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Saturday, October 5, 2024

The Mob - The Mob (1970-72 us, exciting jazz funky brass rock)



The MOB was the first band in Chicago to have a full horn section. Prior to The MOB (early-to-mid ’60’s), Gary Beisbier and Jimmy Holvay had horns in all of their line-ups. “Beatle Time” was recorded in December of 1963 and charted on WLS. Gary and Jimmy recorded as a group called The Livers, previously The Chicagoans. The song carries the melody with a horn section.

In June of 1966, The MOB was playing at a club in Schiller Park on River Road called the Wine and Roses. Coming to see The MOB were every rock band musician in town including The Missing Links, The Exceptions and Carl Bonafede. The MOB’s very first release [”Wait (Please Don't Walk Away)” b/w “Mystery Man”] was on Cameo / Parkway Records in May of 1966. “Kind Of A Drag” by The Buckinghams was released in 1967, later Blood Sweat & Tears, CTA, the Ides Of March and Chase all featured horns.

It was said in Danny Seraphines’ book, that the MOB inspired Danny, Terry and Wally to add horns to their group, which was originally called The Missing Links, which then became The Big Thing (now known as Chicago).  In March of 1966, Jimmy Holvay was asked to write and produce a two sides for The Missing Links. It was a single called “Makin’ Up And Breakin’ Up” b/w “You Hypnotize Me” on Ivanhoe Records, when they were a four piece band, prior to them adding a horn section and re-forming as The Big Thing.

The Buckinghams also recorded their version of “Makin’ Up And Breakin’ Up” for their first USA LP. It was the producers (Dan Belloc and Carl Bonafede) who added horns to The Buckinghams tracks. The Buckinghams did not have horns in their band.

n early 1967, manager Joe DeFrancesco (in his quest to secure The MOB a recording contract with a major label) came up with a strategy. He directed The MOB to record at a top studio in New York City. The studio was A & R Recording, and the engineer was Brooks Arthur. The MOB recorded: "Disappear", "Blowin' My Mind", "I Wish You'd Leave Me Alone" and "Everybody's Got To Have Somebody", a newer version than the one recorded at Capitol Records' Studio B in Hollywood.

While in New York, Joe had a marketing brainstorm. A few months previously, Joe had seen a Las Vegas act, The Kirby Stone 4, perform at the Scotch Mist on Chicago's Rush Street. He befriended one of its members, Larry Foster, who was a celebrity voice impersonator.

While Joe was sitting in A & R Recoding's control room and mixing the tracks, he came up with an ingenious marketing plan of how he would launch the next super group to the world. He contacted Larry Foster, with whom he created a radio spot campaign titled "WHO IS THIS MOB?!" The twist was not only that these mobsters weren't gangsters but also that "they were clean". They were a musical group.

The mobsters and Joe secured a major record deal with Mercury. The single chosen to be released in 1968 was "Disappear" (Holvay/Beisbier) b/w "I Wish You'd Leave Me Alone" (Holvay/Beisbier). The February 14th holiday was also known in Chicago for the St. Valentine's Day Massacre, which occurred in the 1920's. It was decided to purchase numerous ads (with the royalties from The Buckingham's hits) on the local Top 40 power house radio station WCFL, which ran the radio spots for weeks; all building up to the release of Mercury Records #72791 1-40785 and 1-40786 Bag-O-Tunes (BMI).

There were five radio spots Foster recorded: James Cagney, Walter Winchell, Humphrey Bogart, Al Capone and Edward G. Robinson. Each radio spot did not include any clip from The MOB’s single but instead teased that “they were clean”.
The Mob 
Tracks
1. Maybe I'll Find A Way - 2:44
2. Once A Man, Twice A Child - 4:11
3. (I’d Like To See) More Of You - 3:37
4. Lost - 3:57
5. Give It To Me - 3:04
6. For A Little While - 4:03
7. Goodtime Baby - 2:20
8. I Dig Everything About You - 2:34
9. Love Has Got A Hold On Me - 2:54
10.Back On The Road Again - 3:19
11.Savin' My Lovin' For You - 3:43
12.Medley: Everyday People (Sylvester Stewart) / Love Power (Teddy Vann) - 4:26
13.Make Me Yours - 3:00
14.All I Need - 2:46
15.I Feel The Earth Move (Carol King) - 2:52
16.Money (That's What I Want) (Berry Gordy, Janie Bradford) - 2:47
17.Where You Lead (Carole King, Toni Stern) - 2:22
18.Two And Two Together - 2:52
19.Uh-Uh-Uh-Uh-Uh-Uh - 2:52
All compositions by Gary Beisbier, James Holvay except where stated
Tracks 1-10 from 1970
Tracks 11-19 from 1971-72

The Mob
*Little Artie Herrera - Lead Vocals
*Al Herrera - Tenor Sax, Lead Vocals
*Gary Beisbier - Tenor, Alto, Baritone Sax, Background Vocals
*Mike Sistak - Trombone, Guitar, Lead Vocals
*Jim Holvay - Guitar, Fender Bass, Lead Vocals
*Tony Nedza- Hammond B3, Background Vocals
*Bobby Ruffino - Drums


Friday, October 4, 2024

Manfred Mann Chapter Three - Volume Two (1970 south africa / uk, exceptional jazz psych prog brass rock, 2004 japan remaster)



Chapter Three was more progressive and not commercially successful at the time. Slightly ahead of the times. Volume Two was originally released in 1970. The opener, "Lady Ace" is a haunting melody with and intricate rhythms. Standout tracks, "Poor Sad Sue" and the epic "Happy Being Me" which clocks in at over ten minutes and takes the listener on a journey through various moods and textures. The album closes with the haunting ballad "Virginia" leaving the listener feeling contemplative and fulfilled. "Volume Two" is a must-listen for fans of jazz-rock and anyone looking for a cerebral musical experience. 
Tracks
1. Lady Ace - 8:00
2. I Ain't Laughing - 2:36
3. Poor Sad Sue - 5:56
4. Jump Before You Think - 4:52
5. It's Good to Be Alive (Brian Hugg, Manfred Mann) - 3:32
6. Happy Being Me - 15:55
7. Virginia (Manfred Mann) - 4:55
8. I Ain't Laughing - 2:36
9. Happy Being Me - 4:04
10.Virginia (Manfred Mann) - 3:39
All songs by Mike Hugg except where noted
Bonus Tracks 8-10

Manfred Mann Chapter Three
*Manfred Mann - Organ, Police Whistle, Arranger, Backing Vocals, Lead Vocals (Track 7)
*Mike Hugg - Piano, Lead Vocals 
*Bernie Living - Alto Saxophone
*Steve York - Electric, Acoustic Bass 
*Craig Collinge - Drums
*Brian John Hugg - Acoustic Guitar, Backing Vocals
*Dave Coxhill - Baritone Saxophone
Guest
*Jerry Field - Violin (Track 3)
*Andy McCulloch - Drums (Track 5)
*Conrad Isadore - Drums (Track 6)


Thursday, October 3, 2024

Manfred Mann Chapter Three - Manfred Mann Chapter Three (1969 south africa / uk, extraordinary space psych prog brass rock, 2004 japan remaster and expanded)



Way-Out musical patterns, sometimes sounding like outer space sounds and then with brass blaring at you, and then going jazzy. Vocals are mouthed so you can't quite hear them, and the cacophony is ragged and untidy, as if everyone is playing their bit regardless of the others or the whole.

But then the original Manfreds here Mann and Hugg-say "(This) represents in general what we personally have been waiting to do for some years."

Mike Hugg takes the vocals (sounds a bit like Peter Lorre) and plays piano, deserting the drums, which are played by Craig Collinge. Manfred is on organ and Bernie Living on alto-flute, while Steve York is on bass guitar. Other musicians are brought in as needed, plus Madeline Bell, Sue and Sonny, trumpet soloist Harold Beckett, and guitarist Brian Hugg. Mann and Hugg wrote all 11 titles.

Manfred puts his voice through a distortion for One Way Glass, and Mike plays wistful piano on Where Am I Going. If you like your music weirdo, this is for you. Other titles: Travelling Man, Snake- skin Garter, Konekul, Sometimes, Devil Woman, Time, Mister You're A Better Man Than 1. Ain't It Sad. A Study in Inaccuracy.
by Allen Evans, NME, October 1969

1969's "Manfred Mann Chapter Three", is light years from the airy pop of "Do Wah Diddy Diddy," recorded by the hit-making first group formed by South African Manfred Mann and Mike Hugg in 1963. This is as much jazz as rock. There's hardly any guitar, but a swaggering horn section compensates. Imagine a darker, moodier Traffic with Mann manning the organ instead of Steve Winwood. Hugg's raspy vocals are featured on the first album recorded with the new band. The standout tracks are the album-opening "Travelling Lady" and "Time," but they are hardly the only strong ones. 
by Mark Allan
Tracks
1. Travelling Lady (Manfred Mann, Mike Hugg) - 5:50
2. Snakeskin Garter - 5:50
3. Konekuf (Manfred Mann) - 6:01
4. Sometimes - 2:42
5. Devil Woman - 5:28
6. Time - 7:34
7. One Way Glass (Manfred Mann) - 3:35
8. Mister You're A Better Man Than I (Manfred Mann, Mike Hugg) - 5:13
9. Ain't It Sad - 2:00
10.A Study In Inaccuracy (Manfred Mann) - 4:09
11.Where Am I Going - 2:51
12.Sometimes - 2:26
13.Mother - Aka Travelling Lady (Manfred Mann, Mike Hugg) - 5:23
14.Devil Woman - 5:26
15.A Study In Inaccuracy (Manfred Mann) - 5:18
Sond written by Mike Hugg except where stated
Bonus Tracks 12-15

Manfred Mann Chapter Three
*Manfred Mann - Organ, Police Whistle, Arranger, Backing Vocals, Lead Vocals (Track 7)
*Mike Hugg - Piano, Lead Vocals 
*Bernie Living - Alto Saxophone, Flute
*Steve York - Bass Guitar, Electric Guitar, Harp
*Craig Collinge - Drums
Guest
*Clive Stevens - Tenor Saxophone
*Carl Griffiths - Tenor Saxophone
*Dave Coxhill - Baritone Saxophone
*Gerald Drewett - Trombone
*Sonny Corbett - Trumpet
*Brian John Hugg - Acoustic Guitar
*Harry Beckett - Trumpet (Track 6)
*Sue And Sunny - Backing Vocals (Tracks 5,14)

Wednesday, October 2, 2024

Glory - A Meat Music Sampler (1968 us, dazzling blues folk psych rock, 2000 hard sleeve edition)



Rare 1969 album on the Texas Revolution label, recorded by a project featuring producer, vocalist and percussionist Linden Hudson. The LP was the result of long jam sessions. Most notable ingredient arguably is the acid guitar of Ted Hawley, showcasing a blues vibe that reminds of Moving Sidewalk-era Billy Gibbons. 'A Meat Music Sampler' rates as one of the best kept secrets of late '60s/early '70s US underground rock. 
Tracks
1. Spin Me A Rag - 6:48
2. Wish Ta Heck - 3:33
3. Slow Rock'N'Roll - 8:04
4. Mer-Cun Boy - 2:40
5. Prayer - 4:22
6. Studio Blues Jam - 6:25
All songs by Ted Hawley

Personnel
*Linden Hudson - Vocals, Percussion (Tracks 2,3)
*Ted Hawley - Acoustic Guitar (Tracks 1,4), Lead Guitar (Tracks 1,4,6), Harmonica (Track 1), 
 Piano (Track 4,5), Organ (Track 6), Percussion (Track 4)
*Hal Hawley - Bass (Tracks1,6)
*Chuck Conway - Drums
*Richard Jones - Organ (Track 1)
*Ronald Garner - Organ (Track 3)
*Assorted Friends - Percussion (Track 5)

Tuesday, October 1, 2024

Man - Do You Like It Here Now Are You Settling In (1971 uk, space prog jam rock, 2007 bonus tracks remaster)



Long a fan favorite, Man's fourth studio album was recorded in 1971 during a harried one-week studio session that found the group having to write nearly the entire album, barring the tight and rocking "Angel Easy" and the group's multi-part masterwork "Many Are Called but Few Get Up." Frankly, the album sounds like a record that was largely jammed in the studio; the eight-minute-plus jams that close each side, "We're Only Children" and "Love Your Life," are particularly tiresome, good instrumental and lyrical ideas stretched well past their breaking points. However, besides the superior "Angel Easy" and "Many Are Called but Few Get Up," the album does include the rather wonderful "All Good Clean Fun," a showcase for pianist Clive John and lead guitarist Deke Leonard that has a delightful prog pop playfulness akin to some of Genesis' more lighthearted early moments or the daffiness of the later band Hatfield & the North.
by Stewart Mason
Tracks
1. Angel Easy - 5:02
2. All Good Clean Fun - 4:34
3. We're Only Children - 8:30
4. Many Are Called, But Few Get Up - 7:26
5. Manillo - 5:17
6. Love Your Life - 8:59
7. Many Are Called, But Few Get Up - 8:55
8. Angel Easy - 5:06
9. Romain - 18:32
All compositions by Martin Ace, Clive John, Michael Jones, Deke Leonard, Terry Williams
Bonus Tracks 7-9 recorded Live at Grugahalle, Essen, Germany

Man
*Martin Ace - Bass Guitar, Acoustic Guitar, Vocals
*Clive John - Organ, Piano, Vocals
*Michael Jones - Electric Guitar, Acoustic Guitar, Vocals
*Roger "Deke" Leonard - Electric Guitar, Acoustic Guitar, Vocals
*Terry Williams - Drums 

1969  Man - 2 Ozs Of Plastic With A Hole In The Middle (2009 remaster)
1971  Man - Man (2007 remaster)
Related Acts
1971-73  Help Yourself - Reaffirmation An Anthology (2014 Remaster)
1973  Help Yourself - 5 (2004 release)