 And 7 Is and The Beatles' Yesterday. Also noteworthy are their own Inspiration For A New Day and Prodigal Son, which feature some Eastern-sounding psychedelic guitar work.

by Vernon Joynson and Costas Arvanitis

Tracks
1. Crossroads Of Time (Diane Stewart) - 5:01
2. Never Care - 3:20
3. I'll Be Your Friend - 3:51
4. 7+7 Is (Arthur Lee) - 2:34
5. Prodigal Son - 5:31
6. Largo (George Frideric Handel) - 3:16
7. Love Is The Law (Graham Bond) - 5:17
8. Yesterday (John Lennon, Paul McCartney) - 4:24
9. I Wonder Why - 3:16
10.World Of Emotions - 2:50
11.Inspiration For A New Day - 3:10
12.Supermarket Full Of Cans (Bonus A-side) - 2:38
13.Don't Ask Me To Mend Your Broken Heart (Bonus B-side) - 2:24
14.Heart Trouble (Bonus A-side) - 2:32
All songs by Ritchie Francis except where stated

Eyes Of Blue
*Phil Ryan - Organ, Piano
*Ritchie Francis - Bass, Piano, Vocals
*John "Pugwash" Weathers - Drums, Vocals
*Raymond "Taff' Williams - Guitar
*Gary Pickford Hopkins - Vocals, Guitars
*Wyndham Rees - Vocals

Related Acts
1970  Ancient Grease - Women And Children First (2003 digipak edition)
1971  Big Sleep - Bluebell Wood (2007 remastered edition)
1971  John St. Field - Control
1972  Man - Be Good To Yourself At Least Once A Day (2007 remaster with extra tracks)
1974-75  Neutrons - Black Hole Star / Tales From The Blue Cocoons (2003 issue)

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Sea Train - SeaTrain (1969 us, fantastic psych rock with prog shades, vinyl edition)

This album was the next step by the group previously performing under the revamped "Blues Project" name and their "Planned Obsolescence" album of 1968. The Blues Project made serious changes after Al Kooper, Danny Kalb and Steve Katz left for other musical interests.

This original Sea Train album had some marvelous, haunting melodies, including two great instrumentals, "Pudding Street" and "Sweet Creeks Suite" (both Andy Kulberg tunes). Two other songs, "As I Lay Losing" and "Outwear the Hills," both surfaced on future albums. The band consisting of John Gregory (guitar, vocals), Donald Kretmar (sax, bass), Richard Greene (violin), Roy Blumenfeld (drums), Andy Kulberg (flute, bass) and Jim Roberts (lyrics) created a fascinating montage of country, rock, jazz and classical compositions.

The difference between Sea Train and other American bands were their lyrics. The group had a dedicated lyricist, Jim Roberts, whose words were more poetic than most bands of this era, focusing on personal experience and frail romance.

Earth-link

This is a vinyl transfer to digital copy, tried to fix the sound as better I could, artwork is from the 1986 CD release, sorry for this mixed up.

I don't know why it hasn't released a remastered CD version, the musical world is full of scams, how can they ignore this truly masterpiece.

Tracks
1. Sea Train (Andy Kulberg, James T. Roberts) - 4:07
2. Let The Duchess No (John Gregory, James T. Roberts) - 3:38
3. Pudding Street (Andy Kulberg) - 4:49
4. Portrait Of The Lady As A Young Artist (John Gregory, James T. Roberts) - 3:51
5. As I Lay Losing (Andy Kulberg, James T. Roberts) - 4:54
6. Rondo (John Gregory, James T. Roberts) - 3:23
7. Sweet Creek's Suite (Andy Kulberg) - 3:55
8. Outwear The Hills (Andy Kulberg, James T. Roberts) - 4:58

The Sea Train
*Roy Blumenfeld - Drums, Percussion
*Richard Greene - Violin, Strings
*John Gregory - Guitar, Vocals
*Don Kretmar - Saxophone, Bass
*Andy Kulberg - Bass, Flute
*James T. Roberts - Lyrics

The Blues Project

1966  Live At The Cafe Au Go Go
1966  Projections
1967  Live At Town Hall
1968  Planned Obsolescence
1973  Reunion in Central Park

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