The Flame - Psychedelic Essentials (1970 south africa, wonderful psychedelia, produced by Carl Wilson, 2011 remaster)

As the Flames, brothers Ricky. Steve ('Brother') and Edries Fataar, together with Blondie Chaplin, were one of South Africa's most popular 60s bands. Playing soulful cover versions with exotic touches that hinted at their Malaysian heritage, they had a string of local hits between 1964 and 1968, including a 14 week run at number one with a cover of Jerry Butler & The Impressions' For Your Precious Love. 

When their ambitions began to stretch beyond South Africa, however, they decamped to the UK. where their LP Bunting Soul appeared on Page One in 1968. It failed to sell, but they still spent the next few months playing London club dates. The future seemed uncertain, until one night (probably in July 1969) Beach Boys guitarist AI Jardine happened to see them play Blaise's nightclub (where they had a residency). 

Duly impressed, he brought fellow band member Carl Wilson along to see them the next night, and he promptly offered to produce an album for them, to appear on the Beach Boys' planned Brother Records imprint. The Flames gladly accepted, and later that summer they flew to California, where Carl rented them a beautiful house overlooking Sunset Boulevard. Work permits were slow to materialise, however, which allowed them not only to immerse themselves in LA's hedonistic atmosphere, but also to move away from the cover versions that had defined them thus far, and start honing their own material under Wilson's encouraging supervision. 

The songs they came up with combined the punch of their live performances with the melody and craft of Paul McCartney - who, incidentally, name-checked them as one of his favourite groups around this time. Sessions finally began in October 1969 and. without the constraints of a tight studio schedule (a benefit of being produced by a superstar), they were given free rein to perfect their arrangements. Recording of the LP was completed the following July, and they embarked on a promo tour to support its October 1970 release (under the name 'Flame', to avoid confusion with James Brown's 'Famous Flames'). 

Heavily trailed in the music press, it came complete with a lavish poster and was the first album ever to be available in compatible quadraphonic sound. However, despite favourable reviews and having a minor hit (See The Light I Better  Get Your Mini! Made Up) which reached #95 on the Billboard chart in November 1970) – it sold badly. They undertook a support slot on a Beach Boys' US tour, but a second single (Another Day Like Heaven I I'm So Happy) also flopped. 

The band soldiered on to make another LP, reportedly with fuller string and horn arrangements, but it was never released and, frustrated, they disbanded shortly afterwards. Ricky and Blondie promptly joined the Beach Boys, appearing on their Holland LP and touring extensively with them in the mid-70s. Ricky also went on to appear in the cult favourite Beatles parody The Rutles, as well as appearing as a sideman to Bonnie Raitt, Joe Walsh, Crowded House and others. 

Blondie, meanwhile, became an in-demand session player, appearing on the Rolling Stones Bridges To Babylon album in 1997 and touring with them to this day. Edries and Steve found it harder to sustain careers in music, however. Steve now lives back in Durban, where he is still active in the local music scene, but Edries died tragically young in 1978, as did Carl Wilson (who succumbed to cancer in 1997). 

Despite their lack of contemporary success, however, power pop aficionados and Beach Boy completists have always kept the Flame flickering, and it is to be hoped that this CD reissue will spread awareness of their superb music wider than ever before.

Tracks
1. See The Light 3:06
2. Dove - 2:18
3. Make It Easy - 3:06
4. Get Your Mind Made Up - 4:10
5. Don't Worry Bill - 3:17
6. Lady - 3:28
7. I'm So Happy - 3:17
8. Another Day Like Heaven - 5:42
9. Hey Lord - 3:49
10.Highs And Lows - 4:49
11.See The Light (Reprise) - 1:28
All songs Steve Fataar, Blondie Chaplin, Edries 'Brother' Fataar, Ricky Fataar

The Flame
*Blondie Chaplin - Guitar, Vocals
*Steve Fataar - Guitar, Vocals
*Edries 'Brother' Fataar - Bass, Vocals
*Ricky Fataar - Drums, Vocals

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The Sevens - The Sevens (1965 swiss, killer garage beat)

The Sevens were five very talented, and experienced musicians who had already played in some of the local bands in Basel, Switzerland.

Michel Bovay (bass, vocals) had started out as rhythm guitarist for the legendary, early rocking Globemasters in 1963. They were formed by Charles Gemperli (vocals) in 1959. When the bass player of The Globemasters left, Michel was his replacement.

The Cannon Balls were another early rocking (Elvis, Jerry Lee Lewis, Little Richard influenced) beat group from Basel, formed in 1960 by Pino Gasparini (lead guitar, vocals), Georges Laederich (guitar) and Nando Gasparini (drums). In early 1962 Pierre Aebischer joined The Cannon Balls as lead vocalist and rhythm guitarist. They had by now turned into a twisted rock band. At this time the two rivaling groups from Basel were The Dynamites and The Globemasters. By the end of 1963 the better local groups had already turned towards 60s beat.

In January 1964 The Globemasters broke up for various reasons, including musical differences, and The Cannon Balls had also just lost their organist Sam Wälti (he went on to form his own group, the Sam Wee Five). Georges Laederich also left to play rhythm guitar in Peter Brugger's pre-Sheapes, post-Tornados group, The Blizzards. The two remaining ex-Globemasters, Charles Gemperli and Michel Bovay got wind that The Cannon Balls were about to break up, so they asked Pino and Nando Gasparini to form a new band. They decided to use Les Pirates for the new band name.

The drummer for their first 3 shows was Peter Thommen (ex-The Strangers, The Globemasters and pre-The Dynamites). He helped out for the first three shows until Nando could take over.

A few months later, Charlie had problems with his vocal chords, so he had to stay in hospital for two months; he never returned to the group. They decided to ask the great ex-Cannon Balls lead vocalist and rhythm guitarist Pierre Aebischer (who wasn´t working for another band yet) if he would like to join up as their singer and rhythm guitarist. Les Pirates third lineup (from autumn 1964) now consisted of Pierre Aebischer (rhythm guitar, vocals), Michel Bovay (bass, vocals), Pino Gasparini (lead guitar, vocals) and Nando Gasparini (drums).

The Sevens

Tracks
1. Be My Loving Baby (M. Bovay, P. Aebischer, P. Gasparini) - 2:17
2. I'm Crying (A. Price, E. Burdon) - 3:04
3. I'm Gonna Dress In Black (M. Gillon, M. Howe) - 3:25
4. Talk About Her (M. Bovay, P. Aebischer, P. Gasparini) - 2:09
5. The Love Of A Bird  (P. Aebischer) - 2:34
6. Why Don't You Love A Man Like Me (M. Bovay, P. Aebischer, P. Gasparini) - 2:16
7. Panam (M. Hungerbuhler, M. Bovay, P. Aebischer, P. Gasparini) - 3:06
8. Pretty Little Angel (M. Bovay, P. Aebischer, P. Gasparini) - 1:55
9. What Can I Do (M. Bovay, P. Aebischer, P. Gasparini) - 2:43
10.You Should Know (M. Bovay, P. Aebischer, P. Gasparini) - 2:11
11.In God I Trust (P. Aebischer) - 2:15
12.Don't You Fret (Ray Davies) - 2:32
13.Little Girl I Know - 2:05
14.My Mother - 2:03
15.Balla Balla - 2:11
16.Seven - 2:53
17.Run Me Down - 3:05
18.I'm Not The Right - 2:06
19.Beggin' Me To Stay - 1:57
20.I Can't Understand - 2:21
21.It's All Over Tonight - 2:17
Bonus tracks 13-21

The Sevens
*Michel Bovay - Bass, Vocals
*Nando Gasparini - Drums
*Pino Gasparini - Lead Guitar, Vocals
*Pierre Aebischer - Lead Vocals, Rhythm Guitar
*Markus Hungerbühler - Organ, Vocals

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Ocean - Give Tomorrow's Children One More Chance (1972 canada, pleasant folk rock)

The group's origins stem from when highschool friends guitarist Dave Tamblyn and keyboardist Greg Brown grew up in London, Ontario playing in a number of bands on the weekends, finally settling in as Leather and Lace, which featured Janice Morgan on vocals. They moved to Yorkville and became staples on the folk scene through the rest of the decade, eventually settling on a lineup that included Jeff Jones on bass and drummer Chuck Slater.

They were signed to Yorkville Records in 1970 who got them a distribution deal with Capitol. They released their debut PUT YOUR HAND IN THE HAND, the title track to an upbeat that owed much of its stylistic origin to pure hand-clapping gospel that Gene MacLellan had originally written for Anne Murray, who coincidentally also was on Capitol's label. Although Murray recorded the song two years before Ocean, the song was buried on her album and received no attention from executives. 

Ocean, meanwhile, saw the song released as their first single while they still played high school dances and night clubs around Toronto. That soon changed, and the band began playing to crowds across North America, into Europe, and appeared on just about every Hit Parade type of TV show on the air. The song eventually topped Canada's charts and reached number 2 in the US, selling well over a million copies in the process.

The album was predominantly written by outsiders, and other noteable tracks included "The One Who's Left" - another MacLellan composition, a cover of The Band's "Stones I Throw," and their rendition of the gospel standard "Will The Circle Be Unbroken." "Deep Enough For Me" and "We've Got A Dream" followed up the charts, both cracking the top 40 before year's end. Following a highly successful world tour, they returned home amid allegations of missing funds compliments of management.

Still with Yorkville, they scored a distribution deal with Kama Sutra Records in 1972. They returned to the studios in Toronto, and released their follow-up "Give Tomorrow's Children One More Chance" later that year. The band tried to veer away from the easy listening gospel formula for success that made them overnight sensations only a year and a half earlier, though still just as preachy in their own way.  

The music on the second album moved away from the gospel sound towards more of a folk pop sound. Once again the songs were the highlight of the album, written by some of the best in the business including, Robbie Robertson and Richard Manual (The Band), Cook and Greenway, Steven Stills, Carole King and others. Despite the strong songs on the album, Ocean only managed to score a minor hit in Canada with the song "One More Chance" and were subsequently dropped by the label. 

Canadian Bands

Tracks
1. Things Im Going Through (Jeff Jones) - 3:41
2. One More Chance (R. Cook, R. Greenway, M. Hazlewood, A. Hammond) - 3:16
3. Its Just Another Whistle Stop (R. Robertson, R. Manuel) - 3:52
4. Wild Country (Wayne Faro, Greg R. Brown) - 3:09
5. Hosanna (J. Brown) -  4:09
6. Make The Sun Shine (Ken Stella) - 2:48
7. Mud Island (Donna Weis, Mary Unodsky) - 5:49
8. Helplessly Hoping (S. Stills) - 2:23
9. You Make Me Feel Like (A Natural Woman) (C. King, G. Goffin, G. Wexler) - 3:35
10.Funnier Man (Paul Craigie) - 7:10

Ocean
*Janice Morgan - Vocals
*Greg Brown - Keyboards, Vocals
*Jeff Jones - Bass, Vocals
*Dave Tamblyn - Guitar, Vocals
*Chuck Slater - Drums

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Gygafo - Legend Of The Kingfisher (1973-74 uk, prog folk rock with psych shades)

For 1973, British group Gygafo's only album is somewhat of an anomaly as it sounds quite like a psych-rock album from a few years earlier with the fuzz guitar and organ. But despite the 60's tonal qualities, Gygafo also show the prediliction for structural complexity as initially portrayed on the album's second track, "A Room With a View," that trades between a whimsical progression and a more aggressive classical rock section. 

And, in fact, it is this threshold betwixt late 60's psych and embryonic progressive rock that Gygafo pirouette around throughout . . .These phases are particularly distinct on the long side one-ending, three-song suite, "Waiting for the Rain/Entering Winds of Long Ago/Season's Weather (Coming Home)," although once the first half of the album is through, Gygafo keep solidly to a whimsical, late 60s, bay area, psychedelic influenced rock. 

In conclusion “ The Legend of the Kingfishers” Is a fair prog rock with some folk and hard rock influences, including some sinuous ebb-and-flow guitar lines, well worked-out vocal harmonies, haunting melodic figures, and classically flavored keyboard passages. 

Tracks
1. Solid Man Song - 3:54
2. A Room with a View - 5:35
3. Waiting for the Rain/Entertaining Winds of Long Ago/Season's Weather (Comning Home) - 12:07
4. And a Timne Tot Hink (Box 1) - 4:43
5. Today I Am - 5:44
6. The Legend of the Kingfisher - 9:56
7. What You Don't Know (Won't Hurt You) - 8:49
8. Nineteen Eighty Four - 5:18
All songs by Gygafo.

Gygafo
*John Atkinson - Vocals, Guitar, Mandolin, Flute, Glockenspiel
*Paul Kent - Bass
*Pete Nickson - Drums, Percussion
*Charlie Speed - Guitar, Vocals
*Eddie Stringer - Keyboards, Piano, Vocals

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Shiva's Headband - Psychedelic Yesterday (1977 us, hard texas psych, Akarma digipak book-style sleeve)

Storming into the growing Austin music scene in 1967, the group became the house band at the Vulcan Gas Co. and the first group to perform at the renowned Armadillo World Headquarters. Shiva’s Headband ’s quickly rose to a leading position in the new Austin music scene and built a large following of loyal fans all over Texas—from Dallas to San Antonio and the Valley, to Corpus Christi, to Houston and Nacogdoches! As the Headband’s reputation grew, both locally and world-wide, its appearance became a must on shows featuring national acts.

They played with such luminaries as Spirit, Steppenwolf, ZZ Top, Janice Joplin, Canned Heat and Steve Miller. Contract offers arrived from RCA, CBS, Electra, Fillmore and others. Finally, they signed with Capitol and released the first LP from the Austin scene (Take Me To The Mountains, produced by Spencer Perskin with Fred Catero ). The Headband has had a number of subsequent releases over the years and now offers their first CD- Shiva’s Headband Classics, Vol. 1, Down in Texas (Produced by Spencer Perskin for Moontower).

The often imitated but never duplicated sound of leader and founder, Spencer Perskin, is undoubtedly the backbone of Shiva’s Headband. Perskin began his career at age 8, and by age 9 was accepted as a special music student at Southern Methodist University in Dallas where he studied for eight year. During his high school years, he played with the Hillcrest High Orchestra, the Hillcrest Band and the Dal-Hi Orchestra. Following high school, Perskin attended North Texas State University where he, along with fellow classmates Michael Murphy and Steve Fromholz, was a member of the school’s Folk Music Club. Perskin also played with the N.T.S.U. Orchestra.

Three years later, in Austin, he and his wife, Susan, and friends founded the soon-to-be- famous Shiva’s Headband. In 1969 Perskin released the Shiva’s second single on his new Armadillo Record label, after the Capitol release in 1970 he founded, with a lot of help from his friends, the now-legendary Armadillo World Headquarters—the institution most responsible for placing Austin, Texas firmly on the World Music Map! Leading the group for almost three decades today Perskin fronts a rejuvenated Shiva’s that is as much a part of the new millennium as it was the 60’s, 70’s and 80’s.

"Psychedelic Yesterday" was recorded live in studio in Austin, Texas, March 1977 and originally released in 1978.

by Adamus67

Tracks
1. Ryder Blues - 3:34
2. Easy Street - 4:17
3. Stone City - 3:50
4. Up-Downhearted Blues - 5:02
5. Lightnin' - 5:07
6. Undermine - 6:11
7. Waiting Game - 4:18
8. Vortex - 8:16
9. Mr.  Butts (Bonus Track) - 3:14
10.Insanity (Bonus Track) - 4:24

Shiva's Headband
*Suzy Perskin - Vocals, Organ
*Spencer Perskin - Vocals, Violin, Guitar
*Brian Red Moore - Bass
*Jerry Bazil - Drums
*Robert Flynn Jr. - Guitar
with
*Georgina Van Ris - Bass
*Steve Whitfield - Drums
*Greg Lowry - Bass
*Mike Kearney - Guitar
*Sativa Perskin Esper - Vocals

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Mouse - Lady Killer (1973 uk, wild creative fuzzy prog with glam shades, Angel Air bonus tracks reissue)

Angel Air continues to sweep up the furthest flung crumbs of the Ray Russell canon for reissue, and now they've finally swatted the Mouse onto CD. This quartet, comprising Russell, drummer Alan Rushton, keyboardist Jeff Watts, and singer Alan Greed released their sole album on EMI in 1973. 

Russell jokes in the booklet that "attempts to make a single were forgotten about an hour into the first session," but even so the compulsive "Electric Lady," a throbbing rocker or alternately, the bouncy pop-flecked "We Can Make It" both fit that bill. And even if "Going Out Tonight" was a little too quirky for singledom, it was still the perfect set opener on-stage or on record. 

Given free rein, however, the band were all to free to explore the byways of their own obsessions. "All the Fallen Teen Angels," for example, is proof positive that you really can put a reggae beat to any kind of music, even pompous, synth-driven pop/rock and it certainly is startling, but would you really want to hear it twice? "Asher Besher," in contrast, delves deep into Black Sabbath territory, "The Happening to Me and You" dips into psychedelia, while "Just Came Back" returns from Delta blues. 

But even with all its musical meanderings, this is a more commercial album than Russell lets on, and if only producer John Acock had exerted a bit more control, squashing the occasional over-long intro and more tightly focused the songs, Lady Killer would have made a killing in the charts. As is, it's still a fine set of '70s rock in a supple and subtle experimental mode. 

by Jo-Ann Greene

Tracks
1. Going Out Tonight - 4:45
2. You Don't Know - 2:41
3. Electric Lady - 2:38
4. All The Fallen Teen Angels (J. Fidler, P. Hope Evans) - 3:32
5. Ashen Besher - 5:30
6. We Can Make It - 3:32
7. East Of The Sun - 4:34
8. It's Happening To Me And You - 2:49
9. Sunday - 2:49
10.Just Came Back - 5:18
11.Lost In The City (R. Russell) - 3:55
12.Timothy Leary's Ride Home (R. Russell) - 0:45
13.Jamie (R. Russell) - 2:42
14.Hit And Run (R. Russell) - 5:25
All songs by Mouse unless as else written.
Bonus tracks 11-14

Mouse
*Alan Clare - Keyboards, Vocals
*Alan Rushton - Drums
*Ray Russell - Guitar
*Jeff "Tain" Watts - Bass

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Canterbury Fair - Canterbury Fair (1967-69 us, heavy psych with baroque and early prog touches, Sundazed release)

The Canterbury Fair was a band from Fresno California that recorded between 1967 to 1969. The band, led by John and Philip Hollingsworth, skillfully employed keyboards and a fuzz bass to create a monstrous epic sound of swirling tapestries of mind-bending music that was way ahead of its time. Canterbury Fair created a sound the was reminiscent of the Doors but contained elements of the Left Banke and Love. 

The unique thing about this band is that no one played guitar in the band, the entire sound was based around the organ as the lead instrument together with drums bass and vocals. This collection of 10 songs includes the A-side of the ultra-rare single, "Song On A May Morning" originally released on the small local Koala label as well as the group's never-before-heard full-length album that was recorded but never released and one live track recorded during the band's hey day. 

This release contains in depth information on the band together with rare photographs and reproductions of concert posters. Another long lost legendary band finally resurrected for all to hear.

by Keith Pettipas

Tracks
1. Talk Song (Philip Hollingsworth) - 6:31
2. Song on a May Morning (P. Hollingsworth) - 2:53
3. Acid (John Hollingsworth) - 3:50
4. Bad for Anyone (J. Hollingsworth) - 3:37
5. Russian Opera (J. Hollingsworth) - 2:59
6. Long Brown Hair (Jim Baker) - 4:18
7. Winds of the Sky (P. Hollingsworth) - 5:18
8. A Spanish Serenade (J. and P. Hollingsworth) - 5:49
9. Sally Rover (J. Hollingsworth) - 10:15
10.The Man (Live) (J. Hollingsworth) - 5:22

The Canterbury Fair
*John Hollingsworth - Keyboards, Vocals
*Philip Hollingsworth - Bass, Vocals
*James Holley - Drums
*Sean Cosaro - Drums

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Dear Mr.Time - Grandfather (1970 uk, marvelous psych prog, with acoustic elements, strings and flute)

Dear Mr Time were an obscure British outfit who straddled the late-period psych/early prog divide with their sole album, a concept piece entitled Grandfather. It (loosely, of course, in true concept album style) tells the story of one man's life from his birth around the turn of the century to his own death, as recounted by his grandson. 

Birth - The Beginning makes for a pastoral enough start, but the pace picks up quickly enough as the story races towards the protagonist's experiences as a soldier in the trenches. The rest of the album veers between acoustic and electric, but quality's maintained throughout, avoiding the 'only two or three decent tracks' syndrome. On reflection, the concept actually owes a little to the Pretty Things' seminal SF Sorrow, but it's a very different album and, let's face it, a fairly universal subject.

No-one's credited with Mellotron, so I'll assume keyboard player Barry Everitt was responsible for the excellent MkII strings on Prelude (To Your Country Needs You?) and the rather shorter part in closer Grandfather. Pity they didn't use it more, but there you go. Incidentally, the cellos in Prelude are real.

All in all, this is really rather good, and undeservedly obscure, especially when you consider some of the third-rate stuff that's been available for years. The CD appears to've been pressed from a vinyl copy, but the surface noise isn't too bad, and rather a slightly crackly copy than none at all! A welcome addition to the field of UK psych/prog reissues, with a couple of good 'Tron tracks. Assuming you can find it, buy.

Planet-Mellotron

Tracks
1. Birth - The Beginning (Baker) - 3:58
2. Out Of Time (Baker) - 4:30
3. Make Your Peace (Everitt) - 5:20
4. Your's Claudia (Baker) - 2:51
5. Prelude (To 'Your Country Needs You?') (Everitt, Baker, Sewell, Sturgeon, Clements) - 3:00
6. Your Country Needs You? (Everitt, Baker, Sewell, Sturgeon, Clements) - 3:35
7. A Dawning Moonshine (Baker) - 3:52
8. Years And Fortunes (Baker) - 4:01
9. A Prayer For Her (Baker) - 2:53
10.Light Up A Light (Baker) - 3:23
11.On A Lonely Night (Baker) - 4:16
12.Grandfather (Baker) - 2:36

Dear Mr.Time
*Chris Baker - Lead, Acoustic Guitar, Vocals
*John Clements - Drums, Percussion
*Barry Everitt - Vocals, Organ, Piano, Harpsichord
*Dave Sewell - Bass,Vocals
*Jim Sturgeon - Saxophone, Flute, Acoustic Guitar, Vocals

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David Wiffen - David Wiffen (1971 uk/canada, fabulous blend of country folk rock melted with jazzy tunes, 2014 remaster and expanded)

English singer/songwriter Wiffen moved to Canada at age 16. He started his music career with appearances at the Village Corner club in Toronto. After that he hitch-hiked across Canada where he ended up as manager of the Calgary coffeehouse The Depression.

In 1965 he was invited to perform at Vancouver's Bunkhouse with an ensemble of other musicians for a live album and when none of the other acts showed up the recording was continued. The result was Wiffen's first solo album 'David Wiffen Live At The Bunkhouse'.

He then joined The Pacers who were soon offered a recording contract in Montreal. Wiffen joined the group as they headed to Quebec but when the deal fell apart, Wiffen moved onto Ottawa where he joined the folk act The Children.

The act featured several of Canada's most prominent future artists such as Bruce Cockburn, Sneezy Waters (aka Peter Hodgkinson), and Richard Patterson (The Esquires) among others.

In 1966 another Vancouver folk trio, Three's A Crowd, played the Le Hibou Coffee House in Ottawa where Wiffen met them and was subsequently asked to join the band along with Children drummer Richard Patterson and bassist Comerie Smith from Toronto.

With the new line-up of Brent Titcomb, Trevor Veitch, Donna Warner, Wiffen, Patterson, and Smith they moved to Toronto but Warner dropped out and was replaced by Colleen Peterson who took over lead vocal chores. They began playing throughout North America and played at Expo '67.

Members of the Mamas And Papas soon discovered the act and convinced them to record a demo tape which got them signed to Dunhill Records where they recorded the singles "Bird Without Wings" and "Let's Get Together" which led to the full length album 'Christopher's Movie Matinee'.

They would disband in 1968, but in 1969 TV producer Sid Banks asked the members to appear on a CBC variety show called 'One More Time' and the band reformed with members Cockburn, Patterson, Wiffen, Crawley, Pendrith and Peterson.

Cockburn was picked up and signed to a solo recording deal with True North and the band split up once more. Though this final version didn't record together they did make a promotional music film of Cockburn's "Electrocution Of The Word" that was showcased at the Youth Pavilion of Ottawa's Central Canadian Exhibition.

Wiffen had also been spotted by executives of Fantasy Records during a Three's A Crowd gig at The Bitter End in New York and was signed to a solo recording deal. His eponymous debut was released in 1971 and produced two hit singles.

In 1973 he would shift to United Artists who released his 'Coast To Coast Fever' which gave Wiffen a Juno nomination. 

Maple Music

Tracks

1. One Step (Kaye Lawrence Dunham) - 2:33
2. Never Make A Dollar That Way - 3:24
3. I've Got My Ticket - 2:45
4. What A Lot Of Woman - 2:12
5. Since I Fell For You (Buddy Johnson) - 3:28
6. Driving Wheel - 4:24
7. Mr. Wiffen - 2:50
8. Blues Was The Name Of The Song - 1:34
9. Mention My Name In Passing - 2:20
10.More Often Than Not - 3:30

11.Cry In The Morning Rain - 4:10

12.Lover's Prayer (Randy Newman) - 1:55

13.Blues Was The Name Of The Song - 1:29

14.Mention My Name In Passing - 2:20

Music and Lyrics by David Wiffen except where noted

Bonus Tracks 11-14

Musicians
*David Wiffen - Acoustic Guitar, Vocals, Organ
*Jerry Corbitt - Electric Guitar, Acoustic Guitar
*Ed Bogas - Piano
*John Mcfee - Steel Guitar
*Sandy Crawley - Acoustic Guitar
*Kelly Bryan - Bass Guitar
*Vic Smith - Bass Guitar
*Bing Nathan - Bass Guitar
*Greg Dewey - Drums
*Jeff Myer - Drums
*Jim Stern - Drums
*Jeremy Merrill - French Horn
*Germain Wallace - Saxophone
*Gerry Gilmore - Saxophone
*Bernard Krause - Moog Synthesizer

1973  David Wiffen - Coast To Coast Fever

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Thundermother - No Red Rowan (1970-71 uk, a must heavy acid psych blues folk rock, Kissing Spell release)

Thundermother hailed from UK and were actually a studio band, they recorded one and only album in a weekend, their music was a mix of heavy acid psych blues rock. The band's lead singer was David John who round 1962 formed David John and The Mood (broke up in early 1966).

Their bass player and vocalist as well, was Frank Newbould (The Purple Haze) who was a member of Little Free Rock .Thundermother shared some tracks on an album together with Lightyears Away called "Astral Navigations" (Holyground 1971).

Tracks

1. Someday (Frank Newbould) - 13:41

2. Country Lines (David John, Dave Wilkinson) - 1:05

3. Boogie Music (L.T.Tateman III) - 4:48

4. Woman (Dave Millen) - 3:17

5. Lady (Lay by Me) (David John, Dave Millen) - 3:39

6. The People Show (David John, Dave Millen, Frank Newbould) - 3:55

7. Come on Home (Dave Millen) - 4:53

8. Woman in my Life (David John, Dave Millen, Frank Newbould) - 4:17

9. Rock me Babe (Dave Millen) - 6:03

10.Boogie Music (Coke Version) (L.T.Tateman III) - 4:53

11.Duce Blues (Dave Millen, Jerusalem Smith, Fred Kelly) - 4:14

12.Watch Your Step (David John) - 3:30

13.You Know Me Baby (Dave Millen, Frank Newbould) - 1:26

14.Come on Home (Dave Millen) - 7:31

Tracks 1-7 recorded 1970

Tracks 8-14 recorded 1971

Thundermother

*David John - Lead Vocals

*Frank Newbould  - Vocals, Bass, Guitars

*Ginner(Dave Millen) - Lead ,  Acid Guitars, Vocals

*Daz(Dave Smith) - Bass

*Fred Kelly - Drums

*Jerusalem Smith - Drums On 'Woman'

*Dave Wilkinson - Piano

Related Acts

1969  Little Free Rock

1969-71  Little Free Rock - Time Is Of No Consequence

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